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Smith Rock Records is a Fresh Spin on Bend’s Longtime Record Store

A visit to downtown Bend’s Smith Rock Records is an experience rife with nostalgia as customers step into a space packed with new and used vinyl albums, CDs and cassette tapes. Vintage music posters, memorabilia and tapestries decorate the walls, the smell of incense cloaks the air and music softly plays over the surround sound system. The store sits in the O’Kane building, a two-story structure built in 1916 and placed on the National Register of Historic Places in the 1980s—all appropriate to the throw-back feel of this classic destination.

Smith Rock Records interior

While a trip to the record store might seem like a thing of the past for many, vinyl sales have actually skyrocketed across the U.S. in the past couple of years, thanks in part to shifting habits during the pandemic and a growing number of music lovers preferring analog formats to listen to their favorite tunes. The spike in interest and sales has been a boon for stores like the one in Bend, which in 2020 changed owners and rebranded under a new name, Smith Rock Records. 

Less than two years ago, the future was uncertain for Bend’s Ranch Records, as the downtown record store was known, in business since 1996. Then-owner John Schroeder had been eyeing retirement for a couple of years, and with rumors of pandemic shutdowns looming last February, he briefly considered calling it quits on the store. Luckily for Schroeder and audiophiles around the region, another music lover was more than ready to step in. “I had no apprehension in taking it over,” said Patrick Smith, a Central Oregon native with a long history in the local music scene. Smith, who also does sound production for concerts, had discussed buying the store from Schroeder in the past, and pandemic or not, he was still interested. Schroeder began to show him the ropes, and by the summer, Smith was officially the new owner.

Smith thanks his mom for introducing him at a young age to music, which has been an important part of his life ever since. “The radio was constantly going when I was growing up,” said Smith, who grew up in Bend and Redmond. “And she gave me some of her 45s when I was real little.” After college in Eugene and stints in Seattle and Portland, Smith returned to Central Oregon, where he has helped with a sound and audio production company and been sales manager at audio equipment store Stereo Planet, among other jobs. As someone who appreciates music in its richest forms, including vinyl and CDs, Smith understands why the formats are making a comeback. “Hardcore music folks, they never stepped away from the record,” he said. “Records sound a lot more realistic. When someone hits a cymbal, it sounds like a cymbal.”

Smith Rock Records

After taking over the store last June, Smith renamed it Smith Rock Records—which includes his own last name, the word “rock,” and is a nod to Smith Rock, a favorite climbing destination for Smith, who lives between Redmond and Terrebonne. While some loyal customers questioned the name change, Smith was quick to explain that Bend has been home to record stores of many names over the past few decades. In the early 1980s there was Great American Record and Plant, which split into Great American Record for music and Stereo Plant for audio equipment (today it’s called Stereo Planet). When Great American Record left town in 1982, Schroeder managed a store called Rising Run Records that popped up in its place. That store’s name later changed to Paramount Records and after it eventually closed in the early 1990s, Schroeder and a partner opened Ranch Records. While Smith has kept the “Ranch Records” illuminated sign in the window of Smith Rock Records for old times’ sake, he’s reorganized the shop to make it more inviting to customers and made other upgrades, such as adding concert-quality trusses with stage lighting on the walls and adding wheels to displays to easily rearrange the space. Smith hopes to begin hosting events like album singings, acoustic shows and small concerts as soon as this winter.

Cassettes at Smith Rock RecordsBusiness has been steady through the pandemic, Smith said, with lines forming outside during times when the store capacity was limited. The holidays last year saw lots of gift-buyers and there were plenty of tourists over the summer, in addition to locals, he said. “The pandemic has helped quite a bit. People were just in the vinyl-buying mood and people really needed music,” Smith said. In 2020, vinyl sales across the country grew to 27.5 million records, rising thirty percent from 2019 and outpacing CD sales for the first time in thirty-four years. While Smith can’t predict the future of the record industry, he said he expects more classic record collections to surface in the coming years as the Baby Boom generation ages and passes on their belongings, boosting used inventory for shops like his. At the same time, artists today are producing more vinyl when they release albums, expanding new inventory for record stores. In the first half of 2021 alone, 19.2 million new records were sold.  

Check out the latest inventory and see what the vinyl resurgence is all about at Smith Rock Records, 117 NW Oregon Avenue in Bend, or visit facebook.com/smithrockrecords for store updates. 

Haven Home Style is a Home Décor Gem

Sponsored Content

It’s a wonder how Haven Home Style is able to fly under the radar from many in Bend, despite having a 6,000-square-foot showroom right in the heart of downtown. “Every day, people come in the store and say they didn’t know we were here,” said Rick, who co-owns the business with his wife, Jackie. The home décor, furniture and accessories store sits at the corner of Minnesota Avenue and Bond Street, and it is packed full of exclusive lines of high-quality pieces not found elsewhere in Bend.

Rick and Jackie previously both worked in the office furniture industry—Rick in sales, marketing and business development. While on business in Bend, Rick remembers seeing a summer concert at the Les Schwab Amphitheater. He called Jackie afterward to tell her he’d found their new home. After moving to town in 2008, Jackie took a job as store manager at Haven Home Style. “This is definitely where she belongs,” Rick said. “She really loves furniture and interacting with customers.”     

Co-owners, Jackie and Rick

When the previous owners were ready to sell in 2013, the couple stepped in, and as the business has grown, it’s become a full-time venture for them both.

Inside the well-appointed showroom, visitors will find dozens of staged displays of living room furniture, wall décor, lighting, dining areas and more, with unique products meant to appeal to a variety of style preferences. The store is continually restocked with new and seasonal merchandise, pulled from Haven Home Style’s warehouse, shipping and receiving space on the south side of town. The store embodies a “transitional” design style, or one that falls somewhere between traditional and modern, and appeals to homeowners with any of those styles. The products work well with neutral color palettes, with bits of color infused throughout.

The back walls of the showroom are packed with fabric swatches, which customers can use to build a custom chair, sofa or pillows using upholstery of different weights, textures and colors. A selection of cushions lets shoppers feel the difference in comfort between options. The store carries product lines from a trio of companies out of North Carolina and one in Texas, and works with customers to purchase custom furniture, or select pieces directly from the showroom. Once items arrive, they’re inspected and delivered to customers’ homes with white glove delivery service.

The staff at Haven Home Style all have varying backgrounds in interior design, and while eager to help showroom visitors select or create the perfect pieces, none work on commission. “Customer service is everything to us, but we never want people to feel pressured,” Rick said. In addition to the collaboration that happens between staff and customers inside the store, Haven Home Style also offers in-home design consultations to assess spaces and design aesthetics before shopping, if desired. Staff also visit homes when furniture and other items arrive, to ensure every detail is considered. “Getting all new furniture can be a little overwhelming sometimes,” Rick said. “They’re there for delivery and to help with the placement of items.”

These days, the showroom is attracting more younger couples and families who are eager to modernize and refresh their homes with stylish new accessories, furniture and more. “We strive to stay ahead of industry trends and work to continually update displays,” Rick said. He encourages anyone looking for fresh décor to stop in, chat with the design-savvy staff and see what inspires you.

Haven Home Style | havenhomestyle.com | (541) 330-5999

 

Bend’s Richard James Yozamp Brings Street Art Home
Yozamp in front of his mural at Miyagi Ramen. Wardrobe courtesy of Revival Vintage Bend, pants belong to artist, necklace courtesy of Planet Homeslice.

Richard James Yozamp pours another layer of house paint over a dead tree limb embedded in a concrete bucket in his garage studio. When finished, the sculpture will be part of his collection of “Bucket Trees” that he will place around town for people to enjoy and take home for free. “Everyone understands twigs,” said the Bend native, who recently returned to Central Oregon after immersing himself in street art in Southern California and apprenticing with masters in silk-screen T-shirts and pop-art prints.

The 2007 Summit High School graduate headed to Montana State University planning to major in art, but disliked the art school and switched instead to a business and marketing degree. He didn’t give up his dream of becoming an artist, though. “I painted abstracts by pouring paint onto a canvas in the party room of my fraternity,” he recalled. “I had eight large paintings and recruited eight sorority sisters to use their hair dryers to finish them in time for the student art show. I priced them cheap. They sold out quickly.”

After college, he moved to Ocean Beach, California, in 2012, surfing every day and working at James Gang T-shirt shop learning silk screening, color theory, photoshop and design. While there, he heard that Shane Bowden, a neo expressionist pop artist, was looking for an assistant. The Australian’s bold, vibrant and often provocative prints reminiscent of Andy Warhol and Robert Rauschenberg had a following in the art world. At one point, Bowden owned galleries in the United States, Canada and Asia.

“I went to meet him at his La Jolla gallery, and he told me, ‘You’re starting Monday morning. You’d better be ready,’” Yozamp recalled.

“I get there, and he tells me to make a four-by-four-foot silk screen of a Chanel (perfume) bottle. That’s an industrial size. I worked for him for four years, pumping out art, as many as 136 silk-screen paintings in one day. Until then, I didn’t know you could make a living doing art.

“He mentored me, and after a year of hardcore boot camp, I was painting forty to fifty hours a week,” he said. “I started selling my own work in galleries as a ‘ghost painter’ under his name and brand. At 25, I was making really good money and managing his whole operation and opened up eight galleries for him.”

When Bowden went to Italy in 2017 and didn’t return, Yozamp locked up the galleries. “I looked for work for several months, sold my own work and did small gigs,” he said. “I was directionless, but with the foundation Shane gave me, I was ready to become my own artist.”

Getting Started

His dad, Jim Yozamp, found him a job in marketing and sales in Bend in 2018. The younger Yozamp gave corporate life his full attention until he realized it wasn’t for him. “I was ready to get back into the studio and get creative,” he said. “The art followed me to Bend, and I got an order from Krave and Kulture, a high-end fashion and curated pop-art business in Palm Springs, for sixty paintings under my own signature.”

In addition to the Bucket Tree sculptures of dried bushes and dead branches, his studio had several large canvases ready for painting, made of heavy material he buys at Joann fabric store. “I love going to Joann’s and using my 50 percent off coupons,” he said and laughed. Although he’s mostly done silk-screened paintings in the past, he’s more focused now on hand painting his subject matter, which often includes mountains or trails he hikes in Central Oregon.

Yozamp also brought home a love of contemporary street art and mural painting. “I ran around San Diego at 2 a.m., zip tying cardboard cutouts to different parts of buildings, fences and street signs—about 100 different pieces at a time and a new series every week or two,” he said. “The subject matter included babies doing adult things, like reading the LA Times, drinking Starbucks or texting and driving a child’s Mercedes SUV electric toy car.”

Since returning to Bend, he’s painted murals at Bo’s Falafel Bar and Miyagi Ramen, and is in talks for other commissioned, large-scale public murals around Bend in 2021. He’s also had shows at Outside In equipment store, Dump City Dumplings and Revolvr Menswear.

Yozamp in front of the Bo’s Falafel Bar mural he painted

At 31, Yozamp is a fresh face on the local art scene. Expect to see more of his work around town. Visit him by searching @yozamp on Instagram. Yozamp’s newest exhibit, including classic views of Central Oregon Cascade lakes and mountains in natural fibers, will hang at Found Natural Goods opening December 4 and running through the month.

Yozamp’s vision of Three Fingered Jack
Fighting Central Oregon’s Wildfire with Fire

A pioneering forest restoration management program has melded leading edge science and community consensus to protect a volatile and highly visible swath of Central Oregon’s public lands from the mounting threats of climate change and a catastrophic Central Oregon wildfire.

A prescribed burn in Central Oregon from the Deschutes Collaborative Forest Project.

Like many Central Oregonians, Pete Caligiuri has a personal connection to the forest. Caligiuri was raised in Redmond and grew familiar with the lakes, trails, and quiet spaces that beckon thousands of visitors and newcomers here every year. He left to pursue an education and a career on the East Coast. Yet it was restoration—not recreation—that Caligiuri had on his mind when he came back to Central Oregon to work on a pioneering forest initiative for the Nature Conservancy.

Over the past several years, Caligiuri, a Yale-educated forest ecologist, sat alongside loggers, environmentalists, scientists and recreation advocates as part of the Deschutes Collaborative Forest Project—one of the first of its kind in the country. The goal was to hammer out a management strategy for a roughly 257,000-acre swath of forest just west of Bend, stretching from Sunriver to Sisters. It’s a contiguous sea of emerald pine spires painted against a dramatic mountain backdrop of snowcapped Cascade wilderness peaks that serves as a playground for locals and visitors alike. The pine forest, a mix of majestic red-barked ponderosa and lodgepole pine and fir trees, is deeply connected to the region’s economic past and its future. It was once home to one of the most extensive and intensive logging operations on the West Coast, a rough and tumble business that fueled Bend’s sawmill economy for nearly a century. Today the big trees are mostly gone, as are the mills.

Pete Caligiuri of the Nature Conservancy.
Pete Caligiuri of the Nature Conservancy

The forest is largely quiet, a haven for wildlife and hub of recreation that drives a $500 million local tourism economy, based on exploring rather than exploiting the forest. But that’s the glass-half-full version. Come July and August, the forest west of Bend is also a tinderbox of dense trees and brushes that, some say, is a ticking time bomb of sorts. The huge stockpile of fuels in an overly dense forest is ripe for a wildfire. The impact of such an event would be catastrophic: Valuable wildlife habitat destroyed, hundreds of miles of popular hiking and biking trails obliterated, scores of homes that have been built on the ever-expanding fringes of Bend and Sisters at risk.

“All the climate indications suggest that we are going to have longer summers, uncertain precipitation, [and] potentially longer, hotter fire seasons. So, if anything, fire is going to become a more dominant force once again, one that we are not able to control,” said Caligiuri.

Recognizing that the stakes were high from an ecological and economic perspective, Caligiuri and the rest of the steering committee developed a set of recommendations that have been largely implemented by the Forest Service. A central element of that plan is a strategy of more, not less, fire in the forest. The approach did more than just reduce fuels, it has helped land managers restore entire sections of forest to conditions that existed before a century of grazing, logging and fire suppression altered the landscape. It began with a desire to better understand the role that humans and industrial activity have played on the evolution of the forest. By understanding human impacts, the Deschutes Collaborative Forest Project, or DCFP, could begin to mitigate them.

“The forest restoration problem is a social problem with an ecological explanation,” explained Caligiuri, whose organization has helped drive both the science and the social elements of the collaborative project.

Old Ways, New Problems

A firefighter works on a prescribed burn in Central Oregon

Until recently, there has been little consensus about the best way to address the challenges faced by forests. Environmentalists didn’t want to see an aggressive logging plan. The Forest Service didn’t have the resources to do large-scale thinning and clean-up work to reduce fuels across such a large area. The result was gridlock, a status quo standoff that ensured inaction as the forest deteriorated and the time bomb kept ticking.

“We have this homogenous sea of even-aged trees and they are really dense. Our soil precipitation doesn’t sustain that kind of density well,” said Nicole Strong, a forester and researcher at Oregon State University who worked with the collaborative. “What I see are too many trees and not enough shrubs and grasses and not enough open spaces. It’s not a very resilient system.”

Despite disagreements over how to manage the forest, stakeholders from across the spectrum agree that the forest is integral to the community’s economic health and the region’s quality of life.

“I think what we want is a forest that continues to provide this broad suite of benefits that everyone cares about,” said Caligiuri. “Everything from jobs in the woods to, in our case, an economy that is squarely dependent on a healthy forest for tourism and recreation, [in addition] to things like drinking water and clean air. All of those values depend on healthy, resilient forests.”

That was the starting point seven years ago when members of the fledgling DCFP steering committee got together and started talking about shared interest and compromise. The group, which includes more than a dozen stakeholders, developed a set of recommendations to restore more than a quarter-million acres of forest land stretching from outside Sisters to southwest of Bend. The project, which has been underway since 2010, uses a collaborative process to develop recommendations for forest management.

“What is unique about the Deschutes Collaborative is it’s not being run or administered by the Forest Service. We are really just a partner,” offered John Allen, Deschutes National Forest Supervisor.

It’s an approach that was born out of years of gridlock, frustration and protracted litigation between the Forest Service, environmentalists and the forest industry—groups with very different views about the best use of forest resources. In Bend, the result is a plan that removes hurdles to forest management, but does so based upon shared values and clearly defined outcomes, such as the protection of animal habitat and the removal of dangerous fuels. The DCFP required that participants, many of whom were veterans of the Northwest timber wars, not just listen to alternative viewpoints, but embrace ideas that were once seen as heretical. Environmentalists signed off on logging plans; loggers embraced the idea of leaving behind some of the most valuable trees. In the case of the Forest Service, an agency that spent more than a century obsessively putting out fires, crews were sent into the woods to intentionally light fires in the hopes of preventing one.

A New Approach

Firefighters work on a prescribed burn in Central Oregon.

The DCFP was one of the first plans to be funded under the federal Collaborative Forest Restoration bill that Congress passed in 2009. Since then the program has grown, from ten to more than twenty collaboratives, mostly around the West, where the timber battles have been the most pitched. There are two more in Eastern Oregon, one on the Freemont-Winema Forest near Lakeville and another in the Blue Mountains on Malheur National Forest land. Another independent, community-based collaborative is underway in Prineville. By most accounts the projects have been a success, helping longtime adversaries sit down in the same room to find common ground, certainly something that some participants didn’t think existed at the outset. They have also created a blueprint of sorts for how to manage at least a slice of our vast inventory of public lands at a time when there is little consensus among interest groups about how to do that. It’s a particularly pressing matter for the Forest Service, which is tasked with managing millions of acres of public land with a shrinking pool of resources.

“I would hope that we can use what we’ve learned and put it to work on the entire Deschutes National Forest,” said Allen. “This could be a model for how we look at community forests. And it’s really a partnership between the community and the National Forest.”

From community and consensus building to funding, the collaborative forest framework has helped to free the agency to do the work that it has long believed was necessary to ensure the health of the forest. The agency is projected to spend about $20 million on the Deschutes Collaborative Forest, half of which is coming directly from Washington, D.C. through the Collaborative Forest Project Act, money that otherwise would not have been available. Those dollars subsidize the expensive and time-consuming work of small-diameter tree removal and brush thinning that commercial loggers typically avoid. Whether that work would have happened without the collaborative is the subject of some debate, but it certainly wouldn’t have occurred with the speed or community support that it currently has, according to Allen.

Several years into implementation, the tree removal and thinning work has been highly visible and not without controversy. So far, the Forest Service and partners have harvested roughly thirty million board feet of timber just west of Bend, some of it along the area’s popular trails. Around the iconic Phil’s Trail complex, several popular trails have been shut down for extended periods while logging and thinning crews removed trees. Then, when users returned to the trails, they were greeted by a landscape that was almost unrecognizable in places. For trail users who were deeply familiar with, and attached to, the status quo, it was a visually jarring experience.

“I would say shock is the most common reaction,” said Melanie Fisher, a member of the DCFP steering committee and former co-owner of Cog Wild bike tour company in Bend.

Fisher has spent years riding and guiding in the forest, but she became convinced that the forest near and dear to her heart, as well as her bottom-line, was unhealthy in a way that presented a risk to itself and to users. Fisher looked around the forest and saw a landscape of dense and immature trees. She wondered what would happen if a wildfire were to erupt. How would bikers and hikers be alerted to the danger? Would they have time to escape a fast-moving blaze? What if she were out with friends or clients? It was clear to her that Bend needed a more fire-tolerant forest, one that could withstand what many saw as inevitable: a wildfire near Bend moving too quickly and burning too hot for fire crews to beat back.

Playing with Fire

Smoke from a prescribed burn in Central Oregon.

One needn’t look far for examples of the forest’s volatility around Central Oregon. In just the past five years, two major wildfires have erupted on private and public lands between Bend and Sisters. The Pole Creek fire burned forty-one square miles west of Sisters in 2012, threatening homes and completely consuming vast acres of forest that included hiking trails and wildlife habitat. Cars that were parked at the Pole Creek trailhead near Sisters burned like campfire logs, along with the lodgepole and pine trees. No one was hurt in the fire, but it proved a dramatic example of the speed and ferocity at which a modern forest fire grows. Only two years later, the Two Bulls Fire erupted in July of 2014, burning almost eleven square acres in dramatic fashion, filling the western horizon with dancing flames and thick plumes of smoke visible from afar. The fire forced the evacuation of 250 homes on the west side of Bend. The homes ultimately were spared after winds and weather shifted, allowing firefighters to gain control of the blaze. For longtime Bendites, the fire evoked memories of another blaze that blew up quickly and made a bee-line toward Bend: the Awbrey Hall fire of 1991. That fast-moving blaze ultimately consumed twenty-two homes on Bend’s Westside, including Ann Malkin’s home in Mount Bachelor Village.

The flames came without warning, Malkin recalled. It was hot and dry, but an otherwise postcard-perfect July day spent exploring the Cascade Lakes with her family and some out-of-town friends. The first sign of trouble didn’t come until the afternoon when she and her then-husband, Dave, rounded a corner near Mt. Bachelor and spotted a tall pillar of white smoke on the horizon. Malkin remembers thinking that it seemed awfully close to Bend—but she still didn’t know how close. By the time she and her family arrived home, firefighters were already in their west Bend neighborhood coordinating an evacuation. She had just a few minutes to grab photo albums, fleeing with celluloid memories and her then four-year-old daughter in tow. Within a few hours the home was burned to the ground. Even the metal window frames melted in the blaze. There was nothing to salvage. One of the sole recognizable items was a dime store Christmas tree stand. There was no rhyme or reason as to the fire’s path through her neighborhood, no explanation why her house burned while nearby neighbors were untouched—a testament to the fickle behavior of wildfire.

“It was just shocking. It was breathtaking. We lived in the backside of the development, so we had to drive through the rest of the neighborhood. You see these types of fire pictures in the news from other places, but you never think it’s going to happen to your development and your neighbors,” said Malkin.

Malkin’s family rebuilt and the scars from the fire have all but disappeared to time. The lessons from the fire were not entirely lost on local officials who have since ramped up efforts to reduce fuels around homes, including developing fire protection plans for neighborhoods most likely to be hit by fire. Building codes now encourage fire resistant landscaping, such as small lawns that can serve as buffer areas and fire breaks amid the dry brush. There is also an acceptance of the fact that allowing development to move farther into the forest will only invite wildfires.

Fighting Fire with Fire

A prescribed burn, part of the Deschutes Collaborative Forest Project initiative.

 

Caligiuri and other DCFP stakeholders started from the premise that fire was the ally, not the enemy, in any comprehensive forest restoration plan. In an area where dozens of homes and thousands upon thousands of acres have been lost to wildfire, that might seem counterintuitive. It’s also an about-face to the approach taken by commercial and public land managers who, for most of the 20th century, stomped out flames like they were ants at a family picnic. Ecologists admit that the Smoky the Bear approach might have made sense from a short-term perspective in a commodity driven resource economy—where trees translated to dollars, but only when trees were green. But putting out every wildfire comes at a cost, both in terms of resources and long-term forest health. Wildfires are incredibly expensive to fight. Last year, the Forest Service spent more than half of its total nationwide budget fighting wildfire, roughly $1.6 billion. As summers grow hotter and longer with each passing year, the task of battling every major wildfire appears Sisyphean at best.

In a dry forest ecosystem like that found on the east slope of the Cascades, “trying to stop fire is about as foolhardy as trying to stop a hurricane,” said Caligiuri.

On the other side, there is a growing body of research that suggests forests need fire like rivers need a good flood every so often. Healthy forests can not only withstand fire, but use them to regenerate. Fire is part of a cycle that sparks rebirth and helps maintain the ecological balance, creating wildlife habitat from burned wood while removing fuels that, when allowed to accumulate, can contribute to so-called catastrophic wildfires.

“There is a whole body of research around fire as part of the system,” said OSU’s Strong. “We are rethinking the relationship with fire and recognizing that we all moved into a fire-adapted landscape. It needs fire and we haven’t allowed that for over 100 years.”

The Deschutes Collaborative Forest Project started its work with the premise that a better understanding of the history and role of fire in the forest was essential to any large-scale restoration project. The challenge was how to reconstruct the history of a forest before humans were here to record it. What ensued was a forensic investigation of sorts, using clues left behind by the ghost of a forest’s past. As it turns out, the forest around Central Oregon had its own way of cataloging major events such as wildfires. The hidden history, including when fires burned and how far they spread, was locked in the trees that had survived the events. Most of those trees were felled long ago during the logging heyday, but the biological notes have endured, embedded in the tree rings and preserved in the stumps left behind after the logs were carted away. The Nature Conservancy worked with Oregon State University and the Forest Service to reconstruct this history using cross sections of these stumps. Just as climate researchers can piece together much of the earth’s climate history by studying core samples from polar ice fields, OSU researchers were able to reconstruct the behavior of fire in the forest, dating back more than 400 years. Scarring and other telltale signs found in samples taken from stumps west of Bend showed clearly that fire was a frequent visitor long before the first settlers arrived in Bend.

“The research very clearly paints a picture of how fire used to behave before a century of grazing and an intensive amount of logging,” said Caligiuri. “That opened everyone’s eyes to the dominant role that fire has played for a millennium in these ecosystems.”

On a recent tour of the forest area, Caligiuri walked gingerly on a surgically repaired ankle, a casualty of mountain biking accident in the same forest. He led me through an area that had been commercially thinned, just west of Bend and adjacent to the Cascade Lakes Highway. Just a few hundred feet from the Widgi Creek Golf Course and housing developments, the Forest Service, on the recommendation of the DCFP, employed a mix of tree removal and brush mowing to reduce overall vegetation density. The agency followed up with a controlled (or prescribed) burn—a low-intensity fire designed to mimic some of the natural fire activity that historically occurred in this type of ecosystem. The result is primarily open ponderosa pine, almost park-like. Bunches of pale green native grasses and shrubs have returned to the forest floor. What’s missing is the dense understory seen in so many other places that can transport otherwise innocuous flames from the forest floor to the canopy where it spreads like, well, wildfire. Eliminating these fuels is one of the easiest ways to fight wildfire proactively.

The DCFP is more than just a wildfire prevention strategy. The goal was to recreate the kind of forest, or at least the kind of forest conditions, that existed here prior to the arrival of settlers.

“It’s not that we are trying to go back to the past,” said Caligiuri. “What we are trying to say is we can learn from the past. So that becomes the white lines on either side of the road that keeps you more or less in the center of the lane. History becomes one line, and the future, climate change and the science around adaptation becomes another line.”

Voice of Skeptics

Not everyone agrees that more management of the forest is the recipe for healthier ecosystems. Paul Dewey has been leading the environmental charge on land use and forest health issues for more than two decades as the founder of Central Oregon LandWatch. An attorney by trade, Dewey helped beat back logging and development plans in the Metolius area during the late 1990s and 2000s. Since then he has focused on issues related to urban growth and the environment, challenging destination resort plans and unchecked suburban growth that has blurred the line between open spaces and private places in Central Oregon.

Dewey believes that the best way to fireproof communities like Bend is to limit building permits in areas where wildfire is a natural part of the ecology. In cases where development has already encroached, the answer isn’t thinning the forest, but preparing residents for the inevitable by making defensible spaces around homes and using fire-resistant building materials, such as metal roofs.

“The collaborative is talking about managing the forest, and the concern I have with that is it creates this impression that, if we only have the right management strategy, we can control wildfire. That’s such a dangerous attitude. With the right conditions, there is no way. These are climate-driven fires that no amount of human thinning is going to stop. What you have to do is then assume the bad one is going to hit and you have an urban design that can withstand that,” Dewey explained.

Dewey isn’t the only one with concerns about a management-intensive approach. George Wuerthner has been studying and writing about fire and western ecosystems for more than twenty years. An independent researcher, Wuerthner worked as a firefighter in his youth but spent the past decade-and-a-half as a researcher and writer at the Foundation for Deep Ecology, a pet project bankrolled by North Face founder Doug Tompkins. The organization was shuttered after Tompkins died in South America in 2015, yet Wuerthner carries on with his work, which has included keeping tabs on the Deschutes Collaborative Forest Project.

Wuerthner, who lives in Bend but travels around the country researching and speaking, said the scientific basis of the thinning and other management employed by the Forest Service at the behest of the DCFP is not as solid as they would have people believe. While there is an argument for creating defensible spaces in the immediate vicinity of homes and neighborhoods that adjoin the forest, the expansive ecosystem-wide approach is little more than good old-fashioned logging dressed up to look like environmental stewardship.

“They have gone hook, line, and sinker [into the notion] that the forests are denser than they used to be,” said Wuerthner. “These assumptions are driving fire policy as well as the forest restoration work and yet there are some who question how accurate those initial assumptions are.”

Forest in a Fish Bowl

A firefighter working on a prescribed burn in Central Oregon.

Caligiuri, Strong and other committee members are aware of the criticisms. It’s the reason that they say the DCFP took a scientific approach to its work.

“From the nature conservancy’s perspective, the question was, ‘Where is there needed restoration work to be done in the forest?’ and then understanding the scientific rationale for that work,” said Caligiuri.

“Ultimately, sustainability from a human perspective is dependent on coming up with a solution that finds that balance, but if we can start from a scientific foundation, we can have that conversation,” he added.

Strong said she understands that there are those who oppose any kind of management on lands, but that doesn’t solve the problems faced by our forests or our communities. Those who chose to engage in the collaborative forest did so with the understanding that it wasn’t a zero-sum proposition. Compromise was at the heart of the endeavor. And while no one got everything that they wanted, most who chose to participate got out what they put into the process.

“We focus a lot on the, ‘I can live with it,’ not ‘I’m getting everything I want.’ And that can be a tough point for some folks,” said Strong.

The fact that so many people are so passionate about our local forest underscores the importance of sharing the work that has gone into the collaborative process, said both Strong and Caligiuri. It’s one of the reasons that the collaborative has put a premium on a consensus and dedicated so much time and effort to telling that story to the community.

“It’s sort of a forest in a fish bowl. We have a lot of people that pay attention to it, and they pay attention to it for different reasons,” said Caligiuri. “I think that makes the work we are doing particularly important.

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