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Artful Gathering Place in Broken Top

Creating a Sophisticated Space for Family, Entertaining and Art

The remodel of a home in Broken Top began in 2020 with a straightforward need: a place to park the owners’ camper van. “It morphed from there,” said Michelle Wilson of Lightfoot Architecture & Design. She first met with the clients in the fall of 2020, and what began as a simple project quickly expanded into a major remodel. Three years later, the structure had undergone a highly customized metamorphosis, emerging as a sophisticated home tailored for comfort, entertaining family and friends while showcasing a life’s worth of collected art.

Interior fireplace of Broken top home

Builder Katie Pendleton, owner of The Fort construction company, said her team initially approached this project “thinking it would be putting lipstick on an already beautiful home in an established neighborhood. [But] we ended up taking out the entire center section of the house.”  Over the gutted space, they erected a gable roof at a 90-degree turn from the original roof’s direction. This redesign flooded the space with natural light, enhanced views of the golf course and Mount Bachelor, and established a new heart of the home.

The initial idea to build space for the camper van led to a complete teardown of the garage, which was reconstructed with space for the van, cars and a second story to replace space lost in the rebuilt central part of the home. In the end, nearly every surface of the 5,600-square-foot residence had been touched and improved, including installing new insulation and drywall, updated electrical and lighting controls, plumbing fixtures and a modern HVAC system.

Art and bathroom entry in Broken Top home

First Impressions: Nailing the “Wow” Factor

The homeowners wanted to create a memorable first impression when guests entered the home, garnering advice from Wilson, Pendleton and interior designer Anne Mastalir, owner of Design Bar. Today, visitors are greeted by a dramatic three-sided fireplace between two vaulted rooms. “They wanted it to feel like Bend, so we incorporated burnt wood, steel and lava rock materials commonly found in the area’s older homes,” Wilson noted.

The entry introduces visitors to the first of many commissioned and collected pieces of art thoughtfully placed throughout the home, including a life-size black and white drawing of the owner’s grandfather’s saddle hanging in the entry. To accommodate lighting for art throughout the house, the clients brought in a lighting designer, Chris Ferguson, founder of Part & Process LLC.

Kitchen of Broken Top Home

The cohesive design theme continues as the charred wood (also called shou sugi ban) on the dwelling’s outside siding extends into the interior along a wall that conceals a powder room only discovered by pulling a discreet door handle. The wood then wraps around a corner to the wet bar and a wine cellar designed by Vieng Oudom of Sommi Wine Cellars in Portland, with a custom racking system to create the illusion that the 800 bottles are floating in the temperature- and humidity-controlled room. The charred wood continues into the kitchen where Harvest Moon Woodworks built and installed black, handleless cabinets for a sleek, complementary look.

Dining area with artwork of broken top home

The Kitchen Details

Revolving around the homeowners’ love of cooking, the kitchen layout includes a large island made of two different stones that visually mark areas: one for sitting and chatting and another for food prep and cooking. It merges with the large, open living room, facilitating conversation and camaraderie among people hanging out, gathered around the fireplace or having a cup of coffee.

The extensive use of exposed steel in the remodel–replacing traditional wood beams and supporting the fireplace, island stones, staircase and railings—imbues the home with a distinctive industrial aesthetic. This steel framework contrasts with the walls of glass in the open area. Sliding glass doors lead to a patio with an outdoor kitchen where the owner enjoys making breakfast for guests who appreciate the seamless blend of indoor and outdoor living.

Bedroom and window seating of broken top home

From the patio, it’s possible to reach an in-ground hot tub and private entrance to the primary bedroom suite. The indoor shower opens via a glass door to an outside shower in a unique design. The owners said figuring out how to blend the two and provide privacy challenged the entire design and construction team.

Wine Cellar of broken top home
Photo by Ryan Flood

Creative Solutions: Maximize Space and Comfort Upstairs

Over the staircase, five Foscarini Spokes pendant lights guide the way to the second level. An open-railing catwalk offers views of the great room below, keeping residents connected to activity downstairs. The catwalk also leads to a small office with direct views of Mount Bachelor and, in the other direction, to the garage wing.

Upstairs with a view of broken top home
One notable architectural challenge was maximizing guest sleeping areas upstairs. The corner where two nonmatching roof lines converge and the central house angles toward the garage wing presented both a challenge and an opportunity. To address this, a collaborative effort among the homeowners and the design and build team resulted in two small rooms on either side of the corner, each featuring full-size bunk beds.

“The best design is when you go through the process and create something new and unique,” said Mastalir.

A long hallway greets guests as they approach the space affectionately dubbed “The Big Ass Fun Room.” It is lined with family photos, an unexpected sauna on one side and a series of windows overlooking the driveway on the other. The room is a vibrant blend of sports and travel memorabilia, entertainment platforms and a cleverly concealed gear storage area, making it a quintessential family gathering spot.

Exterior view of broken top home

In collaboration with a rare, all-female core team, the owners crafted a home that “facilitates connection, love and warmth,” said Mastalir. She noted that the interior space planning led to “one of the only projects I’ve done that looked even better after the clients moved in. They have spectacular taste.” It is a one-of-a-kind space that’s both new and distinctively tailored to the owners, honoring the Broken Top neighborhood and Central Oregon while serving as a welcoming gathering place for all.

Indoor/outdoor shower of broken top home

The Team

Architect: Lightfoot Architecture & Design  |  Builder: The Fort LLC  |  Interior design: Design Bar Bend  |  Structural engineering: Walker Structural Engineering  |  Wine cellar design: Sommi Cellars  |  Lighting design: Part & Process LLC  |  Landscaping: SZABO Landscape Architecture

Return of the Cascade Cycling Classic Criterium

Saturday, August 10, 2024, from noon to 8 p.m.

The crowd gathered early, anticipation building as they stood three rows deep to watch for the first cyclists to round the corner. An announcer called out the names of those leading the peloton as they streaked past in a blur of colors. Cheers of encouragement mingled with clanging bells as the athletes vanished for another circuit. Fans who remember the experience can look forward to the excitement again as the fast-paced Cascade Cycling Classic’s Criterium returns to Bend this August after a seven-year hiatus.

Community watching the Cascade Classic and enjoying a meal outside
Photo Joe Kline

Started by former professional riders and Bend residents Megan and Chris Horner, the Horner Cycling Foundation has resurrected the most popular stage of the Cascade Cycling Classic. Spanning from the late 1970s to 2019, the event was one of the longest-running stage races in North America, drawing both professional and amateur cyclists to sprint across the scenic roads and streets of Central Oregon for multiple races across successive days. The foundation opted to condense the race from five days to a more manageable single-day race, also known as a criterium.

Ron Hayman, Gavin Chilcott and Tom Schuler, circa 1987. | Photo courtesy of Bob Woodward

Molly Cogswell-Kelley, race director and executive director of the Horner Cycling Foundation, explained that the multiday stage race had reached its natural conclusion before the pandemic hit. Additionally, Bend’s rapid growth posed logistical challenges for a summer race, contending with factors such as peak tourism season, ongoing road construction and the ever-present threat of wildfires.

“Bike racing has always been a big part of summers in Bend, especially with the Cascade Classic,” said Megan.

“In recent years, bike racing has been missing in Bend, and I think Bend has been missing bike racing.”

“Being able to bring back at least one great stage of the Cascade Classic feels like a huge step.” She added that the criterium was a personal favorite of both hers and Chris’s from their racing days. “We can’t wait to be there when the racing kicks off again.”

Cyclists sprinting for finish line.
Photo Whit Bazemore

Chris rode professionally between 1996 and 2019, winning the Tour of Spain in 2013. He also competed in the Tour de France seven times and in the 2012 Summer Olympics in London. He has been a Tour de France commentator for NBC Sports and on his YouTube channel, The Butterfly Effect. Megan spent a decade bike racing in the U.S. and internationally. A former U.S. National Road Racing champion, she has been practicing law since 2011 and is the managing partner of Horner Law, LLP.

Cyclist working hard in Cascade Classic
Photo Whit Bazemore

The mission of the Horner Foundation is to develop youth cycling in Central Oregon, create opportunities for kids to ride and race bikes, as well as develop a junior road cycling team that is both inclusive and socioeconomically accessible. With a focus on skill development and team building, the Horners hope to foster a life-long love of cycling.

Bikers passing by in Cascade Classic
Bikers passing by in Cascade Classic | Joe Kline

Scheduled for Saturday, August 10 from noon to 8 p.m., the criterium will offer 19 racing categories, from junior athletes to professionals. The event will serve as the Oregon Bicycle Racing Association’s Criterium State Championship for juniors (ages 10 to 17) and masters (ages 40 and up). Bonuses include a one-mile run and a kiddie bike race.

Cyclers taking off in a sprint
Photo Joe Kline

For the professionals, the day culminates with the much-anticipated men’s and women’s races. Riders will race as many laps as possible in a set time; race officials signify the last lap by ringing a loud bell. This year’s course still runs along downtown’s two major streets–Wall and Bond, but organizers added segments on Oregon, Minnesota, Lava and Franklin streets, making it a .7-mile loop.

Cascade Classic winner over the finish line
Photo Whit Bazemore
Chris and Megan Horner
Chris and Megan Horner | Photo by Ely Roberts

“The course from 2017 was a bit boring, so we added more turns which helps prevent bunching in the field,” Cogswell-Kelley said. She noted that riders with good technique will excel on the new course, and spectators will have lots of opportunities to see their skills showcased, especially in the elite races.

“People who remember the thrilling event know you don’t need to know anything about cycling to get the energy and rush of the event,” said Cogswell-Kelley. “You can’t describe the feeling when the peloton is going by at more than 40 miles per hour.”

Mirror Pond Sanctuary

Biophilic Design Blends Artistry and Nature in This Home on the River

Right in the heart of Bend, where the city hums with concerts in the park, popular restaurants, bars and food trucks, and paddlers haul their watercraft out of the Deschutes River, sits a home that exudes serenity amid the buzz. Ken Krueger and Cherisse Pazan purchased the original 1930s-era home in 2018, drawn to its prime river setting.

washer/dryer in mudrrom

“The location is about as good as it gets in Bend,” said Simon Doss, project manager for Copperline Homes. “The old house was beyond repair, and when we dug out the site, it had unbuildable, unstable soils.” The builder razed the house and excavated down five feet, filling it with gravel to prep the site for a new structure.

Living room and kitchen of Mirror Pond Sanctuary.

The contemporary home Krueger and Pazan built testifies to the couple’s respect for the environment while aligning with the city’s goal to minimize urban sprawl by fitting new homes into existing lots. They complied with deep setbacks from the river to protect the riparian zone and wildlife from stormwater runoff, and honored Bend’s development focus on building vertically by creating livable space with a second story.

“The site embraces the river,” Krueger said.

“Living on the river is magical, as is being in a neighborhood where we can walk to restaurants and enjoy music in the park.”

A HOME BATHED IN LIGHT

“Quiet street side, the entry sequence allows for a sense of discovery,” said lead architect Al Tozer of Tozer Design. Visitors move through the front door and narrow hallway entry to emerge in the great room with its floor-to-ceiling glass walls to the river. “It is fun to observe guests traveling through the home, front-to-back, as they become increasingly drawn forward by the panoramic river view beyond,” he explained. The open area, encompassing the kitchen, dining and living rooms, is bathed in natural light.

“In our work, we treat natural light as another building material,”

Tozer said. “Bringing light into the residence is vital for both the architectural design and the performance of the home through the seasons.” In this home, for example, south-facing windows along the staircase boost natural light throughout the winter.

Patio through folding kitchen doors.

Tozer employed another architectural tenet called biophilic design, which involves connecting building occupants more closely to nature. When the glass accordion doors separating the kitchen from the covered patio are moved aside, the distinction between inside and outside space vanishes.

“Biophilic design guides our work and provides our clients health dividends and a sense of well-being,” Tozer said. The homeowners particularly enjoy the “golden hour” on the patio at sunset when, as they explained, “the light makes the trees and water pretty stunning.”

The seamless connection to the outdoors is further enhanced by a glass-walled partition between the patio and the adjacent living room. Both spaces are warmed by fire: the patio features a firepit for cool evenings when light bounces off Mirror Pond, and the living room has a fireplace for cozy winter evenings.

The fireplace is clad in tile that mimics the color and movement of the river. “Each individual tile was put in place by hand to make that pattern,” said interior designer Lisa Rhee Rokosh of Brass Tacks: Interior Products Planning & Design. Homeowner Pazan elaborated, adding that “the concrete ‘floating’ hearth looks simple and effortless, but was masterfully created by Cement Elegance.”

Bedroom overlooking mirror pond

The kitchen features an unusual element known as “the cloud,” named by the builder because it serves as a second ceiling above the island, replacing a typical hanging vent. Joshua Wilhite, principal and co-founder of Copperline Homes, explained how his clients suggested the idea based on something they’d seen, and the builders found a way to incorporate lighting and an internal venting system while preserving the view. “It added some interest to an otherwise flat ceiling,” he said.

The quartzite island beneath the cloud “is the center of everything,” according to homeowner Krueger, who said they purposely didn’t want a sink in it. “We don’t want to look at dirty dishes.” Instead, the island keeps a sleek profile with an induction stove.

Another standout feature in the kitchen is the cabinetry, made from a combination of white oak and black laminate Fenix–an Italian-designed material made from 60% paper and thermally modified resins, creating an opaque, soft-to-the-touch surface that resists fingerprints.

Exterior of mirror pond sanctuary at night

In the dining room, the homeowners personalized the space by displaying their collection of handmade Glassybaby votive candle holders, a shelf with varied Fiestaware pitchers and a vintage Eames fiberglass shell chair from Krueger’s parents’ home.

The powder room features a back-lit, moonlike mirror on wallpaper–an element designer Rokosh wasn’t sure the homeowners would like, yet it turned into an unexpected and beloved jewel of the home.

Modern house look through, front to back.

PRIVACY WITH A VIEW IN BEND

As residents ascend to the second floor, they enter private quarters customized for sleeping, reading, relaxing, solving puzzles and practicing yoga. The primary suite is over the living room, with the same impressive river views. “Sunrises are spectacular,” said Pazan. The bonus room is appointed with a beverage bar and refrigerator, TV, a hanging wicker chair and a balcony with outdoor furniture facing the river, inviting connection to the outdoors. On the street-facing side of the home is a private, contemplative deck with a hot tub, a rare feature on the second floor. “Due to the small lot and the clients’ desire to maximize space and privacy, the second level provided the best location for a hot tub,” said Wilhite, noting that they were able to engineer the structure to support the extra weight.

backlit bathroom mirror

The riverside home seamlessly integrates indoor and outdoor spaces, offering a sanctuary that enhances both physical and mental well-being. From observing wildlife, such as beavers, osprey, herons and eagles, to watching people enjoying the river, Krueger and Pazan say the river is the soul of their home.

Architect: Al Tozer, Tozer Design  |  Interior Design: Lisa Rhee Rokosh  |  Construction: Copperline Homes  |  Landscape: Landscape Elements

Explore Modern Elegance in a West Bend Home

​​​A world of surprises awaits visitors who cross the threshold of this west Bend residence. Its modern design finds harmony with fine art, architectural nuances and uncommon finishing details in metal, wood and plaster.

While living in the Bay Area, the homeowners, Janie and Steve (last names withheld at their request) looked for several years to find a lot in Bend and finally found it in 2020. While standing on the property, Janie said, “We’re going to do this,” intending to build their forever home there. They assembled a team of seasoned Bend professionals: Brandon Olin of Olin Architecture LLC, PJ Hurst of PJ Hurst DESIGN LLC and Jeff Ferrell of Jeff Ferrell Construction LLC. “The architect and designer create a vision of what the homeowners want, and it’s my job to make that happen,” Ferrell said.

shevlin commons living room

The owners and team members met for a year before breaking ground, often by Zoom, to develop architectural and interior design concepts. Hurst created construction documents for interior elements. “It was as if another architect was on board,” Olin said. “PJ’s drawings were thorough and brought a lot of ideas for design, materials and finishes. For example, in the living room, she designed the hearth, mantle and plaster finish around it.”

Carved into a rocky slope, the structure is split into two levels–a front-door entry and garage off the street and the upper section with the main living quarters. “The constraints of the site presented a scheme of what the house wanted to do,” Olin said.

open kitchen shevlin commons

Unlike a foyer or expansive great room to guide guests into the home, visitors traverse a long hallway with an elegant mudroom tucked into one side for stashing shoes and coats. The other side sets a design tone with a wall of vertical “fluted” white oak that extends to the second story, a hall table, alabaster lights and a concealed door to the garage. At the end of the corridor is a sculptural stairway that beckons people upward.

At the top, a kaleidoscope of Cascade Mountain views, sleek surfaces, wood ceilings, big windows, glass doors and original artwork spins around the great room. A multicolored, large-scale painting by German artist Jutta Haeckel hangs above the stairwell created by pushing paint from the back of a burlap canvas to the front for texture and visual effects. The art defies convention.

shevlin commons entryway

An open-air courtyard acts as an intriguing centerpiece for the home. Olin said he had a rare opportunity to align an indoor-outdoor connection from front to back. With access on two sides of the courtyard, the homeowners can walk in a straight line from the back patio through the family room, courtyard, great room and out to the front patio.

The initial idea was to cover the courtyard with glass panels to keep water and snow out, but ultimately it was too expensive. Instead, beams cantilever over the middle, converging at the ridge. A significant overhang provides shade on hot summer days. The courtyard is “an interesting concept and really cool,” Ferrell said, adding that he’d never built one in the middle of a house before. In winter, heating elements beneath the courtyard melt snow to prevent any accumulation of water.

shevlin commons bedroom

Many of the walls of the 3,500-square-foot dwelling are painted white or neutral colors to allow the homeowners space for their art collection, while other rooms break into vibrant colors and textures without apology. A powder room is hand-plastered in a coral-hued suede-like texture by plaster artist Juanita Perdomo. A striking blue pendant from the Czech Republic hangs in the corner in contrast with the warm walls. “It’s like jewelry,” said homeowner Janie.

Toward the back is what Janie and Steve call “the blue room.” It features a large-scale, metallic-paint, bee-motif painting by German artist Stefan Kürten, making a connection with the natural landscape outside the glass doors.

The couple oriented the primary bedroom toward the mountains, and adorned it with artwork, including an abstract by Central Oregon artist Kenneth Marunowski. Vibrant reds, oranges and pinks reminiscent of a high desert sunset dominate the room. Bed coverings and the back wall in a soft beige infuse warmth into the space with a gentle kiss.

bathroom in shevlin commons

A wall in the guest bedroom is painted half-way up in olive green, matching the bed linens. An abstract black-and-white painting with curvy shapes breaks up the vertical lines of the two-tone wall.

In the great room, a red tapestry on the wall between the living room and bedrooms “adds warmth and texture,” Hurst said. “We took a sculptural approach to the house, bringing vintage pieces to modernity.”

They inverted conventional materials for floors and ceilings. The great room features a warm, reeded-wood ceiling crafted by wood artist Matthew Sellens, while the floor is made of huge, four-by-four-foot porcelain tile, mimicking cement. The kitchen island is topped with black quartz, matching the black steel stove hood surround and cabinets by Doug Wagner of MODERNFAB. “His specialty is making a hard element feel warm and refined,” Olin said.

open air bathroom

A painting of an English bulldog by German artist Cornelius Völker adorns the wall in the dining room, in honor of Janie and Steve’s pug Wally. A white pendant light hangs over the live-edge walnut table “like a cloud,” according to Hurst. “We had to be very careful that the light didn’t take away from the view [of the mountains out the front window].”

An unexpected surprise is an elevator virtually invisible at the center of the home–without any outward signs. Adjacent to the courtyard, the shaft has a door from the garage and an exit on the hallway above. “Janie and Steve plan to live in the home for a long time, and they wanted it to be accessible,” Olin said. They use it to carry groceries and Wally upstairs from the garage.

pink bathroom shevlin commons

The build-out took 20 months and was completed in June 2023–just in time for Janie and Steve to hold their wedding in the courtyard.

“When we wake up and get our coffee, and look out and see this magnificent view, we pinch ourselves,” Janie said. “The house is perfect.”

shevlin commons home at sunset

Architecture: Brandon Olin, Olin Architecture | Design: PJ Hurst of PJ Hurst DESIGN LLC | Construction: Jeff Ferrell, Jeff Ferrell Construction | Tile: Baptista Design | Cabinets: Finer Custom Cabinetry & MODERNFAB | Siding: Ellis Building Group

Maya Moon’s Odyssey of Hand-Crafted Leather Handbags 

Maya Moon Bauer, maker of hand-crafted leather handbags coveted as wearable works of art, has been on a lifelong odyssey of self discovery and experimentation that continues today. After 20 years of crafting and selling custom leather goods in Central Oregon, online and in boutiques around the country, Maya Moon bags are easily spotted for their unique style, sophistication and a touch of whimsy.

Maya Moon Bauer

From a tender age, Bauer’s family played an instrumental role in shaping her creativity and artistic ventures. Her artist parents enveloped her in the bohemian community of West Marin, California, where she went to high school. Growing up with a limited budget for school clothes, she improvised, finding and altering pieces found at thrift stores. “I was always playing around to mix things up and make them my own. I even used safety pins as a decorative way to taper my jeans,” she said, laughing at the memory.

“Maya was always chasing something outside the box,” recalled Katherine, “Kat” Doelger, a childhood friend. “She was always on the edge of what we were headed toward, trending wise.”

Maya Moon Handbags

As a teen, Bauer was disenchanted with mainstream education and graduated high school through independent study. “I was anxious to have a job, make money and get out of West Marin,” she said. During the next 10 years, she explored a variety of jobs from making ceramic jewelry in Marin, working for a publishing company in Santa Barbara, to marketing for an import company in Richmond, California. In 1998, after a three-month European hiatus, she returned to Northern California and landed a job for a dot-com company where she met her future husband, Brian Buch. 

“I wasn’t passionate about the work I was doing, ” she said. “I needed to do something different.” On her 28th birthday, Buch bought her a Viking sewing machine. “He understood I was going crazy and needed a creative outlet.” 

Maya Moon at work creating

Wearable Works of Art

On a work trip to New York, Bauer bought a snake-embossed turquoise leather tote that sparked her imagination. Unaware that her machine wasn’t designed for sewing leather and armed with limited knowledge, she persevered in crafting a pink faux crocodile tote that she took to work. Coworkers loved it, even starting a bidding war and sparking demand for more bags. “In a company of 80 people, I sold 80 bags.”

That early tote bore the hallmarks of a unique style that would become Maya Moon Designs: Leather hides sourced from around the world, contrasting piping, zippered pockets, panels from Pendleton blankets or furry pelts, metal studs and shotgun shells, and most iconic of all, the folkloric and Asian-themed fabric lining that provides “an element of surprise in every bag,” she said. 

Close up of Maya Moon bags

A Family Affair

In 2002, the couple wed and relocated to Bend. As a wedding gift, Bauer’s godparents gifted her an industrial Juki sewing machine. Working from a home studio, sales were from friends of friends, trunk shows, house parties and local boutiques. As time went on, her bags were in shops in Oregon, California, Utah, Ohio and Texas to name a few. As demand grew, no longer able to keep up, she outsourced production and hired a sales rep in LA. When the first shipment arrived, a box of identical bags, she knew it was a mistake. In pursuit of carving out a niche as an artist who handcrafts each piece, those “homogenized bags represented the polar opposite of Maya’s lifelong identity,” her friend, Doelger said.

In the end, it was her family who enabled her to build the business–her own way. Now the mother of two boys, Dean and Kaden, Bauer recruited her mother-in-law. Michele, to help with the boys while Brian traveled for work. Brian’s step mom, Nancy, sewed bags and Brian’s dad, Jan, set rivets and fashioned the shotgun shells used for tassels. As her sons grew, she would even recruit them to put rivets in straps when big orders came in.

Creating with Maya Moon

By 2021, Maya Moon Designs transitioned from retail stores to a more one-on-one, personal shopping model to build her business. Today, with a studio in NorthWest Crossing, she works directly with clients by appointment to create custom handbags while also maintaining an inventory of both bags and accessories ranging in price from $20 to $496. 

“With support from family, friends and clients, I’ve created a job that I’m passionate about that enables us to live in this beautiful community and constantly challenges me to come up with new designs. I can’t imagine doing anything else.” Whether it’s the personal touch or the affordability of her craftsmanship, Maya Moon Designs are from the spirit of an artist who continues to evolve and inspire. Learn more about Maya Moon Designs here.


Read more about Central Oregon artists here.

SZABO Landscape Architecture in Central Oregon

Mike Szabo was leaning against a wall near the bathroom at Tetherow Resort’s Event Pavilion in 2013, debating his next move. Having relocated to Bend from San Diego just five months before, he had decided to step back from his professional life as a landscape architect.

With a pregnant wife and young child, he briefly considered taking a job as a server in a restaurant until he realized that “this whole server thing wasn’t going to work—we needed to make more money to support the family.” He decided to go back to the profession he was trained in.

Before the move, Szabo had designed DIRECTV’s corporate campus in Los Angeles as well as a big pedestrian mall for the University of California San Diego. Yet, even with 12 years of experience, he was unable to find work as a landscape architect in Central Oregon. “I was cold calling architects and developers. No one seemed to want to give me a shot,” he recalled. “It was disheartening. We’d burned through all of our life savings.” With no design projects, he called a temp agency, who sent him on jobs pulling weeds and assembling office furniture. 

SZABO Landscape Architecture
Mike Szabo, right, enjoys a landscape of his design.

A Tetherow Resort Introduction

Nearly out of hope, he continued to attend professional networking events, including one that fateful day at Tetherow Resort where Bend architect Darren Thomas was receiving an award. After the presentation, Szabo sought Thomas out, but was disappointed when he couldn’t find him. About to head home, he saw Thomas walking out of the bathroom. “I introduced myself, and he said, ‘Oh, you are on my to-do list to call, and I actually have a couple of projects I want to talk with you about. Come to my office tomorrow.’”

“That was it. He gave me one residence in Tetherow and a new retail and office building in NorthWest Crossing where Washington [Kitchen and Cocktails] is located. He also introduced me to Tetherow’s owners, Erin and Chris van der Velde, who asked me to do some projects for them, including a new sports center and swimming pool for the resort,” he said.

SZABO Landscape Architecture

SZABO Landscape Architecture Launches

In 2014, SZABO Landscape Architecture opened as a design firm primarily focused on work in Central Oregon, though the team takes on a diverse range of projects. “We do everything beyond the building footprint—from hardscapes, site lighting, planting design, irrigation design, grading and drainage design, to site amenities like pools, spas, decks, firepits and outdoor kitchens,” explained Szabo, emphasizing that the firm is a landscape architectural design firm, not a contractor.

Just two years after its inception, the firm had more work than Szabo could handle, prompting him to seek support from former colleague Brian Nierman. Nierman soon moved his family from Denver to Bend to join SZABO. The firm currently occupies an upstairs studio space in downtown Bend and has four additional team members with backgrounds in landscape architecture or design, along with marketing assistance from Elizabeth Hanley Szabo. 

In new home construction, Szabo emphasizes the importance of including the firm as part of the design process from the outset. “Our whole goal is to make the site and architecture complementary and harmonious,” he said. “We rarely take projects where everything is already designed and completed, and we’re just putting the lipstick on,” he explained. “We want to be involved early to consider the site, what the architecture calls for, and how the clients will be using the space. The design is always better when we’re there in the beginning.”

Spring Landscape Renovations in Central Oregon

For spring landscape renovations, it’s best to start the design phase in the fall, Szabo advises. If a homeowner starts in the spring, Szabo says it would be “a big hope to get it installed in the fall, which has more to do with how busy landscape contractors are in this town and less to do with how long our design process takes.” 

One change Szabo has noticed in recent years is that people are paying much more attention to their outdoor spaces. “The designs are becoming bigger and more elaborate, with clients saving more of their budget for outdoor spaces,” he said. “To be worth it in Central Oregon, homeowners need to factor in heat and shade to manage our hot summers and cool shoulder seasons.”

After a decade of building a successful landscape architecture firm, Szabo said, ”We’re in the sweet spot of where we want to be. We love Bend and don’t have to drive hours away to projects tucked into faraway neighborhoods or cities,” he said, referring to his practice in California. “The fact that we get to live in this town and create in this town, driving past our projects, taking our families to parks we designed, eating in restaurants and sitting on patios we’ve worked on and getting to be part of shaping what this city looks like is incredibly satisfying,” Szabo continued. “We’ll probably never leave. We love that we see our work come to fruition on a daily basis.”

To see more of SZABO’s work, visit szabo-la.com. See the full Winter 2024 digital issue, including this feature, HERE. Read more from Bend Home + Design Magazine.

Recommended article featuring more of SZABO’s landscaping work:

Curated Interior Design by Harper House Design

Almost nine years since its founding, Harper House Design has hit its stride. High-end builders and their clients are turning to the company for its seasoned design team and proven track record.

Lucy Roland of Harper House with Allie Stoddard
Photo by Ely Roberts

Harper House Melds Art and Eras for Timeless Effects

Interior Designer Lucy Roland opened Harper House in 2015 and enlisted Allie Stoddard as her creative partner in 2017, both bringing a wealth of education and experience to the task. Roland’s passion for design emerged during her upbringing in Portland and Central Oregon, living in a design savvy environment created by her mother and grandmother. She went on to earn a bachelor’s degree in interior design from the Art Institute of Portland. After working for 12 years at Maison, a prestigious interior design firm in Portland, Roland launched Harper House in Bend.

Kitchen Design by Harper House Design

Allie Stoddard earned degrees in fine art, including a master’s in painting and drawing from the San Francisco Art Institute, which brings extra depth in textiles and fine art to Harper House. In fact, since becoming part of the team, Stoddard has been creating custom artwork for clients.

One reason for Harper House’s success is its focus on building trust and rapport with clients. “Establishing trust with clients is our top priority,” Roland said. “Without it, clients may start to question our decisions. A strong relationship is the key to delivering the best design.”

According to Roland, the best time to seek interior design help is during the early stages of a project when clients are choosing their architect and builder. “To create a harmonious design, we like to be involved in the overall direction of each home in conjunction with architects who value our input on selecting hard surfaces, such as plumbing and lighting fixtures, flooring and cabinets,” she said.

Interior Design by Harper House Design

Whether engaged in new construction or home renovations, Harper House follows a meticulous process. Through interviews, architectural renderings and detailed questionnaires, the designers gain insight on client preferences. “We want to know whether they have kids or pets, whether they are attracted to natural stone versus a manufactured slab, stained cabinets or painted, and how our clients really live to create the overall feeling of the house,” Stoddard explained. “We get down to the nitty gritty of it.”

After extensive interviews, the Harper House designers then put together a visual presentation for clients in their downtown Bend studio, pulling from an extensive collection of colors, tiles, fabrics, plumbing finishes, wood finishes and flooring. For new construction, they offer two to three distinct styling options for each room. Remodels and renovations follow a similar, albeit more concise, process. “We curate the experience so our clients don’t have to look at 5,000 samples,” Roland said.

Bathroom design by Harper House Design

“Lucy has an incredible sense of style and an eye for unusual fabrics and details, elevating each individual piece,” said Sarah Goracke who has sought help from Harper House on home projects in Bend and Tumalo. “She’s fun to work with and isn’t someone who dictates her own design sense. She works in a collaborative fashion to come up with something very tailored to your own aesthetic.”

Rather than follow the latest design trends, Roland and Stoddard tend to choose classic and timeless pieces. “There are a lot of hot things now, like curves and arches,” Stoddard said. “The problem with trends is that people don’t know how to be conservative with them, and they take them into the end zone. It becomes overkill, and that’s when everything starts to look dated,” she said. “It’s about balance and not turning your house into a time capsule of 2024.”

Wallpaper in bathroom by Harper House Design

The designers enjoy offering clients a fusion of styles that reflect Harper House’s unique aesthetic. “Even if your house is ultra contemporary, we like to throw in an antique piece to give it a more curated look. Likewise, even with a home on Mirror Pond, it’s beautiful to have an ultra modern piece mixed with traditional, historical cabinetry,” Roland said. “The juxtaposition between styles and eras is where the magic happens. We have our own look, which seems to be working well.”

The company doesn’t advertise, but instead relies on referrals from satisfied clients. “Our job is to make the process fun from day one to putting the bow on the house,” Roland said. Given the ever-evolving landscape of Central Oregon’s high-end residential market, Harper House emerges as a distinctive voice, contributing a unique perspective to homeowners.

See More of Harper House Design’s Work

Remodeled Mid-Century Home in Northwest Bend

A Modern Remodel Complements the Deschutes River

Inside a Tetherow Home with Private Courtyard, Art and a ‘Snuggery’

Expansive Glass Wall Openings Trending in Central Oregon Homes


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Contemporary Western Ranch Lodge Home at Black Butte Ranch

In pursuit of their dream retreat, a Salem couple teamed up with JHL Design of Portland and CD Redding Construction of Salem to create a lodge-inspired mountain home amidst the natural beauty of Black Butte Ranch. They envisioned a home echoing the architectural style of lodges in Montana and Idaho where they often stayed during fly fishing expeditions.

entrance and living room of western inspired home in black butte ranch

The result is a residence that marries Western ranch traditions with elements of contemporary aesthetics. The middle section of the home boasts a striking, soaring peaked roof which commands attention, complemented by wings on either side—one that extends into a two-story structure. The use of natural wood dominates throughout the 4,600-square-foot home, unifying the design with exposed, rough-hewn beams and posts, and finely finished cabinets and flooring. The exterior siding is covered in durable, one-inch board-and-batt cedar, with a type of natural finish that creates a weathered look and requires no maintenance. The home sits on a two-acre lot with the backyard opening to the Deschutes National Forest.

The Home Details

A covered porch and vestibule serves as the front entry, a place where guests can hang coats and hats before stepping into the large-scale dining and living room with its 20-foot gabled ceiling. “It’s the heart of the home,” said Holly Freres, JHL principal and interior designer. The star feature is a Montana moss-stone fireplace that runs from floor to ridge beam. “The homeowners spend a good amount of time sitting near the fireplace in this grand room, reading and taking in the view,” she said.

laundry room and entry way detail of home

The ceiling heights are reduced to a more human scale across the two wings. A short hallway off the central room leads to the homeowner’s private bedroom suite. This secluded retreat features an outdoor spa, hot tub and a covered patio facing the forest. Here, the homeowners can enjoy complete privacy, shielded from view with no neighboring properties in sight.

On the other wing, traffic flows into the open kitchen through structural timbers. A blue-painted island anchors the space with stools for seating and is lit by overhead pendants which hang from belted leather crafted by Allied Maker. The wall behind the range displays hand-painted, blue-green ceramic tile by Fireclay Tile, designed to emulate sage brush. Appliances and extra storage are hidden in a large pantry behind the kitchen. A convenient pass-through window blurs indoor and outdoor spaces, allowing for the effortless transfer of food and drinks to guests seated on exterior bar stools within the sheltered patio terrace. Complete with its own fireplace, outdoor dining area and barbeque, the terrace is a comfortable and inviting setting for year-round enjoyment.

kitchen in western inspired home in Black Butte Ranch

The design team had fun with the powder room and mudroom, both tucked conveniently off the hallway behind the pantry. The powder room has vintage Zak+Fox wallpaper and an antique vanity with a vessel sink. The mudroom is a space that often gets overlooked, Freres said, but “it’s beautiful in this home.” It features cubbies for boots and hats and a pet room for the dogs. The designers added zing with a white oak bench and an animal skin pillow. “We made sure the mudroom felt clean and bright. It also has a nice view to the front of the house where there’s an outcropping of boulders,” Freres added.

Sitting room inside western inspired home at Black Butte Ranch

Western-Inspired Bunkroom

The upstairs bunkroom stands out as a highlight for many, including JHL Principal Designer David Horning, who declared it his favorite space. Inspired by the client’s admiration for old cowboy movies, the design team devoted significant effort to crafting a rustic, masculine ambiance. A beverage cooler, comfortable furniture and other amenities make it a go-to spot for the homeowners to unwind, kick off their boots, entertain friends and watch sports. It also transitions seamlessly into a space for the grandkids. Two sets of built-in twin beds have trundles that pull out to accommodate four children. “We aimed to create an environment that feels welcoming to all ages,” he said.

western bunk room at Black Butte Ranch

The bunk room’s architecture mimics the gabled ceilings found in the central room, with fully paneled walls emphasizing wood as the predominant design element. A snug window seat at the top of the stairs serves as a charming break-out zone. Notably, the room’s repurposed carpet was salvaged from the original Black Butte Lodge before its demolition made way for the new Lodge, which opened in 2023.

The home took roughly two years to build. Cory Redding, president of CD Redding Construction, said, “The Black Butte project was presented to us with a vision from the start. We assembled a team of experts, including JHL, encompassing  architectural, engineering, interior design and furniture procurement.” Throughout construction, the clients entrusted the building and design team with the creative freedom to fulfill their dream. JHL’s Horning shared that “they were blown away when they saw the finished home, which was truly gratifying.” 

Builder: CD Redding Construction | Home Design: Holly Freres and David Horning, JHL Design

cozy reading nook in western inspired home


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Norman Building

Norman Built: Making it Just Right For a Family of Builders

When two custom home builders come together–one to create a home and the other to live in it–symbiosis happens. Tami and Bill Taylor of Anchorage, Alaska, were thinking of having a home built in Central Oregon and stopped by Norman Building & Design’s Bend headquarters to see their son Patrick, an architectural designer, who was working for the company at the time. The Norman business model of providing all services under one roof–from architectural concept to construction, interior design and furnishings–appealed to the couple as an efficient way to move through the process with a respected local company.

The idea to build a home started with a golf game. Patrick was standing near a tee box when he noticed an empty lot nearby and thought to himself, “I’m going to build my mom a house there.” His parents had made several unsuccessful offers on resale properties in the city. As a residential real estate agent in Anchorage, Tami knew how to craft an offer with good terms, but other buyers offered more. Meanwhile, Patrick mentioned the lot to his dad, a builder himself, who took the idea to the next step. During Christmas dinner in 2020, Bill told Tami, “I bought a lot for you.”

Patrick said that in 40 years of building custom houses, his parents never built a dream home for themselves. “We were so excited to have Patrick design our home and have Norman build it,” Tami recalled. “With the talent they have in-house, I was wowed by every Norman home Patrick took me through. I wanted our Bend house to be welcoming and serene, with a touch of awe.”

Jim Norman, founder of Norman Building & Design, started out in 1977 and over the years built a reputation in the luxury home market for classic Northwest lodge styles. The Taylor house would represent Norman’s entry into the contemporary housing market.

Norman Building home

Creating a Prairie-Style Home with Mid-Century Modern Touches

For the past 31 years, the Taylor family had lived in a Craftsman-style home with what Tami calls “heavy interiors.” A second family home in Kona, Hawaii, nudged the Taylors closer to a modern, lighter aesthetic. The Bend home would carry the modern theme further by incorporating elements from Prairie-style architecture–a distinctly American design from the early 20th century founded by Frank Lloyd Wright–and mid-century modern elements. The fusion of both designs creates a dwelling that blends with its surroundings, has open and airy spaces, large windows, horizontal lines and simple, unfussy finishes. 

Patrick designed the house, and Norman’s senior interior designer, Selah Ewert, worked closely with Tami, who has 37 years of experience in the design world as owner of an interior design company in Alaska along with her real estate career. “I have the exterior architecture brain, and Mom has the interior design brain,” Patrick said. 

 “It was a high honor to be trusted with another builder’s project,” said Brittany Grogan, another interior designer with Norman. “We all tried to keep a modern and minimalistic, design-forward look with clean lines. It reflects more of what [Norman] is doing, with a brighter take on a traditional Northwest home.”

Norman Building kitchen interior

The New Home Details

Completed in late 2022, the 2,500-square-foot residence includes three bedrooms, three baths and a three-car garage. The floor plan interconnects the kitchen, dining and living spaces, and facilitates a seamless flow into outdoor spaces, such as the southwest-facing covered courtyard. “All the public areas are staggered to look down the fairway onto the lake,” Patrick said. The design purposely blocks the view of nearby homes by opening up to the golf course.

A shed roof created a 12-foot ceiling over the kitchen, bringing in the morning light from the east and sloping downward over the west-facing dining room, giving it a more intimate feeling that welcomes the last splash of the day’s rays. Patrick notes that the shed roof is metal, the first of its kind allowed by the architecture review committee in the home’s golf community.

The fireplace in the living room, built of black stone and hemlock panels, is reminiscent of lava rock and ponderosa pine hearths from Central Oregon’s past, and takes the chill off a wintery night. Ewert designed both the front door and fireplace, with Norman’s in-house woodworking and cabinetry professionals making and installing them.

The Norman design team selected round, oversized wooden pendant lights handmade in Bend, to hang over the kitchen island. Delicate vertical pendants were chosen for the foyer and the dining room table, to contrast with the round pendants.

Norman’s project managers oversaw the construction of the home with Bill’s practiced eye in the background. Since the couple was living in Alaska at the time, Bill touched base with David Norman, project manager, several times during the build-out. “Designing a home a thousand miles away could be difficult, but Norman’s team handled it exceptionally well,” Bill said.

“A home tells your story. It’s uniquely you and communicates something about the people who live there,” interior designer Grogan said. The Taylors brought their vast experience and personal preferences to the task, and Norman Building & Design supplied its full-service expertise.

“Team Norman exceeded my expectations,” Tami said. “I felt I was home the minute I opened the door. It’s exactly what I envisioned.”

Norman Building sitting on back porch

Builder: Norman Building & Design (NBD) | Architectural Design: Patrick Taylor (NBD) | Interior Design: Selah Ewert (NBD) | Project Management: David Norman (NBD) | Interior Furniture: Haven Home Interiors |Landscape: Schillings Garden Market |Outdoor Furniture: Patio World

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Desert Glow: Nordic Roots Inspire Modern Living

Building a custom home isn’t for everyone. Prospective homeowners need the right location, a team of professionals who can deliver the vision and a budget to match the dream. After building and living in their first custom home, Bend residents Rachel and Scott McGuire knew they wanted something different for their second custom home and hired a team of design and construction professionals who could work through challenges and deliver their forever home on a budget they could afford.

The result is a distinctive dwelling carved from ancestral influences of Rachel’s Swedish heritage and ideas built around their lifestyle and features in the Central Oregon landscape. 

The initial challenge for architect Eric Meglasson, who typically designs only modern homes, was to work with the McGuires on a contemporary version of a traditional-style home.

“Their Scandinavian roots reflected more of a European chateau,” he said. “I adjusted it to fit the Central Oregon climate and specifically to fit narrow design guidelines for the neighborhood.” 

The home’s footprint was laid out on the lot to capture views of the Cascade Mountains from front to back through the large space at the center of the house. Compared with their first custom home, the couple sought to make this home lighter and brighter.

They used a Belgian window system not often seen in American homes. Four large windows tilt inward from the top for fresh air circulation and pivot open as doors in the great room. The five-foot-wide front door also pivots on a spindle rather than on a common hinge system. “They were able to create realistic simulated divided light windows approved for historic preservation in Europe,” Meglasson said. In the front brick-courtyard, the divided light windows emulate historic buildings from the late 1800s and early 1900s in both Europe and America, he said. “It’s a good look and super-high performance.”

The 4,100-square-foot home contains three bedrooms (one doubles as an office for Rachel), three and a half baths, an office for Scott and a media room. The central room with 14-foot ceilings flows from kitchen to dining and living rooms where entry is off the front courtyard. The opposite side of the large room offers access to an outdoor kitchen, seating for entertaining, a sunken gas firepit and mountain views. 

The home has several special-use areas, such as a kitchen nook where Rachel and Scott enjoy their morning coffee. They incorporated a wet bar in a corner of the main room near the outdoor kitchen. It has a walnut bar and stools for seating while the McGuires make drinks, pull beer or sparkling water from a small fridge and put glassware in a mini dishwasher for cleanup.

There’s a secret door fully integrated into the wood paneling along the hallway from the great room. The door leads into a pantry tucked behind the kitchen and is completely concealed until someone pushes a spring in the cabinetry to pop it open. The other end of the pantry has a glassed-in wine closet.

Interior designer Kerri Rossi said the cabinetry throughout the house is one of her favorite parts of the McGuire home. She worked with Anderson Clark Interiors, a local residential cabinetry company, refining and planning every detail of every drawer down to the hardware. “Those beautiful cabinets look simple,” she said, “and sometimes simple makes it more complicated–all the attention to detail like getting the right stain and bead channels that line up perfectly.” To create visually uninterrupted surfaces, all appliances throughout the house have cabinet panels on their fronts to blend in.

The primary bedroom is on the ground floor and has mountain views and a door leading to a partially enclosed in-ground hot tub for soaking after a day of skiing, playing 18-holes on the nearby course or cycling and hiking. Rachel is an avid golfer and skier, and Scott is skier, marathon runner and triathlete. The main bathroom is built around a “beautiful back-lit quartzite slab by Imagine Stoneworks behind a free-standing tub,” said Rossi.

In addition to bringing Swedish influences to the home, Rachel worked closely with Rossi in several places, including a showcase powder room. “I started with the glass vessel sink and then picked out a Swedish mirror and wallpaper,” Rachel said. A tulip light pendant and the floating cabinet finish the room with pizzazz.

A staircase with vertical steel railings by Ponderosa Forge in Sisters and seven-inch blocks of oak stacked on the outside of the treads create a “beautiful and graceful staircase,” Meglasson said. “I liked how we created a bridge heading into the bedrooms and overlooking the great room.” Another hidden space runs the length of the upper hallway and is perfect for additional storage or an inner fort and sanctuary for kids who want to escape their parents.

Visitors to the home are greeted with the sound of a water feature running from the outside through a brick wall to welcome people into the courtyard. The water falls out of a weir into a 20-foot, horizontal trough that might tempt Bernese Mountain dog Nils to take a dip in on a hot summer day.

The courtyard itself is on a smaller scale than the home, with short brick walls and metal fencing around landscaping sections that create an eastside place to escape Central Oregon’s afternoon heat and sit quietly to read or have a glass of wine. Even the McGuire’s beloved housemates, Nils and Mainecoon cat Sven, have designated space inside the home for eating and sleeping, and Nils has his own wood-covered enclosed retreat with a doggie door to the outside. The McGuires had the right team to help them draw on ancestral roots and lifestyle preferences for a home that stands out in the high desert.  

Architect: Eric Meglasson | Interior Designer: Kerri Rossi | Builder: Katie Pendleton, The Fort | Landscaper: Ani Cahill Design with Landscape Elements


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Breathwork Classes and Coaching Gain Traction in Bend

We do it 20,000 times a day. Breathe in, breathe out. But what if the goal is to run faster, sing better, lower stress, overcome addiction, or manage pain and anxiety? Success might come from two locals, one a physical therapist and the other a breathwork coach, who believe magic happens when we marshal the power of breath for wellbeing.

Wellness- Breath

From James Nestor’s best-selling book, Breath: the New Science of a Lost Art, to pop-up reminders on personal fitness trackers, breathwork is part of mindfulness practices such as yoga and meditation that are now accepted into mainstream health and wellness programs. Conscious breathing got a big bump in popularity during the pandemic for managing stress, but it is rooted in thousands of years of practice that survived from early religions such as Buddhism, Hinduism, Christianity and Judaism along with Indigenous cultures worldwide, including Native American tribes who believed that certain breathing techniques would promote vitality and longevity.

Breathing 101

“Breathing is part of the solution to everything,” said Andy Sabatier who opened Bend’s Academy West: Breathing & Performance in 2019. After earning a Doctor of Physical Therapy degree at New York University, he spent years caring for patients in intensive care units, first at Stanford Hospital and more recently at St. Charles Medical Center in Bend. He saw the debilitating effects of dysfunctional breathing using the mouth, neck and shoulders and fast shallow breathing. “If you can’t breathe functionally, you can’t thrive,” he said. “My mission is to educate anyone who is curious, motivated or suffering.” In his practice, that means surgical patients, people with injuries, athletes of all ages, musicians, parents and other health care professionals will learn about the science of breathing; how even small adjustments in the way we inhale and exhale can produce positive changes in our biological, psychological, social and spiritual realms.

He offers a class he calls “Breathing 101” to take individuals deep into the mechanics of breathing and break down the differences between functional (helpful) breathing and dysfunctional (harmful) breathing patterns. “We show folks how to use their breathing system more effectively by tweaking what they’re already doing—breathing,” he said. 

“Andy was a godsend,” said Mike Wilkins, a Bend building contractor who fell off his dirt bike last March and landed in a boulder field, breaking ribs, perforating a lung, lacerating kidneys and rupturing his spleen.

After eight days in the hospital, his surgeon, Jennifer Watters, M.D., referred him to Sabatier who introduced him to breathing techniques and ways of incorporating those into exercise. “I made a fairly remarkable recovery,” he said, noting that he was able to ride his mountain bike three months after the crash. “I am doing remarkably well and have no lingering issues.” Sabatier presented Wilkins’ case at the American College of Surgeons Oregon chapter meeting last June in Sunriver. Academy West offers weekly classes as well as individual evaluations and physical therapy at a new studio on Bend’s west side.  

Breathwork Experience

Jon Paul Crimi offers Central Oregonians an entirely different experience, one born from his own struggles with addiction and alopecia. At age 23, Crimi was working as a personal trainer and trying to make it as a method actor in Los Angeles when his hair—from eyebrows to toes—abandoned him. Nothing took away his anxiety and depression until a twelve-step program helped him conquer addiction, and he discovered breathwork—an umbrella term encompassing a range of breathing techniques for physical, mental and spiritual health. 

Now twenty-two years sober and a coach to the stars (Owen Wilson and Matthew Perry among them), he holds live “Breathwork with Gong Sound Healing” classes at the Riverhouse Convention Center, which often max out at 250-to-300 participants.

At a recent class, people carried yoga mats and blankets into the convention hall and spread them on the floor. Franchot Tone sang and played guitar until the lights went out and Crimi began. “It’s going to be a wild ride,” he said, as he explained what participants could expect over the next hour. He exhorted them to have an open mind. “It’s an experience that will change your life.”

He instructed people to lie on their backs, eyes closed, hands over belly and chest, and to begin breathing through the mouth in a technique he calls circular breathing—two big breaths in and one quick exhale—for twenty-seven minutes. He motivated participants to stay the course, let the emotions flow, and gave them permission to cry if they needed to. The class climaxed with a wavelike rumbling of gongs and ended with a primal, purging yell from participants. “I want to give people a huge emotional release,” he said. “I want people to walk out in gratitude after anchoring moments in their hearts,” he said of the technique he uses to finish the class. “I don’t just want to do a class, but I want to be moved myself.” 

When asked about his open-mouth breathing technique that breaks with current thinking about functional breath, Crimi acknowledged that ninety-nine percent of breath should be through the nose but added that “a little bit of mouth breathing to shift an entire life is worth it.”

When he began breathwork, he offered individual coaching but now says his mission is to spread the technique to as many people on the planet as possible by teaching others to facilitate breathwork classes. He’s been featured in the HuffPost, has been a guest on national talk shows and podcasts, and has coached Olympic athletes, plus Emmy and Grammy winners. 

Sabatier and Crimi are both disciples of the power of breath to transform the course of one’s life—as it has for both of them, in different ways. Of the thousands of breaths we take each day, deliberate, controlled inhales and exhales may help a person succeed at a goal most haven’t given much breath to.  

See academywestperformance.com and breathewithjp.com.


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The Octothorpe House Brings Modern Design from Mork-Ulnes Architects to Bend, Oregon

Michael “Mike” and Kathryn “Kat” Burn make it a point to look at things differently. Take their home, for example. It’s constructed of prefabricated panels rarely seen in custom-home neighborhoods. Then there’s the design—eight rectangular rooms arranged around a central courtyard in the shape of a hashtag, earning it the name “Octothorpe House.” 

Octothorpe home in Bend
Form and Function: The Burn family home met design and construction challenges to create their contemporary home.

The design came from award-winning Mork-Ulnes Architects of San Francisco and Oslo, Norway, who previously had designed a remodel for the couple’s San Francisco home. The Burns felt the Mork-Ulnes team would embrace the challenge of designing an almost entirely wood home in Bend with many sustainability features. They wanted something different from the status quo and had three requests for the architects: it should be made of panels, it should be as small as possible given minimum square-footage requirements in their residential development, and it should have a courtyard as a refuge from Central Oregon’s wind. 

The Move to Central Oregon in 2018

The couple moved to Central Oregon in 2018 for the lifestyle and for more time in the outdoors with their son Alan, now age 9. Both worked in the Bay Area for many years, Kat in pharmaceutical development, and Mike as the owner of a consulting company focused on innovation systems. Mike grew up in Newcastle, England, and was familiar with panel-built homes. He wanted “a stronger, more robust, high-quality house with better insulation, airtightness and fire resistance,” he said. Both Burns felt they had a moral responsibility to build with sustainable materials. 

The walls and ceiling are made of cross-laminated timber (CLT) panels manufactured by SmartLam North American of Columbia Falls, Montana—one of a handful of U.S. factories producing them. Some of the CLT was made from salvaged lodgepole “blue pine” lumber killed by mountain beetles.

Octothorpe home in Bend
Viewed from above, the home looks like an octothorpe, otherwise referred to as a hashtag.

The product is made by compressing and gluing layers of solid wood in a cross pattern, which endows it with exceptional strength compared to traditional stud-framed walls. It is widely used throughout Europe and is gaining popularity in the United States
for mid- and high-rise commercial buildings as well as residential.

Building outside of standard practices had its challenges. For starters, the home is built from the inside out. “You assemble it like a Lego house,” said builder Trevor Downing, who found it difficult to find subcontractors willing to learn this new style of construction. He ended up doing much of the work himself, including the siding. “Trevor and his subs had to reinvent the wheel, no small feat,” said Casper Mork-Ulnes, founder of Mork-Ulnes Architects. 

The interior wall panels arrived from the factory with windows and other holes precut. Four inches thick, the room-size panels are so heavy a crane was needed to lift and place them on the foundation. Once in place, utilities such as electrical were placed on the outside of the panels and pulled through to the interior walls. A sticky, self-adhering spray insulation was added before plywood went on to make the dwelling airtight.

In a nod to the Awbrey Hall fire that burned through Bend’s westside in 1990, the homeowners chose a burned cedar wood product called Shou sugi ban for the exterior siding. Originating from Japan, the process of burning and charring the wood makes the product waterproof, and resistant to fire, decay and insects, plus it requires almost no maintenance over the years.

Thoughtful Use of Space 

“The greenest part of our home is the part we didn’t build,” Mike said. The couple met the minimum of 2,800 square feet of living space required by their residential development, even though it was larger than what they wanted for their one-story home.  “It was exciting for us to work with American clients who didn’t necessarily want a mega-mansion. In Europe we’re used to being economical with space,” Mork-Ulnes said. “There’s not a square inch of wasted space,” Kat said. “Everything is useful living space.”

The design team paid particular attention to where the house sat on the site. “It was about not filling up the entire lot,” she said. “It was about placing it in the right position for views and privacy, making the most of the space.” 

The hashtag design of rooms around the courtyard includes a large rectangular space consisting of the living and dining rooms, kitchen and a large butler’s pantry (also known in Britain as a “dairy room with storage”). Each room flows into the next, negating the need for hallways.

The four bedrooms have ensuite bathrooms, with the primary suite slightly larger than the other rooms. An office for the work-from-home-couple doubles as a guest bedroom with a hidden Murphy bed. Each room has a door to the courtyard and another door leading to a patio or the natural environment. Inhabitants can easily cross between rooms through the center courtyard or via interior spaces. This crisscross pattern of open doors also lends itself to cross ventilation of fresh air on hot days. Large eight-by-eight-foot windows in every room convey light and connect people on the inside with the outside landscape.

Octothorpe home in Bend
Cross Ventilation:
Windows to the exterior of the home and interior courtyard bring in light and breezes on warm days.

Because the walls and roof were prefabricated and panels had to fit perfectly with one another, architectural drawings were extensive and specified every aspect of construction. “They were some of the most detailed plans I’ve ever seen,” Downing said. “There must have been one-hundred pages which laid out everything from strict guidelines for CLT installation to tile design and bathroom fixtures. Having a plan that detailed helped a ton.” And because of the extraordinary “tightness” of construction, walls and windows required no trim to cover rough or uneven edges. 

Modern Design Meets the High Desert

The wood panels made of pine, spruce and fir imbue the home with a warm, Scandinavian chalet feel. There’s no sheetrock or painted surface anywhere in the house. The high insulation values, thick walls and windows dampen sound and give spaces a quiet coziness. “The acoustics are great,” Kat said. 

“The beautiful high desert environment and the sculptural design of the house drew us toward [the design aesthetics of] Donald Judd’s Chinati Foundation in Marfa, Texas,” said Lexie Mork-Ulnes, interior designer. She said the two dominant materials in Octothorpe—the CLT and the concrete floors—inspired a muted color palette for furniture, surfaces and fixtures that would merge with the natural landscape. Furnishings are made of wool, felt and leather.

Octothorpe home in Bend
Charred-wood exterior siding of Shou sugi ban was selected in part for its qualities of resistance to fire, decay and insects.

A unique coffee table in the living room crafted by Oakland wood artist Yvonne Mouser was inspired by the Three Sisters peaks visible from the sofa. She used a chainsaw and blow torch on three Douglas fir blocks to create three peaks that protrude through smoked glass to mimic the view. 

The public part of the kitchen is sleek and uncluttered with a black paper-stone island. It’s the only dark feature in the great room except for a black Danish wood-burning stove in the living room. Cabinets hold a discreet induction stove and dishwasher. The tidy kitchen hides a walkaround pantry where no cook’s tool was overlooked. It has a commercial-grade stainless steel sink, two refrigerators and freezers, shelving for appliances and dry goods and extensive counters for food prep and cabinetry for storage.

“God is in the details,” said Casper Mork-Ulnes. “The initial concept is as important as the final details and execution. We had to think it through and design every little thing. We picked everything from the toilet paper holder to recessed door handles and light switches.” 

Dustin Moore of San Francisco-based Strata Landscape Architecture worked with Mork-Ulnes from the beginning to ensure consistency between the house and the landscape. The space immediately surrounding the building is populated with native plants that require little water and hardscapes such as concrete steps leading to a gas fire pit and a covered outdoor dining and barbeque area.

Mike describes himself and Kat as compulsively committed. “If you’re going to build something, build something epic,” he said. After two years of living in the house, the couple feels they accomplished their goal. “We have this house, and we can walk right into the forest. I have to pinch myself.” 

Resources:

Architect: Casper Mork-Ulnes | Interior designer: Lexie Mork-Ulnes | Builder: Trevor Downing | Landscape: Dustin Moore, Strata Landscape Architecture | Engineering: Eclipse Engineering


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Eagle Crest Resort offers Residents Views and Value

Six miles west of Redmond, Eagle Crest Resort is a surprise to anyone who’s never stopped to see the resort, play golf at one of its three courses or wander its neighborhoods. “It’s a hidden gem,” said Robyn Fields, managing principal broker at Eagle Crest Properties.

Eagle Crest Resort

The hidden gem metaphor is apt. The two entrances off Cline Falls Highway are modest compared with the vast network of neighborhoods and resort amenities that fan out over more than 1,700 acres. The resort’s main entrance is on the east side, extending to the cliffs above the Deschutes River. A road on the west side leads to the Ridge and a newer section known as West Ridge. Mountain bikers and hikers coming off the extensive trail system above the resort can access Eagle Crest’s West Ridge from the popular Cascade View Trailhead off Highway 126.

Despite being out of sight from the two highways, Eagle Crest has a population of 2,973—slightly larger than La Pine, for reference. Unlike a city, though, the destination resort is designed to maximize on-property activities and draw nightly guests, second-home owners and permanent residents. Set in the sloping juniper forest east of Cline Butte with views of the Deschutes River, Smith Rock and the Cascade Range, and proximity to many of Central Oregon’s outdoor attractions, Eagle Crest offers many conveniences.

“It feels like you’re in this fabulous community in the high desert’s banana belt where it doesn’t get the extreme weather of Sunriver,” said Fields, who lives at Eagle Crest as well as works there. “We’re surrounded by farmland and [Bureau of Land Management land]. It’s fifteen minutes to the Sisters Movie House, ten minutes for cocktails at General Duffy’s in Redmond, ten minutes to Tumalo’s The Bite and a half hour to the Old Mill in Bend.”

Eagle Crest Resort

Compared with newer luxury resorts in Central Oregon such as Pronghorn and Tetherow, Eagle Crest is more affordable. Fields said that recent lot sales ranged from $195,000 to $335,000, fractional properties from $5,000 to $50,000, and townhomes and single-family residences from $405,000 to $1.6 million. Fractional ownership is where an investor has part ownership of a property’s title rather than units of time and is typically more expensive than a timeshare.

A resort in phases

An early 1900s-era 550-acre potato farm was reportedly located somewhere on today’s Eagle Crest property, but nothing much else sprouted in the area until 1981 when Deschutes County approved it as a resort. During the ‘80s, the resort built a 100-room lodge, restaurants and a large convention center and developed 202 home sites which included two gated communities, condominiums in the Riverview Vista Estates and townhomes in the Fairway Vista Estates. 

In 1993, based on new laws from the Oregon Legislature on destination resorts and updated Deschutes County zoning codes, Eagle Crest was able to expand into a second phase on the west side of Cline Falls Highway. Construction began on the Ridge and Challenge golf courses and a variety of neighborhoods, including the over-55 Falls neighborhood. Resort features including a spa, pools, sports and fitness centers, and tennis and pickleball courts were also added.

In 2001, the county approved a third phase allowing the resort to expand three miles westward through BLM land to what’s called West Ridge. This area has six neighborhoods, including the high-end Scenic Ridge with one-acre lots, big homes and full Cascade Mountain views. Home construction is ongoing in West Ridge.

Eagle Crest Resort
Seasonal outdoor pool and hot tub

“One of the things that makes Eagle Crest special is there’s something for everyone: fractional ownership, a townhome with or without a garage, classic Eagle Crest chalets or a single-family home,” Fields said. “Like everywhere, the slowing real estate market has affected second-home buyers, but sales in Eagle Crest remain steady.” 

A 2021 Deschutes County report shows Eagle Crest with 1,911 residential lots and 430 overnight lodging units (100 at the Lodge at Eagle Crest, 106 operated by WorldMark by Wyndham and the remaining 224 in privately owned vacation rentals). The twelve subdivisions throughout Eagle Crest are represented by seven homeowners associations, and about half the owners are full-time residents.

Residents and guests throughout the resort have access to all three golf courses, various resort amenities and 13 miles of paved paths for walking, jogging and biking. For road cyclists, Cline Falls Highway connects Eagle Crest with hundreds of miles of rural roadways; mountain bikers can be on single-track trails in minutes. Smith Rock State Park is a half-hour away, Mt. Bachelor and Lake Billy Chinook are both an hour’s drive.

During the holidays, it’s impossible to miss Eagle Crest when it puts on StarFest, a nightly display of lights that runs from Thanksgiving through New Year’s Day. The public is invited to drive the 1-mile display or enjoy hot drinks and cookies at the lodge. Learn more at eagle-crest.com and eaglecrestproperties.com.

Living in Bend’s Old Mill District

When Sherry Ortega drops into the Old Mill District off Reed Market Road, she sees stunning views of the mountains, the sparkling blue sky, the iconic smokestacks above REI, people throwing frisbees, kayakers and stand-up paddleboarders, families walking dogs and outdoor diners and she wonders, why wouldn’t she want to live here? As a principal broker with Bend Premier Real Estate and a longtime Bend resident, she believes people come to Bend for the lifestyle.

Old Mill District Aerial Shot
photo courtesy Old Mill District, photographer Nate Wyeth

“When I have clients from outside the area, I take them to Bend’s downtown area along Wall and Bond Streets and then to the Old Mill,” she said, adding that she doesn’t know of another place with so many lifestyle activities packed into one district. But it wasn’t always like that.

A Bit of History

For most of the twentieth century, Bend’s life and economy revolved around two rival sawmills that both opened in 1916, helping fuel America’s growth. After the city incorporated in 1905, Bend grew outward from the early soul of the city—Mirror Pond and Drake Park where founding families arrayed their homes, and essential millworkers built homes closer to the mills.

The city prospered in the 1980s. Besides lumber, the city had Mount Bachelor, destination resorts such as Sunriver, Inn of the Seventh Mountain (now Seventh Mountain Resort), a community college and first-rate regional medical care that drew people to the area. But by century’s end, the collapse of the timber industry in the Northwest idled Bend’s last mill and frayed the economic fabric of the area. With the old economic power base gone, the city searched for a new identity. 

Old Mill District Historical
photo courtesy Old Mill District & courtesy Deschutes Historical Museum

William “Bill” Smith, who moved to Bend in 1970 while attending Stanford’s MBA program, had an idea; a really big idea that would add a thumping new pulse to Bend’s economy. As the former president of Brooks Resources Corp., and later head of his own development company, he was inspired after seeing how other cities had transformed blighted areas into lively new space for retail shops, restaurants, art galleries, parks and walking trails for public use.

He formed a partnership to purchase 270 acres on the site of the former Shevlin-Hixon and Brooks-Scanlon mills and spent years cleaning up eroded riverbanks long forbidden to the public. An interpretive sign in the Old Mill details the timeline of restoration: 1994 public access to 14,000 feet of riverfront; 1995 river trails created for public use; and 1997 a fish ladder installed in the Colorado Street bridge for fish migration.  

In 1998, he gained approval of Oregon’s land use laws and city zoning requirements to develop the site, which opened in 2000 with Regal Cinemas and Ben & Jerry’s ice cream. Today it’s an entertainment hub and river-centric mecca with the recently remodeled Hayden Homes Amphitheater for outdoor concerts and events, shopping, dining, lodging, businesses, residences and miles of scenic river trails. A former air-polluting mill burner has been converted to a flower feature, joining thousands of flowering landscapes throughout the Old Mill—another flourish of Smith’s to beautify the area.  

Hayden Homes Ampitheater
Photos courtesy of the Old Mill District, Truman Miller

Urban Life in a Playground

Longtime Bend resident Dennis Oliphant, who built Sun Country Tours into a major whitewater adventure company—owning it from 1978 to 2016 when he sold to Mt. Bachelor—calls the Otter Run neighborhood in the Old Mill District home. “I lived out of town on acreage before moving into the mill,” he said. “It didn’t take long for me to appreciate the conveniences.”

“I seldom drive my car. I ride my bike everywhere, which is a huge advantage because it’s hard to find parking in Bend. We live on the water behind the Hayden stage, which is awesome. I really enjoy the music from our deck,” he said, referring to the home he shares with his partner Traci Porterfield. 

He notes that Otter Run has no short-term rentals and 90 percent of residents live there year-round. There’s a perception that the Old Mill District has many second or vacation homes, but Oliphant said that property is expensive and “it’s not like a summer cabin.” 

Principal realtor Ortega provided information showing that in August, the Old Mill District had only two active residential real estate listings and two pending sales, with prices ranging from $1 million to $2.3 million. She said condominiums and townhomes are highly sought after. 

There are more than 150 residential units in the Old Mill District with more townhome and apartment projects proposed in the future. 

Today’s mill residents may be better off than the millworkers who lived nearby in modest homes, but their legacy endures a century later, carefully preserved by Smith and others who incorporated elements of both mills into the vibrant new district. 


Read more about our vibrant Central Oregon community here.

Heart of Oregon Threshold Singers Bring Comfort and Song to Central Oregon Hospice Patients

I’m lying on a reclining chair under the canopy of a century-old maple tree, my eyes closed and surrounded by seven women singing quiet songs of peace, love and release. They start with a melody and then ease into a harmony. My day’s stress and the street noise fade. If I was an actual hospice patient, the Heart of Oregon Threshold Singers would sing to me as my human spirit begins its passage from life to death. This is a rehearsal for when the singers head to the bedside of a person in hospice care. 

Heart of Oregon Threshold Singers

The idea for a threshold choir started with Californian Kate Munger when she sang for a dying friend in 1990. In doing so, she tapped into the power of music to soothe and provide peace at important transitions in life, and planted the seed to grow the gift of song and kindness to give to others.

In 2000, she founded Threshold Choir and a half-dozen chapters sprouted up in Northern California. The concept grew into a worldwide phenomenon with about 200 independent and locally-based choirs, including the Central Oregon group.

Among those Munger mentored was Yolanda Sanchez-Peterson who moved to Bend in 2017 and had already been singing solo as a volunteer for St. Charles hospice. She began recruiting others and by January 2020 had eight women trained and ready to sing at bedsides. “You need to sing on-key and match the pitch of the [lead] singer. But equally as important, is the ability to maintain a calm, heartfelt presence while singing,” she said. Covid-19 nearly shuttered the fledgling group. They persevered by singing outside people’s windows and occasionally by phone.

Sanchez-Peterson reached out to Shannon Campbell, volunteer services coordinator for Partners in Care, which recently opened a new, twelve-bed inpatient Hospice House. “I hadn’t heard of threshold singers before, but it piqued my interest,” Campbell recalled. “I couldn’t believe that people do this. It’s such a beautiful thing.” Campbell soon had her own personal experience. Her mother, who would soon pass, received the gift of music as the choir sang in 35-degree weather outside Touchmark. “Mom kept looking and smiling through her window,” Campbell said.

Word soon got out about the Heart of Oregon Threshold Singers among Central Oregon’s hospitals, hospices and in-home health care providers for gravely ill individuals. “The vision is that when a nurse sees a patient struggling with the final days, he or she can reach out for threshold singers,” said Susan Boucher, a member of the choir and co-director of the local chapter with Sanchez-Peterson since 2018. She notes requests for the group have grown exponentially, from twenty requests in 2021 to 139 through August 2022.

Heart of Oregon Threshold Singers
Yolanda Sanchez-Peterson leads a group rehearsal.

A typical visit

Today, Sanchez-Peterson, Susan Boucher and choir member Rhonda Ealy gather as part of twice-weekly visits to Hospice House. They wear N95 masks—often a challenge for voice delivery, but necessary for everyone’s safety. Even though the current ten-member choir rehearses together, they sing in small groups of two to four. They stress that their presence at the bedside isn’t a performance or music therapy but a gift. “We’re bringing compassion, something that doesn’t come with an injection or a pill,” said Boucher, a retired nurse. The patient has agreed to the singers’ presence in their room. Today’s lead singer will gather a variety of information before entering the room on subjects such as the recipient’s spiritual background, culture, age and then pick up additional cues after entering the room.

 “To do this work requires a lot of training,” Boucher said. “Your own thoughts and experience with death and dying come into play.” “We enter an extremely private space is a privilege,” Sanchez-Peterson added. “Being in that room is about the patient, not about you. Singers need to stay calm and present if they feel themselves becoming ungrounded.”

Most of the songs are specifically written by Threshold Choir members and patterned after lullabies that soothe and calm people who may be agitated or fearful. The titles say it all: “Rest Easy,” “Grateful Heart” and “May Peace be with You.” At rehearsal, choir members are encouraged to listen to the music first and then open their sheet music to get a feel for it.

The Heart of Oregon Threshold Singers look forward to growing their ranks, including adding those who are fluent in other languages. As the daughter of immigrant parents from Mexico, Sanchez-Peterson sings in Spanish when asked. She emphasizes that individuals don’t need to go through hospice to request the choir at a loved one’s bedside.

Back at the rehearsal—one of the first in-person practices since coming out of Covid and those held by Zoom—they wind it up with the words to a song, “I’ve lived my life in a river of grace. I trust this river will carry me home.”

Connect at heart.oregon.ts@gmail.com

Bend Artist Lloyd McMullen Transforms Rescued Odd Objects into Art

Lloyd McMullen’s home studio is up a narrow set of stairs leading to a room crammed with discarded objects that she transforms into works of art. It’s her “fortress of solitude” that might also be described as a mini scrapyard, a chaotic mélange of scrap metal, string, wire, lamp parts, old Vogue and National Geographic magazines, vintage dress patterns, broken glass, acrylic paint and all kinds of tools.

Lloyd McMullen
photo by Carol Sternkopf

The space testifies to a lifelong habit of rescuing odd objects that she reshapes to reflect today’s world. A common theme of McMullen’s artwork and life is metamorphosis and transformation. 

A second-generation Oregonian, she grew up near Portland in the 1950s and ’60s when young women learned homemaking skills, such as sewing clothes from pattern books. “If you wanted to be one of the cool girls, you could buy fabric and a pattern with a cool girl on the package cover,” she recalled. “It promised a metamorphosis to becoming that cool girl image.”

From an early age, McMullen was recreating herself. Raised by a literary-oriented family (her dad was editor of the Gresham Outlook newspaper), she made art in secret and entered a contest where she won a scholarship to an art school that ended up being too expensive to attend. Instead, she earned a journalism degree from the University of Oregon in 1976.

Still interested in art, she spent a year at Lane Community College. A visiting professor from the San Francisco Art Institute, Alan Crockett, inspired her to depart from hyper-realistic drawings to more impressionistic images and colors.

A New Day - Lloyd McMullen
A New Day | Photo by Gary Alvis

For the next several years, she toggled between jobs in journalism and graphic arts in Eugene until she married and moved to Redmond in 1984. Art in Central Oregon in the late ’80s was dominated by landscape, wildlife and Western themes. McMullen—who around this time changed her name from Carol to Lloyd in response to studies showing bias against artists with feminine names—joined with other artists to focus on more contemporary art. They formed Artists Local 101 and started off with a novel format to display local work.

They bought two vintage cigarette vending machines refurbished to dispense hand-painted art on blocks cut to the size of a cigarette package. A buyer could put $4 in the machine and take home an original piece of art. The heaviness of the machines and difficulty of moving them from various locations eventually scuttled the project. 

Local 101 however, still grew its membership and held innovative exhibitions in random locations over the next ten years. “We partnered together to instigate contemporary art,” McMullen said. “This rowdy, random group had some of the best artists in town and a lot of stuff came out of it.”

McMullen and others delved into “Trashformations,” an American art movement of the late 1990s and 2000s that prized artwork made from recycled materials. They held a “Trashformations” exhibition outside in the Old Mill District and Bright Place Gallery which is now closed.

To Bee (or not) by Lloyd McMullen
To Bee (or not) | Photo by Gary Alvis

“Lloyd has helped to push the edges about what art is in our community,” said Susan Luckey Higden, fellow artist, manager and member of Tumalo Art Co. in the Old Mill District. “Her art is earthy, urban, relevant, wryly humorous and has layered meanings that defy the obvious. Deep conviction runs through every project she does.”

“My art is mixed media and found objects,” she said. Pieces slated for her upcoming show entitled “Brave New World” include a barracuda made from found a fishing net and a six-foot-long cockroach, along with a 3D porcupine and smaller wall studies of moths, bees, a hummingbird and an owl.

“The show explores how we adapt to survive in our changing world,” she said, citing climate change, COVID, gun violence, rising bias and hate crimes as well as personal loss. “Everyday dawns with new challenges. What’s next? I want to remain optimistic; my work is hopeful. These times demand truth and tenacity.”

 “Brave New World,” opens October 9 at Central Oregon Community College’s Rotunda Gallery. 


Read more articles about our local artist community here.

Bend’s Shevlin Commons Neighborhood Conserves the Environment by Design

When the Awbrey Hall fire blazed through a 6-mile corridor west of Bend in 1990, it laid bare a swath of land that would eventually become Shevlin Commons: a high-end neighborhood with some of the city’s most visionary building guidelines and award-winning architecture.

Shevlin Commons
Photo Riley Visuals

In the late 1990s, a developer with property bordering Shevlin Park proposed construction of 164 homes but abandoned the plan due to intense community opposition centered on the value of Shevlin Park. 

In 2001, the property owners agreed to sell seventy-six acres to Bend resident and attorney, Andrew Crosby, who worked to achieve consensus among disparate perspectives for developing a portion of the property into housing while respecting the landscape. “The conservation community was concerned about the possibility of having multistory townhouses along the park boundary,” Crosby said. “People stepped forward because they cared about the property and wanted to preserve the feeling and keep open space.”

The center concept was a forty-three-acre conservation easement granted to the Bend Park & Recreation District that became a permanent, protective overlay and interface with the neighborhood.

The remaining thirty-three acres would provide lots for sixty-six homes and open-space communal areas. “I didn’t want large, poorly conceived homes packing the landscape. On expensive land, there’s always a pull to go bigger, and that was something we were trying to avoid,” Crosby said. “We capped height and square footage in three different zones.”

Shevlin Park bridge
Shevlin Park | Photo Brian Garza

Lots ranged from 5,600 square feet to a half-acre in size. Homes closest to the park would be limited to a single story, with the second zone capped at one-and-a-half stories and the third zone at two stories. Construction guidelines promoted at-grade living to create a feeling of homes “being rooted in the landscape,” he said. In addition, design guidelines also promoted green and sustainable housing.

“Andy and his team created design guidelines true to the original idea,” said Susan Castillo, a resident since 2009 who served on the Shevlin Commons design review committee until recently. She and her husband hired James Cutler, the Seattle architect who designed Bill Gates’ 66,000 square-foot home, to design their home in the Overlook Pavilion zone closest to the park. “The neighborhood feels open yet close to town; rural but not remote,” she said. “We can go out the door, walk the dog down to the creek—which we can hear from our house—and see great horned owls on the snag nearby.”

Both Castillo and Eileen Drake, board president of the Shevlin Commons Community Association, agree that most people understand and support the design guidelines. “For some of us, [the design guidelines] are absolutely working,” Drake said. “We can’t find any place else like it.”

However, two decades into the development, they say new owners don’t always understand the purpose of the neighborhood and can struggle with the restrictive guidelines. For example, the design guidelines don’t allow non-natural siding, and homeowners can’t build fences or plant lawns and vegetable gardens. Landscaping is limited to native plants inventoried at the site or Shevlin Park. The result is open space around each home with pathways for residents and wildlife to crisscross the neighborhood.

Bearwallows Pavilion
Bearwallows Pavilion

“It’s not for everyone if they don’t embrace the nuances of living in nature and preserving the night sky,” said Drake, who along with her husband, built a home in the Forest Lodge, two-story zone in 2015. “We have lots of positive choices, including the option to interact with nature. This neighborhood takes that connection to a degree not found in any other area.” 

Most people knowledgeable about Shevlin Commons agree that strict adherence to the design guidelines and the conservancy overlay makes it unique and highly desirable among high-end developments in Central Oregon. Drake reports that home sales are rare and happen quickly, often within a couple of days or weeks. 

Of the sixty-six original lots, fifty-three have homes on them. Seven of the thirteen remaining lots are in a phase of construction, and the six other lots are not currently for sale—including those owned by adjacent property owners to protect their privacy. Home sales in the past year ranged from $2.2 million to $3.2 million.

Because homes weren’t intended to be large, Crosby built Bearwallows Pavillion, a community center with a large, grassy field to create space for casual gatherings among residents and their guests. The center won awards for its architecture and was a model of green construction, he said. Unlike other nearby developments like Tetherow or Broken Top, Shevlin Commons doesn’t offer resort amenities attractive to certain buyers.

“Shevlin Commons has been successful,” Crosby said. “It appeals to a certain buyer with a conservation mindset.”  


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Painter Evan Namkung Brings Edgy Art to Central Oregon

For Evan Namkung, the pandemic ignited a passion that had been simmering in the background of his life. As a kid, he painted to have something to hang on the wall. As an adult, he’d lost the habit. Instead, he focused on his job as a social worker and his off-hours activities as an avid ultrarunner, skier and search-and-rescue volunteer. When the pandemic hit, he suddenly had extra time to pursue his love of street art and graffiti. Namkung began painting murals on buildings and in people’s homes and creating smaller images to paint on canvas.

Even Namkung
Photo by Kevin Prieto

“Last year the combination of being stuck at home during COVID and all the social stuff going on in the world became a confluence for me to see whether I could grow something organically and invest time in it,” he said. Grow it, he did.

In the past year, the self-taught artist’s vision has appeared on buildings, breezeways, in businesses and art venues, garnering appreciation among art lovers who enjoy his fresh perspective on figures and the natural world.

Even Namkung
Photo by Kevin Prieto

“Evan brings a different dynamic to Bend. His work is edgy and raw and combines a duality of meticulous portraits with a street vibe,” said Lacey Champagne, owner of Layor Art + Supply. “He captivates raw emotion and has a close connection with his viewers.”

Namkung grew up in Oakland, California, and moved to Bend in 2016 for a change of pace and to enjoy the outdoors. He became involved with the mountain rescue unit of the Deschutes County Sheriff’s Office Search and Rescue. He finds the volunteer work that he does there to be like his other hobby, long-distance trail running. “They are meditative activities where you can focus and complete something,” he said, in contrast to his job as a social worker with Deschutes County Behavioral Health, where he finds that the work is never finished. 

fox painting by Evan Namkung
Photo courtesy of Evan Namkung

Even Namkung
photo Kevin prieto

When Namkung is not applying paint directly to a building, he makes art in his home-office-turned-studio in NorthWest Crossing. The space contains large canvases stacked against a wall, many with vibrant colors dripped, sprayed and splashed onto the surface, striking an incongruous feel in the tidy, clean room.

He starts each project by surveying stock images on the Internet for interesting faces and figures, often people who might otherwise be ignored by the mainstream. He builds a concept on his iPad and then moves a canvas outside for the messy part of spray painting and dripping blobs of color to create the background. Next comes a line drawing which he projects onto the canvas or a hardwood board. He finishes the composition back in the studio. 

Namkung’s paintings have been displayed at The Grove in NorthWest Crossing, Layor Art and Crater Lake Spirits Downtown Tasting Room. His murals adorn the Box Factory Breezeway and the City of Bend downtown parking garage. The latter work was part of the High Desert Mural Festival held last year featuring artists of BIPOC and/or LGBTQ identity, said the festival’s founder and fellow artist Doug Robertson. “One of Evan’s main objectives was to highlight accessibility to the outdoors,” he said, referring to Namkung’s mural on the city garage which depicts a young African American girl looking up at a butterfly, with a mountain range in the background.

“He’s merging city street art with traditional landscapes. He’s bringing something different with great technical skills,” Robertson said. “His color palette is bright and bold; a needed voice in our community.”

Even Namkung

When asked what his future looks like, thirty-nine-year-old Namkung says his ultimate dream is to become a full-time muralist. “Painting balances what I need to keep myself healthy and happy,” he said. “Whether it’s the grit of city living, the diverse world of plants and animals, or anything in between, art constantly offers us chances to see our world differently.” 

See evannamkung.com.


Read more articles about our local artist community here.

Pacific Northwest-Inspired Patterns from Ash Cascade Designs

When Ashley Cascade Paggi graduated in 2006 with a graphic design and communications degree from California State University, Chico, she landed in-house graphic design positions with Pottery Barn and Weather Underground, both in San Francisco. Seven years later, she and her husband moved to Bend, and she went to work as the lead graphic designer at Oregon State University-Cascades. Her successful graphic design career was full steam ahead, but nevertheless, change was coming. In 2015, Paggi took maternity leave and never went back.

Ash Cascade Designs

After five years as a stay-at-home mom, she searched for a way to reenter the workforce with flexibility and no requirement to clock into an office. When the world shut down in early 2020, Paggi found her answer in an online course. “It was an intensive eight-week immersion class on surface pattern design (fabric design) that quickly became my passion,” she said. Instead of using her creativity for someone else’s vision, she could now explore her own projects. Eventually, that led to her artwork appearing on children’s clothing, handmade quilts, wallpaper, silk scarfs, stationery, dinnerware and much more.

Ash Cascade Designs Paggi named her company Ash Cascade Designs and began sketching simple drawings inspired by adventures in the Pacific Northwest with her husband and two daughters. The sketches became patterns created through Adobe Illustrator, which grew to an extensive digital library. The course taught her to protect her designs with copyrights and how to earn royalties from licensing agreements.

Her big break came when Rachael Stipanov, the creative director at Cotton+Steel Fabrics, a California-based wholesaler and manufacturer of Japanese fabrics, saw Paggi’s hashtag on Instagram. “I review a lot of art and was drawn to Ashley’s unique layouts, color palette and the balance of her designs,” she said. “We connected, and I decided she was someone I wanted to work with. She’s the perfect package of great design and personality.” 

Since that phone call, Paggi has licensed three collections for Cotton+Steel, which the company distributes to boutique quilt shops, including two in Central Oregon. The collections, “Camp Creek,” “Canyon Springs” and “South Sister,” pay tribute to the color palette of Central Oregon.

Ash Cascade Designs

She also has licenses with Alice + Ames, an online retailer of high-end children’s clothes, and eight designs with Bend-based ski clothing company, BlackStrap, which makes base layers and face gear for their signature artist series. Other recent clients include Geometry House, which has chosen six towel designs, and Kinder Cloth Diaper Co., which will make cloth diapers in Paggi’s patterns.

Ash Cascade Designs

“Licensing art is a good revenue stream for artists,” she said. Her home studio is packed with cards, stationery, Japanese rolls of decorative sticky tape, holiday wrapping paper and calendars printed with her designs. In the two years since its creation, Ash Cascade Designs has evolved into a business that can license anything printed with an image. 

“When I finally got the confidence and drive to start creating the artwork that I wanted to make, I started enjoying my art practice so much more,” she stated in Origin, a lifestyle magazine that featured Paggi as a female creative leader, describing her work as “bohemian artwork (that) evokes a polished yet gritty sense of place.” 

As a successful entrepreneur with an active social media presence, the 38-year-old is busy courting new clients, mentoring other artists and is part of a team of mentors for thousands of students enrolled worldwide in the same class she took two years ago. “It’s fun to have a career that I’m passionate about,” she said. See ashcascade.com.


Read more about our local artists here.

Inside a Desert Zen Home on the Tetherow Golf Course

What do you get when you connect a married couple who come from global marketing, design and filmmaking backgrounds at Nike with an award-winning Northwest architect known for sculpture- and landscape-inspired building designs? An artful home drawn from the Central Oregon high desert.

Hacker Architects
photo Jeremy Bittermann and JBSA

Greg Hoffman, former Nike chief marketing officer, and his wife Kirsten Brady, a former film producer at Nike and now a nonprofit consultant, were looking for an architect to design a home for them in Bend. In doing their research, they found several buildings they admired which shared a common designer, Corey Martin, a principal at Hacker Architects. The company’s portfolio in Central Oregon includes the Unitarian Universalist Fellowship building in northwest Bend and the Lakeside Bistro and pool house at Black Butte Ranch. Both structures are an evolution of Northwest Modern design with walls of glass that transport those on the inside to the desert landscape outside. “We reached out to Corey and asked what a home would look like with similar design elements,” Hoffman said. “We wanted a design that respected the environment and a design language that integrated it into the landscape.”

Hacker Architects

The result of this creative collaboration is a 4,300 square-foot structure of modern minimalism reminiscent of Japanese homes that blur boundaries between inside and out. “It’s not trying too hard to say, ‘Look at me,’ but rather to fit into the landscape,” Martin said. “It’s sophisticated and at the same time very simple.” Situated in the community of Tetherow, the home is built in three segments that form a “U” shape around a courtyard that serves as the main entry and a place for a moment of Zen, according to Hoffman. Highly polished panels on the ground and fourteen-foot windows reflect sunlight and changing weather patterns that can only be described as spectacular.

Hacker Architects
An impressionist take on the nearby Sparks Lake overlooks this room.

The front entry leads to a large open space for living, dining and kitchen areas. The front wall faces the resort golf course through floor-to-ceiling glass. The interior spaces are defined by discrete elements, or panels, that look as if they’re slipping past one another. “We framed the views and also blocked other views,” Martin said. Two large exterior rectangles are offset like squares of a checkerboard and connect with a large roof overhang to create a covered outdoor dining and entertainment area. The remaining exterior space opens to a firepit set in large concrete slabs that blend into the natural landscape, which leads toward the golf course and lake. 

In a traditional home’s living room, the wood-burning fireplace would be the focal point, but in the Hoffman-Brady home, it is surrounded by windows that carry a person’s gaze upward into a protected courtyard between the open room and master suite with a layer of wood louvers at roof level that let the sky in while creating shadow patterns in the living room and hallway. 

Martin’s years as a sculptor influences how he approaches architecture. He designs with a carving versus a building-up process. “We conceptualized a solid form and then removed space from within to create the design,” he said. “The house is seen as having been carved out from within.”

Hacker Architects
photo Jeremy Bittermann and JSLA

Two wings angle off the main living area—one side contains four bedrooms, including the primary suite with its in-ground whirlpool and a den, while the other wing houses the pantry, mudroom, laundry and garage. 

Keeping with the minimalist design, interior cabinets are devoid of handles, and the sleek, horizontal pendant lights over the kitchen island blend with the kitchen’s horizontal cedar back wall. Panels throughout the structure are unembellished and are “seen as discrete elements” Martin said. Countertops in the baths and kitchen are quartz with a thin reveal—the principle being less is more. And unlike more traditional homes, there’s no trim on any wall or door.

Hacker Architects
Greg and Kirsten posing with their two kids, Rowan and Ayla, and the family’s dogs, Ruby and Rocco.”

Taking cues from the Central Oregon environment, colors throughout the home are earth tone. The dark cedar walls in the interior and exterior siding are inspired by charred tree trunks from wildfires and volcanic eruptions. A natural cedar covers the open room’s ceiling. The kitchen has dark wood and countertops versus “an entirely white kitchen that screams,” Hoffman said. “The color palette and form should reveal the character and personality of the owners.”

Brady selected textural items such as rugs and furniture, and worked with Portland interior designer Hether Dunn to choose interior elements. Furnishings include mid-century modern European pieces that soften and contrast with the home’s angularity. Art is present in every room, including sculptures, paintings, prints and wall hangings by mostly Northwest artists. A painting of Sparks Lake hangs in the entryway, seemingly saying “welcome to Central Oregon” to those who enter. 

As the family’s second home, the couple travels back and forth from their primary residence in Portland but would eventually like to spend half their time in Central Oregon, where they love hiking and walking their two dogs, Ruby the Tibetan terrier and Rocco the French bulldog. Their two college-age children are welcome to bring their friends to the home so long as they always use a coaster—dad’s cardinal rule. “Overall, it’s important to always be in an environment that is greater than yourself,” Hoffman said. “What draws people to Central Oregon is being surrounded by geographic wonders. It keeps everything in perspective.”

Architect: Hacker Architects | Principal designer: Corey Martin | Design director: Nic Smith | Project Architect: Jeff Ernst | Builder: Kirby Nagelhout Construction Co. | Interior: Hether Dunn, Hether Dunn Design and Kirsten Brady (homeowner) | Landscape: Hacker Architects and Ani Cahill Design

 


Please enjoy more Central Oregon home stories here.

Bend artist Valerie Winterholler Draws Inspiration from the High Desert

A life-long resident of Bend, artist Valerie Winterholler is rooted in the landscapes of Central Oregon. She was born here, and except for college in Ashland and a stint in Durango, Colorado—where her time was spent as a self-proclaimed “dirtbag skier”—Winterholler has put Bend’s mountains, forests and deserts at the center of her life and art.

Valerie Winterholler

Sculpture was her passion while earning an art degree at Southern Oregon University. After college, she lived in a tiny one-bedroom apartment in Durango, sharing it with roommates, where she found that she didn’t have space to weld, mix concrete and shape metal for the large pieces she liked to create. “I started doing tiny watercolors—dragonflies and butterflies. That’s what you do as a twenty-five-year-old,” she said, laughing. 

She returned to her hometown in 1997, got married and found jobs in the recreation field, working at Mt. Bachelor and Sun Country Tours, where she photographed rafters on the Deschutes River. She has cross-country skied all her life, and also snowboards, mountain bikes, hikes, stand-up-paddleboards and wanders the backcountry. She owns and manages an apartment complex in northwest Bend that doubles as an office and studio. 

In 2003, she attended Art in the Mountains, a contemporary painters’ workshop that kick-started her painting career. “I realized that this (fine art painting) is what I want to do,” she recalled. Soon after, she had her first solo show at Magnolia, a used clothing store, where she sold all her paintings during a First Friday Art Walk.

Valerie Winterholler

Today, at 50, Winterholler is well-ensconced in the Northwest art community and has shown work as a solo artist as well as in group shows in galleries around Oregon and California. She’s one of the top selling artists at the Peterson Contemporary Art gallery, which recently expanded into a large space in downtown Bend and represents artists from around the Northwest.

Her early works were influenced by several artists, including American painter Richard Diebenkorn, whose mid-20th century abstract expressionist and figurative paintings earned him worldwide acclaim. “I was blown away,” she said of a Diebenkorn exhibit she saw at the San Francisco Museum of Modern Art. 

Valerie Winterholler In particular, she appreciated Diebenkorn’s delineation of space, which evoked a perspective of landscapes viewed from an airplane. Winterholler’s early works explored an aerial perspective of the earth: “the weight of things, the pull of lines and atmosphere,” she said. “The perspective was more 2D than 3D, like looking through a microscope.”

In recent years, her abstract work entices viewers into atmospheric landscapes that glow with earth tones, often punctuated with spikes of red, black and gold. She jokes that she needs to put away the color blue, which, along with white, shows up in most of her work. Today’s favorite color is an acrylic called “parchment,” a greenish off-white “that looks good with everything,” she said, lamenting that it only comes in small tubes. 

She starts with wood panels with a Masonite back and clay surface, sized from 24- by 36-inches to 48- by 60 inches, and uses a household paint brush to layer the base colors, which she’ll wash back and then layer in again and again, watching to see what colors release themselves in the drying and burnishing process. “It’s intentionally accidental, and sometimes magic happens,” she said.

“Her style feels open and airy and invites people into the setting of what she’s laid out,” said Jeanne Giordano of New York City, who bought a Winterholler painting last summer while visiting Bend. “The painting has a distinguished horizon line that made me feel immersed in water. It was very reflective and peaceful. I love her sense of color with all sorts of variations on a neutral background.”

The piece is hanging in Giordano’s second home in Portland; she’d been looking for something special, by an Oregon artist, to hang there. “It really fit the bill. I love looking at it.”

Winterholler spends about three-quarters of her time painting and one-fourth running her rental property. And then there’s her free time, where her passion for the outdoors converges with her love of expressing herself through art. “My work is the record of my experiences and the mark of my place in the world,” she said. 

See more at valeriewinterholler.com.
Read more about our local artists here.

Brasada Ranch – Resort-Style Living in the Desert

Family horseback riding at Brasada Ranch Oregon

High density housing—no way. Modern homes of purely glass and steel—nuh uh. Traffic tie ups, congestion at popular restaurants and parks—forget it. This is Brasada Ranch, where cattle and sheep once roamed and density is measured in junipers, sage and the star-capped night.

Located on 1,800 acres on the flank of Powell Butte in Crook County, the developers had something else in mind when they created Brasada Ranch back in 2005. The window and door company Jeld-Wen envisioned Brasada as a luxury residential resort built around environmental sustainability standards. In 2010, the company sold the resort to Northview Hotel Group, which repositioned it as a destination sanctuary in the desert to complement the residential community.

Then and now, Brasada Ranch pays homage to its Western roots, natural landscape and dizzying views of the Cascade Mountains. From the Ranch House Restaurant to the Equestrian Club and welcoming archway, every structure incorporates those features. The established Design Review Guidelines ensure that the architecture of each home forms part of the cohesive whole.

Swim Pool, dining, golf and fire pit at Brasada Ranch Oregon

Like the rest of Central Oregon, the community has experienced an active housing market, catalyzed by the pandemic, according to D. Alan Cornelius, director of real estate at Brasada Ranch. “In March 2020, I was thinking of battening down the hatches, believing the pandemic would cease real estate activity,” he said. “Instead, the opposite happened, and real estate exploded.” As evidence, he cites sales last year of $61 million in residential lots and homes at Brasada Ranch. He said the average turnaround for homes and homesites is less than thirty days if priced relative to the market. Lots swing from $200,000 to $600,000, and homes typically sell in the $1.5 to $3.5 million range. 

The master plan permits a maximum of 750 home sites. Currently, the ranch has 273 finished homes with fifty-four under construction and another twenty-four in design review. Roughly 450 people live on the ranch while another 150 own a second home there. “Most people when they come to Central Oregon are looking for the expansiveness this area naturally provides,” Cornelius said. “Brasada wanted to capitalize on that and give people room to breathe.” Lot sizes range from a half-acre to two acres, with roomy setbacks and no so-called zero-lot lines common in high density housing in other parts of Central Oregon. “We’re never going to have homes next to one another,” he said. 

Feeder markets for home sales have consistently been Portland, Seattle and the Bay Area. “The pandemic had people realizing they need to slow down and enjoy more time with the kids in this wilderness expanse that is Central Oregon,” Cornelius said. “Brasada is a basecamp with a sixty-mile radius of all types of outdoor experiences.”

Trading hustle and bustle for life among the junipers

Not all residents come from outside the area. Jerry Jackson, who was born and raised in Bend, and his wife Kim, were ready to sell their home on Awbrey Butte. They planned to downsize and build or remodel a home that could accommodate an adult son with muscular dystrophy.

“We couldn’t find a lot in Bend, and existing houses were so close together,” Jerry said. They connected with a friend who was building a home in Brasada. “We looked at the plans and got excited,” he recalled. “It was perfect for us—no steps, and it had accessible hallways and an accessible bedroom.”

The family moved into the home in July 2018. “After forty years in Bend, I was over the hustle and bustle of Bend and tons of traffic on the west side,” Kim said. “People asked why we’d want to live among the junipers, but we’ve found they have a special beauty, and the desert is home to bobcats, coyotes, deer, rabbits, hawks and other wildlife.” The Jackson’s home, like all others at the ranch, has a commanding view of the Cascades, and is consistent with the native color palette and Western Ranch architectural theme. The property is LEED gold and Earth Advantage certified for energy efficiencies and environmental sustainability. 

house at sunset at Brasada Ranch Oregon

Instead of feeling isolated, the couple discovered a strong sense of community where residents often meet at the pool or for bike rides and hikes, book groups and nights around a firepit listening to live music at one of the restaurants. 

The resort part of Brasada features sixty-five cabins and eight suites for nightly rental, indoor-outdoor pools, a spa, a golf course, horseback riding, fishing ponds, a dog park and an athletic center. In other words, it’s a perfect playground for grandkids, friends and family to visit. Plus, residents have access to members-only parts of the resort. “We had no expectations when we moved out here,” Jerry said. “Every day is like being on vacation. It’s an incredible place to live.” 

 

A Mountain Home near Sisters, Packed with Efficient Technologies

A tour of Mike and Cindi O’Neil’s home offers treats for the eyes—mountain and desert landscapes—and for the body—warmth, comfort, bountiful natural light and rooms that flow easily from one to the next. But hidden within the walls, windows, roof and floors are planet-saving features.

photo grace pulver

 This award-winning contemporary house is green—meaning that it’s packed with energy efficiencies from LED lighting to a ductless mini-split heating system and solar panels. These and other features add up to a net-zero home that produces as much energy as it consumes over the course of a year. 

As owners of SolAire Homebuilders, the O’Neils have helped nearly 400 clients create high-efficiency, healthy custom homes since 1995. “Our clients enjoy homes that are more energy efficient than their neighbors’ homes,” Cindi said. 

When it was time to build their own “forever home,” as Cindi puts it, they hired Bend architect Neal Huston to design a house in the countryside near Sisters. The site had few trees, allowing for unimpeded views of Broken Top and the Three Sisters and endless blue skies.

photo courtesy of SolAire Homebuilders

The 2,800-square-foot home has vaulted ceilings over the living room, dining room and kitchen, four bedrooms (two are used as offices) and two baths on a single level with ADA universal design features. They also have two outdoor living areas which together offer a grill, sitting alcove, a mobile firepit and a chiminea.

The O’Neils drew on their backgrounds to ensure that the home’s energy needs would be sustainable over the years, relying heavily on Central Oregon’s sunny climate. Mike now has 45 years in construction, and Cindi’s work as an ecologist strongly influenced her desire to build their business and residence around green practices.

Completed in 2020, the home was on the Central Oregon Builders Association Tour of Homes in 2021. An Earth-Advantage Platinum certified home, it won the Green Building Award in the $500,000 to $999,000 category. It also won the Best Kitchen and Best Value Awards in the $975,100 to $1 million category.

Airtight living 

Central Oregon’s famed year-round sunlight can be tricky to manage. Taking advantage of a southwest orientation, the
O’Neil home recruits passive sunlight through expansive, high-efficiency windows on the view side.

photo courtesy of SolAire Homebuilders

But as longtime residents of the high desert know, the sun can also be punishing on a home. To mitigate sun exposure, the couple extended the eaves for shade and installed exterior solar shades that block 95 percent of heat from crossing into the building. In wintertime, the shades remain up to harness the sun’s abundant warmth.

The couple also created a nearly airtight dwelling by paying special attention to walls, doors, attics and ceilings where typical homes leak heat and air. The exterior walls are 10-inches thick and filled with blown-in fiberglass. Rafters and ceilings are super-insulated with foam and loose fill fiberglass. 

To eliminate major heat loss through ducting in forced-air heating systems, they installed a whisper-quiet heat pump outside and wall cassettes, or “mini-splits,” inside. Whereas forced-air systems consume a lot of electricity to heat or cool outside air, heat pumps reduce electrical needs with technology that requires only heating or cooling air from the inside. “It’s a cool technology,” Cindi said. “The efficiency of a heat pump is astounding, and you don’t have to bring in outside air to get the comfort level down to a set temperature.”

photo courtesy of SolAire Homebuilders

Airtight homes also require that stale air be ventilated out. Two devices, an energy recovery ventilator, or ERV, and a HEPA filter help maintain indoor air quality. These companion pieces draw fresh air into the HEPA filter, which removes dust, pollen, pollutants and wildfire smoke, and then expel stale or smoky air to the outside.

Most of the electrical needs for the O’Neil home are handled within the system. The roof-top solar array provides power during the day, but in the morning before the sun rises, and in the evening as it sets, a Tesla Powerwall kicks in as a backup. When the Tesla runs out, the home pulls from the local power grid, Central Electric Cooperative. Winter grid usage is offset by excess electricity generated from solar panels in summer, which goes back into the grid. Hence, the net zero designation. Net zero also shields homeowners from inflation because whatever they buy on the grid is reimbursed by their contributions to the grid. 

Aesthetics balanced with efficiencies

Inhabitants of energy efficient homes must balance their aesthetic desires with health-minded compromises. For example, carpet is a no-go in most green dwellings because it produces VOCs (volatile organic compounds) and collects dirt that sullies the air. The O’Neils chose engineered white oak flooring and porcelain tiles for most of the home but couldn’t resist adding a bit of carpet in their closets. And because bare feet love a warm floor, the couple installed radiant heat in the bathrooms.

The gourmet kitchen combines energy efficiencies with modern design, featuring a large quartz-topped island with bar stools. “We’re often in the kitchen together,” Cindi said. “We call Mike the sous chef. At SolAire, he’s the builder. At home, the kitchen is my territory, and I get to be the boss there,” she said and laughed.

photo courtesy of SolAire Homebuilders

Cabinets are white oak and don’t off-gas VOCs. The kitchen faucets as well as bathroom shower heads are Waterwise to conserve water. Appliances are high end, Energy-Star rated, and a walk-in pantry is large enough to stock a couple of weeks’ worth of groceries—a handy feature when living in the country.

“It’s a joy to live in. It feels sometimes like I don’t need to go outside because of the way Neal Huston designed the views,” Cindi said.  

The couple is committed to intentional and thoughtful design to create high-efficiency, healthy homes. “The built environment consumes 25 percent of the nation’s energy,” Cindi said. “Why don’t we reduce the dependence on carbon? Every home has a roof to support solar panels. Every builder has a choice on whether they super-insulate and build a home to reduce energy demand going into the future.”  

“We’re concerned about the world and what we’re leaving our grandchildren,” Mike added. “Building sustainable homes that last 200 years will improve the environment for future generations.” 

At Home in Deschutes River Woods

Dog taking a walk in a field
Photo by Graham Lott

Patrick Trowbridge and his wife Karrie own twenty-four acres on a pumice butte with 360-degree views from Mount Bachelor to Mount Jefferson, Lava and Pilot buttes to the Ochoco Mountains, and Awbrey Butte to Smith Rock. It’s a unique property in Deschutes River Woods, an area not generally recognized for its views. Patrick said it was “the de facto neighborhood park” before they acquired the property in 2012.

A quarter-mile south of Bend’s city limits, Deschutes River Woods, or “DRW,” was developed in the early 1960s as an unincorporated part of Deschutes County. Its main entry points are from Brookswood Avenue in southwest Bend and the Baker Road exit off south Highway 97.

In the past, it was known as a place where Bend’s working class could buy larger parcels of almost an acre in an unmanicured environment and with no design requirements. People built homes pursuant to their own desires and tastes, leading to a diversity of home styles and types. In the early days, the east boundary along the railroad and Highway 97 attracted a rough crowd, and the community over the years earned a reputation for run-down properties.

As Central Oregon grew in recent decades, DRW gradually improved its status as a livable place for families close to Bend but far enough out to retain its original character with large lots, dense pine forests and privacy. Apartment complexes, condos and other high-density housing is almost nonexistent in this rural development. The 2020 census showed a population of 5,532 people.

The Trowbridge’s family story illustrates how far this neighborhood has come in just the past decade. The couple moved to Bend in 2000 from Valley Forge, Pennsylvania, and spent ten years in downtown Bend, where they could walk to most places. In 2010, they wanted more space. As a broker with Knightsbridge International Real Estate, Patrick saw opportunity in the oft-forgotten DRW neighborhood. The family bought a 5.6-acre property for $204,000 and renovated it while getting a feel for the area. (They sold the house three years later for $425,000, and it sold again this past December for $1.1 million.) “We met people out here and really liked it,” he said. “The neighbors are down to earth.”

Riverwoods Country Store
Photo by Graham Lott

“DRW used to have a bad rap, but I think it’s changed now,” said Leslie Graff, another resident who, along with her husband Dan, bought a lot with a manufactured home in 2000 and have been steadily improving the property. “We almost bought a teeny, tiny fixer-upper house off Franklin Avenue (in Bend’s core) with a postage stamp of a yard on a very busy street,” she recalled. “We’ve always been thankful we decided on DRW. We’ve seen a lot of change in the twenty-two years that we’ve lived here. We’re in a good pocket with the greatest neighbors. It feels like we’re living in the country, and yet we’re just a hop, skip and a jump away from the city.”

The area still has buildable lots, but the supply is dwindling, according to Trowbridge. Recent sales show a mix of new but primarily older homes where values are on pace with the rest of Central Oregon’s hot real estate market. A home built in 2004 on the Graffs’ quiet, dirt road sold in 2017 for $370,000 and is now listed for $749,000. Realtor.com shows the median price for a sold home was $525,000 in September, with thirty-one listed homes ranging in price from $329,900 to $2 million.

The western edge of DRW is bounded by the Deschutes River where homes with low-bank frontage are valued in the $1- to $2-million range and look across the river to Lava Island Falls and Meadow Camp. “People are starting to realize that parts of DRW offer gorgeous home sites,” Trowbridge said.

Google Maps reveals one of the more unusual aspects of the neighborhood—ancient lava flows that comprise an impenetrable southern border. Several main streets dead end at the lava flows that form part of Newberry Volcanic National Monument. Although there are no parks in DRW, residents can access trails that lead to Lava Butte within the national monument.

 

Alker Family Farm

Several businesses operate out of DRW, including the Alker Family Farm, a small-scale organic vegetable farm, Bend Pine Nursery, High Desert Mulching, Motokidz Motorsports, a dog groomer and boarder, an upholstery shop and others, along with a private Christian school and two churches. Riverwoods Country Store near the Baker Road exit and C. E. Lovejoy’s Market off Brookswood are the nearest convenience and grocery stores.

Deschutes River Woods today is a community in transition, where you can find a jumble of RVs, jalopies and tractors in some yards, farm animals and gardens in others, gated driveways, quiet streets with little traffic, parents who walk kids home from their bus stops, and most residents loving the rural environment where they and their pets have room to roam.

Ancient Traditions with Warm Springs Master Basket Weaver Kelli Palmer

Agile fingers twist and turn, patiently weaving beauty from simple string and corn husks. It’s Kelli Palmer’s way of tapping into ancient traditions, helping to keep them alive.

Warm Springs master basket weaver Kelli Palmer

“People say corn husk weaving is a dying art, but I’m trying to get the art back,” Palmer said as she laid bundles of hemp and rayon raffia on my dining room table. A bowl for water kept the corn husk wet and pliable. Palmer is an enrolled member of the Confederated Tribes of Warm Springs, which includes the Wasco, Warm Springs and Paiute peoples, and is also part Shoshone, Hoopa and Yakima. At 12, she attended a tribal culture camp and learned basic basketry but set it aside for years. In her mid-20s, she attended another basket making class that ignited her love of the art form.

She sought one of the region’s most skilled teachers, her mother Eraina Palmer, but the elder Palmer encouraged her daughter to learn from other people. “Mom inspired me to keep going, but I wanted her to teach me. One day, when I knew she was teaching my uncle, I ‘snuck’ into her home. I hadn’t been invited but just happened to stop by,” she laughed. “I was 30, a few years after my divorce and still searching for something to make myself whole.” 

Her mother relented and mentored her daughter until Palmer became a master basket weaver herself. While the title honors and respects the artist, she feels unworthy, even at 45. “I’m still perfecting my work,” she said. Still, her reputation grew and another master basket weaver, Pat Courtney-Gold, convinced Palmer to teach. She has taught corn husk basketry at workshops around the Northwest, at the High Desert Museum and Central Oregon Community College.

Warm Springs master basket weaver basket
photo visit central oregon

At my table, Palmer regarded traditional corn husk hats called putlapas, originally used as women’s head coverings during longhouse religious ceremonies and contemporarily used at pow wow dances. She also brought flat corn husk baskets, once used to store dried roots, fish and meats and now prized as purses and decorative regalia for horses.

Palmer demonstrates the three-step, false embroidery technique on a partially completed basket. It’s so complicated that she holds my fingers and hand in hers, and in about two minutes, I manage to complete one stitch. At this rate, I could finish a small flat basket in roughly the time it took her uncle to finish his basket—about 15 years.

Even in Palmer’s hands, a putlapa takes anywhere from two months when she doesn’t have a job to a year when she’s working full time. Beyond twining, the hats are patterned, which requires a complex grid for most practitioners. But Palmer no longer needs to graph her designs. “I go with whatever strikes my fancy,” she said, which may include a traditional pattern like the Wasco deer or more contemporary motifs. An Idaho basket collector commissioned several putlapas from Palmer, which enabled her to stay at home during the pandemic. Back at work now, she finds time to teach because “lots of people want to learn, even if it is hard,” she said. “I encourage people to keep going until they find their rhythm.” 

Getting into her rhythm means contemplating herself, finding her zen. “I do this because it makes me happy and keeps me calm.” 

See the Transformed Vandevert Ranch Homestead near Sunriver

When Sue and Scott Olson first entered the Vandevert Homestead in 2018, it was shuttered and inhabited by birds. But the couple saw past the crumbling structure to the clear views of Broken Top and Mount Bachelor, the sounds of the bubbling Little Deschutes River that meanders through the site and the historic importance of Vandevert Ranch.

Luckily for both the ranch and the Olsons, it was a classic example of the right people at the right time. They made an offer within an hour.

Saving a piece of history 

Original Vandevert homeThe Vandevert Ranch history dates to 1892, when William “Bill” Vandevert acquired 160 acres near today’s Sunriver, although at the time there was no Sunriver, no Bend and no Deschutes County. He built a log home and schoolhouse for his eight children and wife Sadie. Successive generations of Vandeverts lived in the homestead for nearly a century.

But by the 1980s, the home’s lodgepole and ponderosa pine logs were in rough shape. According to the 2011 book Vandevert: The Hundred Year History of a Central Oregon Ranch, by Ted Haynes and Grace Vandevert McNellis, the homestead was slated for auction in 1987. Just before the place landed on the auction block, Jim Gardner, the outgoing president of Lewis & Clark College, and his wife Carol, bought the property.

They had a vision for the ranch’s restoration, but soon realized the homestead was beyond saving. Their plan was to build a replica using some of the original logs. Instead, a contractor’s mistake led to an entirely new replica log cabin. The couple also acquired adjacent acreage and developed a 400-acre gated community around the replica homestead and its Sears and Roebuck kit guest house, which had been added to the ranch in 1953. The Gardners stipulated that any new home in the Vandevert Ranch development would have to be built of log construction.Interior of the Vandevert Homestead

 

The development flourished, and to this day, Vandevert Ranch is a neighborhood consisting of twenty-two individually owned lots and common areas, including stables, dog kennels and a fly-fishing pond. It remains true to its historic roots of 130 years ago, and is considered one of the country’s finest log cabin communities, prized for its scenic location and privacy.

Eventually, the replica homestead at the center of it all began its own period of decline. “We heard that one group had it under contract and planned to tear it down for another home,” Scott said. “But the neighborhood architectural committee denied this plan. The neighbors have always understood the importance of the homestead’s history.” 

Restoration Begins Anew

The Olsons hired Bend architect Jeff Klein of Klein Architecture in 2018 to oversee the design and renovation of the home and a new barn, and to shepherd them through work with the neighborhood design review committee and the nine separate county approvals necessary to receive the building permit. The guiding tenet in the homestead was to save as much of the structure as possible and create a more livable environment.

Interior of the Vandevert Homestead

While the look and style of the exterior would remain the same, the 3,200-square-foot interior would undergo several changes and upgrades. In 2019, they began by converting a small, unusable attached garage into a sunroom. The flat roof over the garage leaked, causing extensive damage to the log structure. They retained the flat roof, but to prevent further water damage, Klein worked with the framers on designing a sloping roof system with a waterproof membrane to channel water away from the building’s exterior. This also created an ideal space for a rooftop deck, accessible from the upstairs master wing and guest bedroom.

The main floor is rectangular with four quadrants—sunroom, kitchen, living room and dining room. The sunroom functions as a casual place to hang out. In a nod to modern design, giant windows and a door open accordion-style for indoor-outdoor living. The sunroom also filters more natural light into the home. “The sunroom opened up the house and gave us more interaction with the river,” Scott said, referring to the nearby Little Deschutes.

Unlike many owners who acquire an older home and can’t wait to remodel the kitchen, the Olsons left the 1980s-era kitchen intact, including a farm sink, concrete countertops, butcher-block-island and built-in seating. They converted a former sitting room and office into a dining room with a fireplace, and furnished it with a large custom-made wood table for hosting their extended family and friends.

Vandevert house near Sunriver Oregon
Scott, Sue, Max and Michael Olson enjoying their back patio and the sunroom with its accordion-style doors and windows.

The crown jewel of the home can be glimpsed from the modest front entryway. An archway leads to the dining room on the left, while another is a gateway to the grand living room on the right. The wood-burning, stone fireplaces in each room, made with materials sourced from the property, face each other through the arches. Remarkably, Robin Zinniker, the mason who built the great room’s two-story fireplace in the 1980s, was still around to create the fireplace in the dining room, which shares a chimney with an upstairs guest bedroom fireplace. 

The living room’s vaulted space with exposed timber trusses includes a wrought-iron bottom chord to carry both the tension and bending of the trusses. A large authentic antler chandelier, an elk head over the mantle, a larger-than-life-size photo of a grizzly, and Western-themed artwork and furniture are perfect complements to the massive log walls.

The living room along with other parts of the house feature the Vandevert hash knife, a tool used to cut meat. It was incorporated as the ranch logo when the Gardners developed the ranch, in a nod to the Vandevert cattle ranching family history. “We put it everywhere we could, such as the front door knocker, fireplace door handles and light fixtures,” Sue said.

The original log cabin didn’t house people who owned cars, sports equipment like skis and bikes, or even laundry rooms, but they did have barns. So, Klein designed an entirely new structure near the homestead resembling an old-fashioned barn but with all modern amenities “hidden” inside. The two-story “barn” features a three-car garage, laundry, gear room, Scott and Sue’s office and an entertainment room with a covered outside deck and views of the mountains. 

With the renovated homestead, the new barn and the Sears and Roebuck kit guest house comprising the Olson compound, the family is enjoying its lifestyle on the historic Vandevert Ranch. “We have a home for all seasons,” Sue said. “We love the roaring fires and snow in the winter, and in the summer, sitting at the river with people floating by our dock. We have many ways to enjoy nature. We feel honored to have had the opportunity to restore this property with its historical significance.”

Scott added that they have friends still searching for their special place, “But we’ve found our home. We’re here for the long-term and who knows? Maybe grandkids in the future.” 

Resources

Project Planning, Entitlements and Approvals: Vandevert Ranch HOA Board of Directors, Vandevert Ranch Design Review Committee, and Deschutes County Historic Preservation and
Historic Landmarks Commission

Architecture: Jeffrey Klein, Klein Architects

Interior Design: Sue Olson

Structural Engineering: Rolf Armstrong, Eclipse Engineering, P.C.

Homestead and Guest Home Renovation General Contractor: Bales, Inc.

Barn General Contractor: Stillwater Construction 

Finish Carpentry: Nick Fancher

Landscape Design and Construction: Land Effects, Inc.

Hand Forged Ironwork: Ponderosa Forge

Log Construction: George Garcia 

Custom Dining Table: Brent Taylor


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Artist Ken Marunowski, an Abstract Expressionist in Bend
Morning Bird Song, oil on canvas

Ken Marunowski likes the power of large canvases. On a big surface, he can immerse himself in an abstract expressionist (or AbEx) mode of painting, focused on mark-making and intuition. The AbEx movement gained prominence in the 1940s through an anti-figurative, non-objective style of painting pioneered by artists like Jackson Pollock, Willem de Kooning and Joan Mitchell, all influences on Marunowski.

Ken Marunoswki's Spring Willows Glow On The Deschutes
Spring Willows Glow On The Deschutes, oil on canvas

“Until I moved to Bend and had a garage to paint in, I was never able to express myself in such a large format,” the artist said. “As soon as I started experimenting in this way, it became quite obvious that this is the kind of painting I am meant to make.”

Ken Marunowski
Ken Marunowski

In April, Marunowski had his first solo exhibition of medium-to-large paintings titled, “Spirit of Play” at the LAURA VINCENT DESIGN & GALLERY in Portland’s Pearl District. “Because I don’t require myself to reproduce any degree of likeness, I am able to focus on fundamentals like value, hue, composition, texture and form,” he said about the paintings. “Without an external referent other than a memory or feeling to guide my decision-making, everything is left for me to discover, an open-ended process of creating something from nothing.”

A life centered on art, teaching and France

A passion for France, its language and the Impressionist movement influenced Marunowski’s art even as a youngster, when a French teacher opened his eyes to the world of arts and culture. As an undergraduate at Kent State University, he received degrees in studio art and French, and studied at the Marchutz School of Fine Art in Aix-en-Provence.

Marunowski’s background is awash in academic achievement, including a Ph.D. in literacy, rhetoric and social practice. He took a job as an assistant professor of advanced writing at the University of Minnesota Duluth in 2006. With summers off from teaching, he often studied at the Painting School of Montmiral in southwest France, which reignited his passion for making art. By 2015, he was tired of teaching and left the university to pursue his artistic calling.

Following a cross country trek of hiking, camping, painting and visits with family, he and his wife Carly arrived in Bend, where his sister lives. In 2016, he returned to Aix-en-Provence for a six-week artist residency at the Marchutz School.

A full-time Bend resident since 2016, Marunowski continues to pursue his lifelong passions of painting, teaching and writing. He taps into his extensive writing background as a regular contributor of Cascade A&E. He teaches painting and drawing classes at Layor Art + Supply and the Bend Art Station and exhibits his paintings at the Artists’ Gallery Sunriver, The Wooden Jewel and at various Bend businesses and organizations, including Eastlake Framing and the Cascade School of Music.

Abstract acrylic painting class at Layor Art + Supply
Abstract acrylic painting class
at Layor Art + Supply

“Over the past two years, Ken has rotated paintings around the building,” said Robert Lambeth, executive director of the music school. “Often, I’ll stop by the lounge with its huge walls adorned with Ken’s paintings and catch a student staring into one of them, lost in reverie. Abstract art lends itself beautifully to that. It’s been fun to watch our students glean inspiration from a style they’re not readily exposed to, especially in Bend where we love our landscapes,” Lambeth said.

On any given day, you might find Marunowski at his part-time job at Eastlake Framing or guiding groups of families and friends in collaborative and individual abstract painting through his business, Spirit of Play Art.

Or you can catch him in his garage studio where there’s just enough space to let spontaneity present itself in explosions of color, marks and shapes. “People, myself included, want to return to feeling, sensation and emotion,” Marunowski offered. “All of these lie at the forefront of abstract expressionist painting. It is a form of personal expression, a way of letting go and exploring within, but always with a critical eye.”

For more, see kennethmarunowski.com. 

Bend Artist Sarah Root Creates Sketches Inspired by Wildlife
photo Drew Cecchini

Sarah Root’s studio contains no easel, no messy half-tubes of paint or palette, no hodgepodge of stacked work. In fact, her home studio is tidy and clean with plastic and plexiglass protecting the carpet. Her colored pencils stand upright in canning jars on a tray. “I’m a double Virgo, and Virgos are neat freaks. We find peace in order,” she explained.

Root creates solely in pencil, though she received training as a painter and printmaker. She sketches feverishly when inspiration strikes and draws layer upon layer until the paper is saturated in color, resulting in work that resembles a textured painting. Shapes become patterns, and patterns become familiar life forms. On occasion, she incorporates metal leafing.

“My drawings are inspired by my close friendship with nature and animals,” she said. “I’m doing a lot of birds because they come to me, often in dreams.” Owls, eagles and ravens soar with outstretched wings. Other wildlife—polar bears, hawks and foxes—find equal expression through Root’s pencils.

In her studio, the large piece she was working on was affixed to the floor, which immediately raises the question: how does she sketch? The answer: on her belly or cross legged, positions she can maintain for hours.

Root’s eagle drawing is titled “Brave”

When she finishes a piece, she has it photographed and made into prints and gift cards of various sizes, which she sells on her website (sarahrootart.com), at the High Desert Museum and in businesses in Central Oregon. The original is available to a buyer who connects with it. “I don’t hoard my work, even though I instill a lot of love,” she said. “I want it out where others can enjoy it.”

“I rarely see someone who follows their inner guidance like Sarah does,” said John Hummel, Deschutes County District Attorney and a collector of her art. “When I see those pieces she’s drawn, I know they’re a manifestation of what calls out to her.”

Raised as a second-generation Buddhist, Root grew up in a family of artists with a strong Japanese aesthetic. Her mother, Marlow Brooks, is a gallery-worthy calligrapher and her uncle, Stephen Brooks, is an artist, writer and producer of plays. “Uncle Steve educated me. I saw seven operas with him, countless shows, and I’ve viewed art with him in Paris, New York City and Minneapolis,” she said. The noted calligrapher and Japanese Zen priest, Kobun Chino Otogawa, was “a steady source of love and a dear mentor,” she added.

Her family lived in Nova Scotia, rural Vermont, Colorado and England, moving often. For college, Root chose Sarah Lawrence College in Bronxville, New York, where she studied philosophy and art. After graduation, she moved to Portland and ran a print gallery.

Root working on her newest piece “Modern Love,” posed on the floor in her unconventional drawing position

But service to others was in her DNA. She started helping students at Portland’s Roosevelt High School with college applications. It was there that she had an ah-ha moment and decided to become an educator. She became an accredited instructor for students with dyslexia and other learning differences through the Academy of Orton-Gillingham and began tutoring children in 2010. As a fellow dyslexic, she empathized with her students. In 2015, she moved to Bend and established Wild Roots Learning to provide specialized services for students with dyslexia and learning differences.

The Pacific Northwest also provided the landscape for rock climbing, mountaineering and volunteer work as a wilderness first responder. “I was spending less time doing art and more chasing mountains,” she said. But she suffered a traumatic brain injury which made physical activity and socializing nearly impossible. “When I hit my head, it shifted things,” she said. She continues to struggle with the aftereffects of the injury and says it significantly altered her path. “(But) it renewed my commitment to creating animal scenes and reminding people of their connection to the wild,” she said.

In addition to her sketches, Root has published a children’s book, Warrior Friends, and has submitted another book to a publisher. 

Hummel says of the owl he purchased, “It’s small but when it soars, it’s majestic. Sarah captured so well the strength of that owl’s spirit. She helps her kiddos realize they are that owl. They may feel that they’re small, but she helps them spread their wings.” 


Read more about our vibrant Central Oregon art community here.

Peek Inside a Northwest Lodge Home and Equestrian Center in Tumalo
photo Central Oregon Real Estate Photography

Like buying a car, sometimes you have to test drive a few homes before settling on just the right one. Since visiting Central Oregon in the early 2000s and then moving to the area permanently in 2008, Lisa and Darren Pleasance have owned a vacation cabin and later a house on the Sunriver airport. “It was a pilot’s dream,” said Darren, who flew himself weekly to the Bay Area for his job at Google.

Photo brandon nixon

When they enrolled their two kids at Seven Peaks School, they moved to The Parks at Broken Top in Bend. Darren said he started missing a view, which they’d had in Sunriver. In 2014, a friend gave the couple a lead on 40 acres in Tumalo, with only an abandoned pink single-wide trailer. They got in touch with the owner who told them the property wasn’t for sale. The Pleasances made several offers over the next three years. With hope dimming, they bought a lot with a spectacular view by The Rim in Tetherow and hired an architect to design a home.

And that’s when the owner of the Tumalo 40 acres finally said yes to their offer.

More than a country home

Photo Central Oregon Real Estate Photography

With the Tumalo land now in their possession, the couple made a ten-year plan for the property which would include an equestrian center. While the whole family enjoys riding, Lisa competes at the highest level in the “AA-rated” Hunter and Jumper circuit. Having her own show horses out the back door and a place for others to board, train and rehab their horses was a long-held dream.

Photo Central Oregon Real Estate Photography

For their residence, the couple decided to adapt the Northwest lodge style home intended for Tetherow to the more spacious country site. “We took those plans which included a two-level design and stretched them out into a single floor,” Lisa said.

Capturing the unobstructed views of the Cascade Mountains from Bachelor to Jefferson became the number one priority. “The house was designed to honor the site and maximize the views while maintaining privacy from the equestrian center buildings and clients,” said builder Scott Knox, owner of Madrone Construction. He noted that the “big beautiful front door has spectacular views to the mountains.”

The layout of the 4,400-square-foot residence spreads across a north-south axis, placing the kitchen, dining and living rooms in the middle with wings on either side.

The home is faithful to the lodge style with soaring ceilings, exposed wood inside and out, stone and forged metal accents and arching roof lines. And while the common central area has traditional lodge pieces such as an authentic antler chandelier and a rustic fireplace, the style isn’t overdone. “(Architect John Muir) scaled the home well,” Knox said. He points to the dropped ceilings in the dining room and a slightly different elevation in the kitchen to add human scale.

In the Details

Interior designer Sunny Maxwell added, “while we wanted a ranch-y, comfortable feeling, we tried to avoid the cliché and focused on classic, timeless touches.”

Among the standout features are the hand-scraped, textured hickory floors tough enough to withstand dogs and dirt tracked in from the ranch, a farm kitchen sink made of solid granite and custom fireplace doors, countertops and stove hood forged from zinc by Ponderosa Forge in Sisters. One of the couple’s favorite places is the great room with the view of South Sister and the drink bar and up-lit cabinet that displays spirit and wine bottles for entertaining and for pouring out a glass of wine to enjoy around the outdoor firepit after a long day on the farm.

The master wing includes the Pleasance’s bedroom with a rare feature—views of both the sunrise and sunset from bed. Darren’s office is conveniently located nearby. He now runs the Global Sales Strategy and Operations Teams for the high-tech firm Cisco and has worked from home during the pandemic. “His office was well thought out with a fireplace, providing a nice background for video calls,” Maxwell said.

Photo Central Oregon Real Estate Photography

Photo Central Oregon Real Estate Photography

Photo Central Oregon Real Estate Photography

One of Lisa’s favorite places is a special purpose mudroom off the master suite. It offers convenient access to and from the horse barn and a place to hang her riding clothes and drop muddy boots before heading straight into the shower or soaking tub.

The other wing consists of their two children’s bedrooms and a combined bunkroom and media room. The large laundry and mudroom off the four-car garage has cubbies and hooks for outdoor gear, and a spacious dog wash for the three Golden Retrievers who cohabitate with the family.

 

An equestrian center from the ground up

Concurrent with starting the building permit process on the home, the Pleasances began with infrastructure for the equestrian center, which they would call Meridian Peaks Farm. “They’re extremely high touch and knew what they wanted to accomplish,” Knox said. He said they chose to do much of the work themselves when they could easily have outsourced it. For example, Darren rented an excavator, and a friend showed him how to use it to dig a trench for electricity and water lines. Along with contractors, they fenced the entire property, dug a well and installed irrigation to grow hay for horse grazing.

Photo brandon nixon

They finished the first barn in 2018 and within eighteen months added another barn. It contains an outdoor riding arena, a pond stocked with fish, a meandering riding path around the property, a large equipment storage shed and finally an indoor riding arena suitable for competition. 

Photo brandon nixon

photo brandon nixon

A lifelong friend and Hunter and Jumper competitor of Lisa’s, Simone Starnes of Starnes Equestrian, runs the training business and manages the clients and their horses while Lisa oversees the day-to-day operations of the entire facility which has grown since its opening in 2018. Another handful of employees help both Lisa and Starnes with chores related to the care of about twenty-five horses on the property. Still, Lisa retains responsibility for feeding and tucking in all the horses each night.

Starnes said the indoor arena is a dream, “built like an upper-class facility with high-end touches but homey and oriented to horses and their riders.” It was built with steel-framing so it could be bigger than wood-framed arenas and to withstand heavy snow loads. Lisa admits her horses are “super spoiled” with heated waterers and their own private turnouts during the day.

With a finished home in the rear-view mirror and a lifestyle complete with show horses, ponies, chickens and dogs, the former Bay Area residents are fully immersed in their new country lifestyle. Neither can imagine living anywhere else. 

 

Bend artist Kristine Cooper takes the plunge into the creative life

Editors Note: This article was originally published February, 2021

It’s a brave new world for Bend artist Kristine Cooper, who quit jobs in retail management and the building industry to support herself as a full-time artist. “I realized this summer that I was no longer being fulfilled in my 9-to-5 job and decided to move toward creating something from my soul,” she said.

The young artist—just 26—wanted to be a full-time creative professional after graduating from Seattle Pacific University’s studio fine arts program in 2016, but she had little encouragement from those around her. “I tried working full time while pursuing my art on the side but ended up exhausted and unfulfilled,” she said.

“Since COVID slowed life down, I had time to be intentional and process what I was doing with my life,” Cooper said. She was making money selling her artwork on the side and decided that devoting her whole being to art would open new doors. Quitting her jobs and starting her own business was the scariest thing she’s ever done, but she said, “The universe takes care of you when you’re doing what you’re really meant to do.”

Cooper creates a visual diary of her life through abstract and playful canvases, murals and textiles in vibrant colors and bold shapes. Some are energetic with swirling patterns and dripping paint; others hint at representational subjects such as people and landscapes. Her medium is primarily acrylic paint but often incorporates mixed media such as pencils, charcoal and oil pastels. She builds texture with thick and thin layers of paint and adds specks of gold “to create visual interest across the canvas.”

“I create what’s been in my head for weeks or days, such as a shape that occurs while hiking,” she said. “I don’t try to evoke any particular feeling, but [my] art can bring out a sense of joy, playfulness or a light feeling.”

When working from her home studio, she sets up an easel, listens to music “to make my brain think in different ways,” and loses herself in the process, working in long segments. When she wants to draw inspiration from the desert and her environment, she does plein air painting.

Like many new transplants, Cooper moved to Bend for the outdoor lifestyle. “I can get on a trail in 20 minutes instead of being in Seattle traffic for hours,” she said, adding she’s found her artistic voice in Bend since arriving in 2017. Cooper regularly shows her work in cafés and retail spaces, such as Thump Coffee, Revolvr, Velvet, The Commons and Nancy P’s Café & Bakery. Her work has also been exhibited at Franklin Crossing, Cascade Sotheby’s, the Oxford Hotel and Sunriver Lodge.

These shows are sources of sales, as are her website and others such as Etsy—from which the president of DreamWorks once bought a large-scale abstract called “Second Chances.” “It was an eye opener to have a client like that buy a piece,” she said. “I’ve seen continued momentum—you never know who is going to buy or who you’ll meet.”

Other avenues she’s exploring are commissioned murals in homes and businesses. Anna Spengler of Bend chose Cooper to do a mural in her living room after seeing her website and the joyful mood of her art. “Her work really speaks to me, especially her magical mountain scenes,” Spengler said. “She uses vibrant, fun colors and has an eclectic and bold style. Her mural brings my living room to life, and the colors inspire creativity.”

Cooper has also begun attracting clients who want help with their home’s interior styles, such as how to blend vintage or antique furniture with modern elements. This includes repurposing people’s treasures in a creative way that brings them new life. “I want to help people make their space unique and bring art into a home for a cohesive design,” she said.

Since starting Cooper Art and Abode, she no longer holds herself back. “I can fully dedicate my time toward my work and create boldly,” Cooper said. “I’m trusting the process and the gifts I’m meant to share.”

To see Cooper’s artwork, visit Fix & Repeat, a restaurant in the Box Factory, in January. See more at cooperartandabode.com.

Bend’s Richard James Yozamp Brings Street Art Home
Yozamp in front of his mural at Miyagi Ramen. Wardrobe courtesy of Revival Vintage Bend, pants belong to artist, necklace courtesy of Planet Homeslice.

Richard James Yozamp pours another layer of house paint over a dead tree limb embedded in a concrete bucket in his garage studio. When finished, the sculpture will be part of his collection of “Bucket Trees” that he will place around town for people to enjoy and take home for free. “Everyone understands twigs,” said the Bend native, who recently returned to Central Oregon after immersing himself in street art in Southern California and apprenticing with masters in silk-screen T-shirts and pop-art prints.

The 2007 Summit High School graduate headed to Montana State University planning to major in art, but disliked the art school and switched instead to a business and marketing degree. He didn’t give up his dream of becoming an artist, though. “I painted abstracts by pouring paint onto a canvas in the party room of my fraternity,” he recalled. “I had eight large paintings and recruited eight sorority sisters to use their hair dryers to finish them in time for the student art show. I priced them cheap. They sold out quickly.”

After college, he moved to Ocean Beach, California, in 2012, surfing every day and working at James Gang T-shirt shop learning silk screening, color theory, photoshop and design. While there, he heard that Shane Bowden, a neo expressionist pop artist, was looking for an assistant. The Australian’s bold, vibrant and often provocative prints reminiscent of Andy Warhol and Robert Rauschenberg had a following in the art world. At one point, Bowden owned galleries in the United States, Canada and Asia.

“I went to meet him at his La Jolla gallery, and he told me, ‘You’re starting Monday morning. You’d better be ready,’” Yozamp recalled.

“I get there, and he tells me to make a four-by-four-foot silk screen of a Chanel (perfume) bottle. That’s an industrial size. I worked for him for four years, pumping out art, as many as 136 silk-screen paintings in one day. Until then, I didn’t know you could make a living doing art.

“He mentored me, and after a year of hardcore boot camp, I was painting forty to fifty hours a week,” he said. “I started selling my own work in galleries as a ‘ghost painter’ under his name and brand. At 25, I was making really good money and managing his whole operation and opened up eight galleries for him.”

When Bowden went to Italy in 2017 and didn’t return, Yozamp locked up the galleries. “I looked for work for several months, sold my own work and did small gigs,” he said. “I was directionless, but with the foundation Shane gave me, I was ready to become my own artist.”

Getting Started

His dad, Jim Yozamp, found him a job in marketing and sales in Bend in 2018. The younger Yozamp gave corporate life his full attention until he realized it wasn’t for him. “I was ready to get back into the studio and get creative,” he said. “The art followed me to Bend, and I got an order from Krave and Kulture, a high-end fashion and curated pop-art business in Palm Springs, for sixty paintings under my own signature.”

In addition to the Bucket Tree sculptures of dried bushes and dead branches, his studio had several large canvases ready for painting, made of heavy material he buys at Joann fabric store. “I love going to Joann’s and using my 50 percent off coupons,” he said and laughed. Although he’s mostly done silk-screened paintings in the past, he’s more focused now on hand painting his subject matter, which often includes mountains or trails he hikes in Central Oregon.

Yozamp also brought home a love of contemporary street art and mural painting. “I ran around San Diego at 2 a.m., zip tying cardboard cutouts to different parts of buildings, fences and street signs—about 100 different pieces at a time and a new series every week or two,” he said. “The subject matter included babies doing adult things, like reading the LA Times, drinking Starbucks or texting and driving a child’s Mercedes SUV electric toy car.”

Since returning to Bend, he’s painted murals at Bo’s Falafel Bar and Miyagi Ramen, and is in talks for other commissioned, large-scale public murals around Bend in 2021. He’s also had shows at Outside In equipment store, Dump City Dumplings and Revolvr Menswear.

Yozamp in front of the Bo’s Falafel Bar mural he painted

At 31, Yozamp is a fresh face on the local art scene. Expect to see more of his work around town. Visit him by searching @yozamp on Instagram. Yozamp’s newest exhibit, including classic views of Central Oregon Cascade lakes and mountains in natural fibers, will hang at Found Natural Goods opening December 4 and running through the month.

Yozamp’s vision of Three Fingered Jack

A Riverside Home Remodel for Bend’s Bowerman Family

It’s hard to imagine a home more perfectly aligned with a family’s narrative than the Jayson and Megan Bowerman home located on the Deschutes River between the Bend Whitewater Park and Drake Park. The renovated residence blends a historic Craftsman bungalow with a contemporary addition for a home befitting their love of the river and the eclectic neighborhood of “Whiskey Flats” in the heart of Bend.

“I literally grew up in the bottom of a canoe,” said Bowerman, who was raised in Sunriver. “The Deschutes River has been my teacher my entire life, as well as my training grounds when I was a competitive whitewater kayaker as a young man.” As a member of the Bend Paddle Trail Alliance, he helped raise community support and funding to build the whitewater park before its completion in 2015.

Megan and Jayson met while Jayson was living near Tumalo, from which he felt “enslaved to my steering wheel while driving to Bend all the time.” Meg was living only blocks from where they currently reside, and Jayson realized that he had a “deep need” to be back in the heart of the community.

The couple bought the home in 2013, believed to have been built by Bend ski pioneer Nels Skjersaa in 1917. They loved the location and the structure’s historic roots, despite the dilapidated kitchen and the cottage’s small size (1,040 square feet). In 2016, with their first child on the way, they hired longtime friend and home designer, John Jordan, to envision a remodel that would preserve the original house as much as possible, while integrating a new two-story addition.

Jayson Bowerman/photo Jill Rosell

The Challenge Begins

Creating enough space for a growing family would hardly be a straightforward task since the footprint of the dwelling would be tightly constrained by the small lot size and a forty-foot riparian setback from the river’s steep, diagonal bank, as required by Bend city code.

The first major decision was what to do with a beloved detached “boathouse” near the water’s edge. In 2015, the boathouse had flooded, and Jordan suggested that if they demolished the structure, new design opportunities would open up. The Bowermans decided to tear it down.

The next big decision was what do with the century-old house—demolish it too, and start anew, or preserve the old? The structure wasn’t square to the property lines, it had been sitting on soggy, water-table soil and a new roof installed in the 1990s was underbuilt. The builder they chose, Dean Edleston of Monolithic Builders, faced many logistical challenges, including finding a drop site for materials and tools, parking for subcontractors and bringing crane to the site multiple times to supply the addition.

But the character, history and appearance of the home were important to the Bowermans, and consistent with the neighborhood, so they decided to build an addition that would straddle a second story over the original craftsman and create new space extending off the backside.

Jayson said they spent two years developing plans and let the architectural vocabulary of the early craftsman—from gables and molding to door styles—dictate overall design. To tie the two structures together, the design would match roof pitch, siding and windows and copy bracing and other features of the original home but in a larger, more contemporary format throughout the addition.

In 2018, with permits in hand, they demolished the master bedroom, kitchen and sunroom. They removed some of the original lath and plaster walls and parts of the hand-stacked foundation to incorporate structural steel framing to support the second story. “It was a big job,” Edleston said, adding that Bend Welding spent a couple days bolting the steel supports to the foundation.

The remodeled home would end up with 2,700 square feet of combined space encompassing four bedrooms, three-and-a-half baths, laundry and mud room, with river views from nearly every room, as well as two covered decks.

Exterior colors—aspen bark and red clay for trim and sage green for the body—create a seamless impression from front to back. “The plan was to make the new and old look like they’ve always been there,” Edleston said. “Kudos to John and Jayson who spent a lot of time on the initial designs.”

The final layout retained the front porch and front door, which lead to a “pick-n-parlor” music room. Jayson completed a luthier apprenticeship with Kim Breedlove in the mid-1990s and after fifteen years at Breedlove Guitar Co. went on to form Bowerman Guitars. Today he handcrafts custom guitars, mandolins and other string instruments for musicians worldwide.

The historic first floor also includes a guest bedroom, bath, mechanical room, and utility and laundry room. A hallway ushers guests out of the traditional bungalow into a contemporary craftsman structure with 21st century amenities and upgrades. The wood-beamed great room is cozy yet open. The panoramic four-panel glass (yes, glass) door opens wide to extend the living room outside to the covered deck in warm weather. A mudroom with lockers for each family member is conveniently accessed from the kitchen and leads to the garage and backyard. The second story, which overlaps part of the original structure, contains three bedrooms and a deck off the master.

Infusing Architecture with Personality

The Bowermans’ personal touch and stories permeate the remodel. The window, door, baseboard and box-beam trim came from reclaimed fir bleacher boards which Jayson found in Seattle and hauled back to Bend in a trailer during the “snowpocalypse” of 2018. “We spent days scraping miles of bubblegum off the wood,” Edleston said with a laugh. He estimates that they plugged about 1,500 bolt holes, but the result is trim that “looks historic and will age beautifully.”

The couple retained the original front door, including its skeleton key lock. And instead of ripping out the old fir floors, they stripped the fir and chose a compatible narrow-plank white oak for the new section.

“Those guys have really good taste,” Edleston said. The family searched out vintage fixtures for the old house, including a cast-iron enamel laundry sink from the historic Dalles Hotel, and rejuvenated the plaster walls with age-appropriate push button light switches.

The couple built the fireplace mantel and kitchen pantry shelving from a windfall maple salvaged from the farm of Bill and Barbara Bowerman, Jayson’s grandparents. The two decks are wide-plank Port Orford Cedar, a durable Oregon timber that Jayson says never splinters and remains soft to bare feet.

With the help of interior designer Kelly Warner, the couple chose slabs of quartzite that mimic the river. Edleston said it’s “the most beautiful quartzite I’ve seen in my life.” The kitchen also has a unique window cabinet through which the outside shines through.

The couple is grateful to its team of designers and builders who persisted through various challenges. “We have an addition that is both beautiful and functional while meeting our design goal of being a modern home which received its architectural bloodlines very clearly from the old mill house,” Jayson said.

In late 2019, the Bowerman family, which now includes their second child, moved into the home. They look forward to daily canoe paddles with their two young boys. And anyone who knows Jayson suspects it won’t be long before his kids are riding the waves with him.

Resources:

Designer: John Jordan, Evolution Home Design
Builder: Dean Edleston, Monolithic Builders
Interior: Kelly Warner, Kelly Warner Interior Design
Landscape: Chris Hart-Henderson, Heart Springs Landscape Design

A Creative Pair Crafts an Industrial Loft-Style Abode

The owners of a steep lot in North Rim challenged the architect, builder, and subcontractors to execute their vision of a modern, industrial-style home that incorporated metal and steel in starring roles. The result? A stunning custom home.

The aesthetic unfolds from the front doorstep, where the doorbell is made with an engine bearing from a Porsche race car, embedded with a red button that says, “engine start.” A 1970s restored vintage motorcycle sits in the entry hall. An interior sliding barn door is actually a facsimile of a jailhouse door complete with a pass-through. These are among the fun and quirky features of the home in Bend’s North Rim neighborhood.

Custom built by Dennis Staines Construction between 2015 and 2017, the 4,080-square-foot residence incorporates wood, stone, concrete and other materials common in today’s contemporary styles. But it’s the metal work that sets it apart. And there’s plenty of it.

The owners, Marnye Summers and Kevin Reynolds, both create art from metal, so it’s not surprising they chose to incorporate it in structural components and as artistic flourishes around the home.

Urban industrial home design in Bend, Oregon

“Heating, smelting, forming, twisting, forging hot metal is bending nature’s raw materials to form structures that support and enhance our dwelling,” said Summers. “It is like magic to me. I love it!”

Reynolds restores vintage motorcycles and shares a downstairs studio with Summers. In her main floor studio, Summers creates dog-themed art by painting flat pieces of steel that she’s fabricated with a plasma cutter. These colorful pooches are frozen forever in dynamic poses affixed to walls throughout the home and sold to clients who commission her work. Flesh-and-blood rescue hound Ratty Rat, a pit-bull mix, is one of fourteen dogs the couple has rescued over the past thirty-four years. She keeps a guarded eye on her masters and spends time in her own custom-designed indoor and heated outdoor kennels.

An Urban Loft in Bend’s Foothills

Urban and industrial home design in Bend, Oregon

The home’s main living space on the upper floor has high ceilings, oversized, industrial-style light fixtures and radiant heat beneath concrete floors. “There’s an urban loft atmosphere,” said Bend architect Scott Gilbride, who worked with the couple on designing the two-story home. “We got close to building an urban loft in the foothills of Central Oregon,” he joked, adding that “[Summers and Reynolds] don’t have the city, but they have the feel of it.”

The kitchen island and front door illustrate his point. The island’s Caesarstone quartz countertop is supported by a shipping container on steel castors (which don’t actually roll) and metal seats that swivel. The metal panels of the front door are constructed in what Gilbride describes as a “steampunk” design, which plays out in this house as scrap metal put together in a quilt-like pattern with exposed fasteners.

Urban industrial home design in Bend, Oregon

Doug Wagner of ModernFab in Bend built the metal panels for the front door, as well as the jailhouse barn door that separates Summers’ main-floor studio from the living, dining and kitchen area. “Marnye was persistent that the jail door have an opening where she could be fed,” he said, adding that she gave him a lot of freedom in creating the design. Working with the couple was fun because they were open to experimental approaches, he said. Another unique feature is a space high above Summers’ studio where salvaged, dilapidated windows of varying sizes and colors hang from metal railings constructed by Wagner.

A key design concept was to locate Summers’ and Reynolds’ studio and office spaces close together and adjacent to the great room. “We’ve been married thirty years and like to be close,” Reynolds explained. His office, like his wife’s studio, has a standing-height workstation on wheels.

Industrial Meets Contemporary

Urban industrial loft home design in Bend, Oregon

Despite the inclusion of one-of-a-kind metal touches (for example, all the wood baseboards and door trims are edged with steel, painstakingly incorporated by Elevado Metalwork), the industrial aspects are tempered by curved, knotty cedar ceilings, farmhouse sinks in the kitchen, rustic cherry wood doors and cabinets, bold colors and a wood-burning fireplace in the living room.

The master suite sports less metal, more wood and is a tribute to African art collected during the couple’s travels. The large, open bathroom with windows to the backyard features towel-warming racks, an open shower with no door to squeegee and a head-to-toe body dryer.

But the standout architectural feature is the huge closet. Three walls of floor-to-ceiling cherry cabinets hide clutter and every thread of clothing. (A meticulous streak apparently competes with Summers’ anything goes, artistic impulses.) A peek inside one of the cabinets confirms that shoes and sweaters do, indeed, reside there. The closet also includes an island and mirror to reflect its purpose.

City Style Outdoors

From the rusted metal panels that form the roof to the landscaping, the Reynolds-Summers industrial style found expression on the home’s exterior as well. Two local metal workers, Hunter Dahlberg of Orion Forge and John Herbert of Iron West, shaped steel into metal walls in the landscaping and forged exterior staircase railings and gates. Troy Stone and others of Bend Heating & Sheetmetal created rusted panels for siding. “They showed us different ‘recipes’ for rusting metal,” said Reynolds. The home is also sided with stone and a wood product that replicates the look of barn wood.

In the end, this couple moved directly into the house from Southern California and got exactly what they wanted: an industrial modern home that reflects their love of metal and space to pursue their creative visions.


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