Amid whitewashed walls and shelves lined with clay vessels, wide open surfaces become spaces for discovery at HWH Ceramics in Tumalo.
For ceramicist Heidi Weiss Hoffman, the path to clay began long before pottery. Raised as the daughter of an artisan baker, she learned patience, chemistry and craftsmanship in the kitchen under the guidance of her father, a pastry chef whose career took him to hotels around the world.

Those early lessons eventually shaped her work as a potter.
After her parents, Hans and Leslie Weiss, opened Hans Restaurant in Bend, Weiss Hoffman spent the next 24 years immersed in every aspect of the restaurant business. Following a continued career in food and beverage, a ceramics course at Central Oregon Community College opened an entirely new creative direction.
Now, through HWH Ceramics, she creates vessels, lamps, wall pieces and kitchenware rooted in experimentation and quiet, organic form.
“The vessel is humankind’s original art form.”
A Studio Built Around Process
Inside Weiss Hoffman’s studio, slabs of clay rest in corners while kilns fire nearby. Works in every stage of completion fill the space.

Her pieces often carry earthy palettes, textured surfaces and subtle irregularities that recall mid-century ceramic design while remaining deeply connected to the natural world.
Each object feels intentionally tactile.
Whether crafting kitchenware, garden pots or sculptural decor, Weiss Hoffman leans into forms that invite touch and interaction rather than perfection.

From Wheel Throwing to Hand-Building
Though she began by throwing pottery on the wheel, Weiss Hoffman eventually gravitated toward hand-building and coiling techniques.
“This process is where the meditative space comes into play,” she said. “I can start a piece, and time slips by.”
She describes clay as both unpredictable and freeing.

“Clay is fickle, but it has this plasticity that allows you to be as free as you want to be,” she said. “It’s so vast—it’s endless.”
The slow pace of ceramics has also reshaped her relationship with control and patience.
“I may have one idea, but by the time it gets done, it’s completely different.”
The transformation from raw earth to finished vessel can take weeks, requiring pauses between stages for drying, firing and refinement.
“I can only build [a piece] so far, then I have to let it rest,” she said. “And I don’t come by patience naturally. It’s frustrating at times, but I love it. It brings me so much joy.”

Learning Through Community
Before becoming a full-time ceramicist, Weiss Hoffman spent three years taking ceramics courses throughout Central Oregon to immerse herself in the local arts community.
She credits instructors and fellow artists—including studio mate Marité Acosta, along with Moe Carolin-Anderson and Erin Hasler—for helping shape her artistic development.
In 2025, Weiss Hoffman served as a juror for Art in the High Desert in recognition of her expertise and growing presence within the regional arts scene.

Inspiration From Oregon and Beyond
An avid outdoor enthusiast, Weiss Hoffman draws inspiration from Oregon landscapes as well as international travel with her husband, John.
“My brain is constantly looking and asking, how can I apply what I’m seeing to a vessel?” she said.
A large vase in progress sits atop her worktable, textured with deep ocean blues. “I never liked the color blue until I went to Greece,” she said with a laugh.
The places she experiences become part of the visual language of her work.
“I take it all in, and it becomes the fabric of who I am—and hopefully, that translates into my art.”
See more work by HWH Ceramics | Keep reading about our Bend and Central Oregon art scene | Regional Artist Profiles
