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Inside HWH Ceramics: Heidi Weiss Hoffman’s Tumalo Pottery Studio

  • By Heidi Hausler, May 27, 2026
  • Photos by Maddie Phillips Photography
Heidi Weiss Hoffman holding a finished piece of her work

Amid whitewashed walls and shelves lined with clay vessels, wide open surfaces become spaces for discovery at HWH Ceramics in Tumalo.

For ceramicist Heidi Weiss Hoffman, the path to clay began long before pottery. Raised as the daughter of an artisan baker, she learned patience, chemistry and craftsmanship in the kitchen under the guidance of her father, a pastry chef whose career took him to hotels around the world.

Heidi Weiss Hoffman standing in front of a display of her work

Those early lessons eventually shaped her work as a potter.

After her parents, Hans and Leslie Weiss, opened Hans Restaurant in Bend, Weiss Hoffman spent the next 24 years immersed in every aspect of the restaurant business. Following a continued career in food and beverage, a ceramics course at Central Oregon Community College opened an entirely new creative direction.

Now, through HWH Ceramics, she creates vessels, lamps, wall pieces and kitchenware rooted in experimentation and quiet, organic form.

“The vessel is humankind’s original art form.”

HWH ceramics painting a bowl

A Studio Built Around Process

Inside Weiss Hoffman’s studio, slabs of clay rest in corners while kilns fire nearby. Works in every stage of completion fill the space.

Heidi Weiss Hoffman painting a ceramic bowl

Her pieces often carry earthy palettes, textured surfaces and subtle irregularities that recall mid-century ceramic design while remaining deeply connected to the natural world.

Each object feels intentionally tactile.

Whether crafting kitchenware, garden pots or sculptural decor, Weiss Hoffman leans into forms that invite touch and interaction rather than perfection.

Heidi holding a final piece of art HWH Ceramics

From Wheel Throwing to Hand-Building

Though she began by throwing pottery on the wheel, Weiss Hoffman eventually gravitated toward hand-building and coiling techniques.

“This process is where the meditative space comes into play,” she said. “I can start a piece, and time slips by.”

She describes clay as both unpredictable and freeing.

black and white image of art by HWH Ceramics

“Clay is fickle, but it has this plasticity that allows you to be as free as you want to be,” she said. “It’s so vast—it’s endless.”

The slow pace of ceramics has also reshaped her relationship with control and patience.

“I may have one idea, but by the time it gets done, it’s completely different.”

The transformation from raw earth to finished vessel can take weeks, requiring pauses between stages for drying, firing and refinement.

“I can only build [a piece] so far, then I have to let it rest,” she said. “And I don’t come by patience naturally. It’s frustrating at times, but I love it. It brings me so much joy.”

Shelf full of HWH Ceramics works

Learning Through Community

Before becoming a full-time ceramicist, Weiss Hoffman spent three years taking ceramics courses throughout Central Oregon to immerse herself in the local arts community.

She credits instructors and fellow artists—including studio mate Marité Acosta, along with Moe Carolin-Anderson and Erin Hasler—for helping shape her artistic development.

In 2025, Weiss Hoffman served as a juror for Art in the High Desert in recognition of her expertise and growing presence within the regional arts scene.

Portrait of Heidi Weiss Hoffman

Inspiration From Oregon and Beyond

An avid outdoor enthusiast, Weiss Hoffman draws inspiration from Oregon landscapes as well as international travel with her husband, John.

“My brain is constantly looking and asking, how can I apply what I’m seeing to a vessel?” she said.

A large vase in progress sits atop her worktable, textured with deep ocean blues. “I never liked the color blue until I went to Greece,” she said with a laugh.

The places she experiences become part of the visual language of her work.

“I take it all in, and it becomes the fabric of who I am—and hopefully, that translates into my art.”

See more work by HWH Ceramics | Keep reading about our Bend and Central Oregon art scene | Regional Artist Profiles

beautiful art from HWH Ceramics

FAQ

Who is Heidi Weiss Hoffman?

Heidi Weiss Hoffman is a Central Oregon ceramic artist and founder of HWH Ceramics in Tumalo. Her work includes handcrafted vessels, kitchenware, lamps and sculptural ceramics inspired by nature, travel and organic form.

Where is HWH Ceramics located?

HWH Ceramics is based in Tumalo, just outside Bend, Oregon.

What kind of pottery does HWH Ceramics create?

HWH Ceramics creates hand-built ceramic vessels, kitchenware, garden pots, lamps and wall decor with earthy palettes, textured surfaces and organic shapes.

How did Heidi Weiss Hoffman become a ceramic artist?

After decades working in the restaurant and food industry—including 24 years connected to Hans Restaurant in Bend—Weiss Hoffman discovered ceramics through classes at Central Oregon Community College and later transitioned into pottery full-time.

What inspires Heidi Weiss Hoffman’s ceramics?

Her work is inspired by Oregon landscapes, international travel, natural textures and observations from everyday life.

What techniques does Heidi Weiss Hoffman use?

While she began with wheel throwing, Weiss Hoffman primarily focuses on hand-building and coiling techniques in her current work.

What is the style of HWH Ceramics?

Her ceramics feature minimalist, organic forms with subtle irregularities and tactile surfaces that echo mid-century ceramic design and natural landscapes.

Was Heidi Weiss Hoffman involved with Art in the High Desert?

Yes. Weiss Hoffman served as a juror for Art in the High Desert 2025.

Where can I see more of Heidi Weiss Hoffman’s work?

More information about her ceramics and studio can be found at hwhceramics.com.

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