Anton Yakushev fits in well at Dry Canyon Forge in Bend. His bear-like frame equals the size of hulking machines around him. Five-pound hammers sit at ease in his calloused hands, as do the tongs holding a glowing bar of steel just removed from a 2,300-degree forge. Yakushev does not hesitate as he pounds a shape on the anvil, yet his focused eyes make sure all is right before each strike. In steel sculpture, Yakushev’s braun and artistic grace alloy into finely balanced creative expression.
Neither the acquisition of blacksmithing skills nor his relocation to Bend were quick nor easy. Like one of his sculptures—entirely hand-forged, never cast—Yakushev’s success has relied on perseverance, dedication and long-term vision.
Forging Ahead
Originally from Kolomna, a historic city on the outskirts of Moscow, Yakushev pursued a fine arts degree in the early 2000s. In school, he excelled at drawing and knew he wanted to sculpt, but he hadn’t yet discovered the right medium. A visit to a friend’s forge ended the search. Seeing what could be done with steel, the equilibrium between weight and elegance, Yakushev decided to invest a decade of time learning the craft of blacksmithing so that one day he could make art.
Following a few years spent observing blacksmith artists, and eight more as an apprentice, Yakushev opened his own blacksmith studio in Kolomna. He built handrails and other architectural pieces as he honed his ability further. He started making sculptures, which led to shows in St. Petersburg and Moscow, and to teaching workshops across Europe.
In 2018, Yakushev and his wife, Kat, first visited Bend, invited by the Central Oregon Metal Arts Guild (COMAG) to give demonstrations and teach workshops. Yakushev felt appreciated here, not a common feeling he had in Russia, where he said art had to be made according to rules.
“When I was doing demonstrations in America, people who were watching kind of absorbed everything—they wanted to learn, and they were so grateful,” Yakushev said through Kat as interpreter. “And you sense that it’s a very important mission. It’s so wonderful that people are interested. I feel so welcome here.”
In February 2022, the Yakushevs arrived for another trip to the United States. Two days later, Russia invaded Ukraine. Anton, whose mother is Ukrainian, applied for political asylum here and the Yakushevs have been living in Bend ever since.
Forging Ahead in Central Oregon
Central Oregon has given Yakushev a fresh perspective on life and art. “There’s just a different mood here—I feel safe, and that influences my art,” he said. “I would never make a lamp with a bird in Russia, but now I have several projects about nature. Here, I started to feel more life, and that’s why I’m able to enjoy nature around me, and to show it through my art.”
The Central Oregon and North American metal arts community also benefits from Yakushev’s presence. He’s a member of COMAG, and he continues to teach and share his knowledge. Friend and fellow blacksmith, Joe Elliott, remains impressed by the skills and techniques Yakushev has brought to Bend.
“It’s a new skill set of how to make proportionally correct sculptures out of multiple pieces using traditional joinery,” Elliott said. “That wasn’t here beforehand.”
Elliott owns Dry Canyon Forge and rents space to Yakushev. The two have collaborated with others on projects including a life-size bald eagle, covered with 400 hand-forged feathers, that Yakushev designed for the High Desert Museum. Elliott marvels at Yakushev’s innate ability to capture movement, something often missing in sculptural work.
“Anton’s work is unique, not only in terms of design but in terms of how he puts things together,” Elliott said. “He uses traditional joinery with contemporary design. It’s a very unusual technique using rivets and collars, as opposed to just welding or casting, and I don’t know of anybody else really doing that.”
Currently, Yakushev is working on a life-size horse that, like his eagle, will require the help of other blacksmiths. He has also taken to jewelry, a testing field for the sculptor. As Yakushev learns to work with silver and gold, and to set stones, he expands his own experience as a metal artist.
“I believe if you like what you’re doing, challenges can help you develop and grow,” Yakushev said. I like [the part] during the process when I say, ‘Okay, this is a challenge, so how can I do it?’ Then, I just keep working.”
