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The Second Life of Gordan Clark, a Surfing Pioneer

How Gordan Clark went from shaping surfboards in California to running Hay Creek Ranch in Madras.

Gordon Clark, Hay Creek Ranch, Madras Oregon
Photo by Talia Galvin

The mid-’90s F-series outside Hay Creek Ranch’s shop has seen better days and covered many miles, but it saw a lot of freeway driving in its early days, said Gordon Clark. Because of that easy use, it has plenty of miles left for ranch chores that require the rig’s utility flatbed. A modest black-and-white logo on the front driver’s side quarter panel reads “Clark Foam,” and speaks to Clark’s first life that began decades before.

Clark’s  first life was foam surfboard blank manufacturing in California where he pioneered the industrialization of modern surf board production.

The second life is playing out far away from the SoCal surf culture at Hay Creek Ranch on 52,500 contiguous Central Oregon acres, about ten miles due east of Madras. If you were to create a twenty-mile-long rectangle of property—roughly encompassing the city limits of both Bend and Redmond, it would need to be more than four miles wider to cover as much ground as the ranch. Of that, 720 acres are under irrigation. Clark and about a dozen hands run 4,000 sheep, 900 mother cows and all the equipment that supports the operation.

See the southeast horizon? That’s where the ranch ends. Beyond that? The Ochocos, where drovers will herd the sheep through leased summer pastures that extend the ranch well beyond its physical boundaries.

“Running a place like this is like piloting a battleship with an oar,” said Clark, 83.

Gordon Clark, Hay Creek Ranch, Madras Oregon
Photo by Talia Galvin

Even though he is beyond the age where most people retire, Hay Creek Ranch is clearly no retirement job. The vast geographical scope of the operation provides a complement to a first career that was outsized in other ways.

“When I was young, all I wanted to do was surf,” said Clark. “I’d been building surfboards since I was a teenager.” It wasn’t long before he went to work for Hobie Alter, who had figured out a way to build surfboard cores from foam rather than balsa wood. In college, Clark majored in math and sciences, so he was a natural on the technical end.

The cores Clark helped create were sold to surfboard makers, who transformed them into finished, high-performance boards.

In 1961, Gordon “Grubby” Clark struck out on his own, building a factory in Laguna Niguel, California. He refined techniques for molding and reinforcing foam and his reputation grew as being the best in the business. By the start of the twenty-first century, industry experts estimated that Clark Foam supplied as much as 90 percent of the American market for blanks, and they said Clark may have supplied a majority of the global market. In 2002, Surfer Magazine placed him at No. 2 in its list of the “25 Most Powerful People in Surfing.”

In December 2005, he closed the factory without warning. Clark Foam’s market share plummeted to zero. In a seven-page fax to suppliers, he wrote that regulatory challenges—environmental, workplace and fire-related—gave him little choice in the matter. One line in the letter spoke to a reality affecting many American industries: “… You could build many blank making facilities outside the United States just for the cost of permits in California.”

A cowboy might call the resulting shock and confusion a goat rodeo. Nobody knew where the inner structure for new boards would come from. Mourning surfers, according to New Yorker writer William Finnegan, called it “Blank Monday.”

At the point of factory closure, Clark had already owned Hay Creek Ranch for a decade-and-a-half, and was living part of the year on the big island of Hawaii. He moved to the Oregon ranch for good in 2009.

Does Clark miss life on the beach?

“You’re only here once. I started surfing when I was real young. I did that—did the whole thing: a beachfront house, a surf break right out front,” said Clark. “Then I accidentally got into this thing, and it’s a whole new deal; it’s fascinating to do this.”

After decades of surfing and building boards, “I just feel fortunate to do something like this,” he said. “It’s like I’ve had two whole lives.”

Clark came to buy Hay Creek Ranch almost by accident. “Besides surfing all my life, I dirt biked all the time. A friend from Hawaii got the idea that we’d take a road bike trip,” said Clark. “So we saw the West that way.”

For bikers, the back roads of Eastern Oregon are heaven: next to no traffic, good asphalt, plenty of curves and a landscape that triggers a halt to one’s breath around each bend. Even the gravel roads are in good shape.

Before joining the bike crew on their ride through Oregon, Clark said a friend talked and talked about how amazing the riding was in Switzerland. After a stretch with curve after curve, fast descents, good climbs and stunning views, Clark pulled ahead, stopped his bike in the middle of the road, and dropped the kickstand. Climbing off and looking around in the silence, he asked: “What’s this you were saying about Switzerland?”

One of their rides took them past the ranch, which was a victim of the S&L crisis. The troubled insurance company holding the debt was receptive to fire-sale offers, and Clark was able to buy the ranch in 1993 with it in mind as a real estate investment.

Clark learned to guide his new “battleship,” as he calls it, from scratch. He imagined the neighbors’ initial thoughts: “Here comes this dork who doesn’t know anything.”

Any skepticism the neighbors might have had about a surfboard magnate may have been exacerbated by the fact he was the latest in a string of owners, spanning several decades, who had left things in a mess.

Clark got to work—part-time, initially—bringing things back up to snuff. He asked a lot of questions. “I’m not a farmer, and I’m not a rancher,” he said. “So I try to find people who know how to do it.”

Gordon Clark, Hay Creek Ranch, Madras Oregon
Photo by Talia Galvin

Hay Creek Ranch began in 1873 as the Baldwin Sheep and Land Company. At one time, the ranch ran 50,000 sheep (this was a time when plenty of open grazing stretched from the ranch down into northern Nevada) and created an economy large enough to support a village, complete with a store. A round barn, silo and large rectangular barn—all still in use—date back to the early 1900s. The main house is built around the ranch’s original cook house from 1910.

Today, the ranch employs about a dozen people full-time, including six sheepherders from Peru. It also employs high technology to support the best production practices possible. This comes with challenges similar to those of any factory. Just recently, Clark was in the field trying to figure out why a new tractor identical to one already on the ranch wouldn’t work with the swather harvesting hay for silage. Turns out it wasn’t identical: The PTO that makes the swather work spins in the opposite direction of the one on the other tractor. More troubleshooting.

Clark is obsessive about tracking and technology. Every animal has an ear tag with a chip that stores data about the animal; it’s all tracked in a computer system. Those self-driving cars you hear are coming our way? Tractors have that now, so even a rookie tractor driver goes in a straight line. He was so pleased with the system that, once when out on the tractor after dark, he impulsively turned off the headlights. Two reasons to not try this at home: Deer, while not caught in headlights, almost got run over—plus there was that section of wheel line that did get run over.

“I leave the headlights on now,” he said.

Gordon Clark, Hay Creek Ranch, Madras Oregon
Photo by Talia Galvin

Clark gave a tour from the tight leather seats in the cab of his Ford Raptor, a high-performance short bed version of Ford’s classic F-150 work truck. The cab floor is littered with fast-food wrappers at the foot of the jump-seats. At the shop, he checked in on the progress of projects around the ranch and pointed out key pieces of equipment, including a twenty-nine-foot-wide swather and hay wagon that would bring the first cutting to silage pits over the next few days.

The silage pits are modeled after a design Clark learned about from a Dutch rancher: Concrete walls a little more than twice an average person’s height surround three sides of a rectangle about twice the size of a basketball court. As he explained the concept, a small crew wrestled with a huge tarp, intended to line the walls and cover the hay. Typical hay-cutting methods leave hay to dry on the ground where it is cut, then it is baled and stored for future use. Silage, instead, takes the green hay and encases it in sealed bins—sometimes plastic tubes—for storage. It requires an oxygen-free environment, hence the tarps. The process is tricky to do well, but storing the feed while it is moist preserves nutrients that would get lost in the drying process.

Clark drove into the concrete bunker and stepped out of the truck. “David,” he shouted. Turning back, Clark described David Auscheman, who oversees the sheep operation, as “one of the smartest guys I know. Tough. Feisty. Hard-working.” When Clark opened the half-door to the jump-seats, Auscheman pushed the wrappers aside and climbed in.

Hay Creek Road used to be what Clark called north-central Oregon’s “El Camino Real.” The Dalles to Prineville Stagecoach Road ran parallel to what is now Highway 97, and brought goods into and out of the area before the high bridges spanned the Crooked River Gorge at Terrebonne. It’s a well-maintained gravel road with no serious washboarding, but Clark hit the gas anyway. “It’s smoother when you go fast,” he said.

Clark headed north to Ashwood Road, turned right, then left and through a couple of gates into rangeland before decelerating in this slower world.

Sheep handed Clark the toughest learning curve at Hay Creek Ranch, and he said that he regularly travels hundreds of miles seeking advice. “It’s difficult to get information—not very many people do this,” he said.

In the distance, a familiar white shape was parked atop the ridge near where one of the three bands of sheep were grazing. The silhouette makes it clear that a traditional sheep wagon’s configuration hasn’t changed in a century and a half, though this wagon shows modern touches with a metal (rather than canvas) shroud and a solar panel. The back always points northwest to allow the sunrise alarm clock to shine through the front door. To the west is what would be a multi-million-dollar view for a real estate project.

“They always find the best view to park,” Clark said of his sheepherders.

Another quarter-mile up the road, 1,050 sheep and their lambs were clustered off the side of the dirt path. Great Pyrenees guard dogs and a herding dog greeted the truck. Back at the ranch house, the Pyrenees behave like 100-plus-pound lap dogs. Here, they keep coyotes away and their calm demeanor helps sheep feel secure. Their fur matches the sheeps’ wool, and they pack about as much dirt into their coats.

Over a period of several days, a herder takes a band of sheep from the wagon up the road to graze a new section of ground each day, going back to the area around the wagon at night. The choice of sheep breed, Rambouillet, was made in part because of their instincts to herd closely.

Gordon Clark, Hay Creek Ranch, Madras Oregon
Photo by Talia Galvin

In the eighteen years since moving to Hay Creek from his home in the hills of Peru, Auscheman said that he and Clark have bounced a lot of ideas off each other. “We’re learning something all the time,” said Auscheman. “We talk a lot, ask a lot of questions.”

Over time, Clark and his hands asked enough questions and came up with enough ideas that Clark was named 2010 Livestockman of the Year by the Jefferson County Livestock Association.

This process of continually asking questions and coming up with ideas is shared by other successful ranchers.

“If you ever think you’ve got it down, you’re in the wrong business,” said Dan Carver. He and his wife Jeanie own Imperial Stock Ranch west of Shaniko, about thirty miles north of Clark’s ranch.

Sharing ideas is part of what Carver called “show-and-tell days” at farms and ranches where people are trying out new stuff. It’s also a matter of preservation. “We’re less than 1 percent of the population,” said Carver. “That makes it pretty important for us to talk with each other.”

Constant adaptation is part of that survival as well.

“These are changing times for sure,” continued Carver. “Climate change is a real thing. We say if we get two inches of rain in May, we’re off to a good start.” As of mid-May, he said there had been hardly any rain.

In discussing the ranch operation, Clark often used the term “factory.” He invokes the “Toyota Way” model for continual improvement and documentation of that improvement. He writes everything down, has much of the material translated into Spanish, and makes sure everyone follows the processes. If something breaks, they fix it and figure out how to keep it from breaking again. That reversed PTO on the tractor? He learned that there’s a checkbox on the order form to specify the rotation direction.

“One guy explained [to me] that ranching and farming is a series of small crises,” said Clark. “When something goes wrong, you try to fix it so it doesn’t happen again.”

If you drove east on B Street in Madras past the edge of town, kept going past the prison (don’t turn left), then continued on the dirt and gravel for a few miles, you’d see the first signs of the ranch: cattle fencing, downed junipers, occasional no-trespass signs that say Hay Creek Ranch or Centerfire Outfitters. At the crest of a long, easy slope, you’d sweep around a curve to see a lush green valley of hay, grain and lush pasture.

You could stop and look, but only if you parked on the shoulder. People sometimes drive fast because it’s smoother, you know. The sights you’d see are becoming less common. The challenges of passing on a family farm is a common theme in Midwest agriculture circles. Here, events such as the S&L crisis have some ranches changing hands regularly. The Big Muddy, just up the road? Thirty years after it was a commune for thousands of red-clad followers of Bhagwan Shree Rajneesh, it is now a Christian youth camp.

What’s the future for Hay Creek Ranch? Who’s going to take it over? Clark is adamant when the question is raised again late in the interview: “I won’t go there.” He did say that “If I get tired of the ranch, I’ll stop doing it.”

Clark, though, doesn’t seem tired of the ranch. “I really like it out here,” he said, and he definitely doesn’t find any time for sitting still. “Someone gave me a book recently. I’ve got a stack of fifteen books to read now.”

The systems for grass, grain, sheep, and cows that he and his workers have created continue to be developed and tweaked. Things break, things get fixed, then the solutions are put into writing. Whatever the future might hold for Hay Creek Ranch, at least there’ll be a manual waiting to be read.

Gordon Clark, Hay Creek Ranch, Madras Oregon
Photo by Talia Galvin
Sisters Cascade Polo Club: Sport of Kings, for Cowboys
Sisters Cascade Polo Club, photo by Talia Galvin
Photo by Talia Galvin

interview by Mary Hinds

Sitting inside the barn at Some Day Farm in Tumalo, the Cascade Polo Club started their season with a team meeting around a ping-pong table. Tiny posts set on metal washers marked the goals, as Daniel Harrison moved wooden blocks around a white marble, going over the rules of the game with his team before they saddled up. One of only three polo teams in Oregon, Cascade Polo Club aims to introduce the sport of kings to both riders and spectators in Central Oregon.

“Polo is a rare bird in these parts, but it’s a good fit,” said Harrison. “There are a ton of horses out here and a ton of horse people who want to learn—it’s a nice thing to pass on.”

Harrison first started riding as a hunter-jumper, but says as soon as he swung a mallet, he was hooked. He began playing professionally in the 1970s and has competed for the U.S. in ten different countries. In 1975, his team at the University of California, Davis won the National Intercollegiate Polo Championship, bringing the tournament’s prestigious trophy to the West Coast for the first time. This launched a streak of wins in seven out of the ten years that followed.

In 1981, just out of veterinary school, Harrison moved to Bend to set up a practice in a town that fulfilled his three needs: a trout stream, a ski mountain and a place for a polo field. He eventually founded the Cascade Polo Club in 1996 and began an instruction program to teach local riders the game, he said, was, “too good to quit and too good not to share.”

“It’s the most fun you can have on the back of a horse,” he said. “There’s no arena, no boundaries—it’s a unique riding experience that appeals to horse people, [like] a chess game played at a gallop.”

Saddled up on Harrison’s six polo-trained ponies, the team’s weekly practices consist of clacking mallets and lots of laughter from both experienced players and newcomers to the sport. Kelsey Kelly played polo during college for Colorado State University and said she fell in love with the sport because of the people.

“I started to try out for the equestrian team but they were kind of ‘tight-bunned,‘ if you know what I mean,” she said. “Then I saw these people ponying horses with a beer in their hand and I thought ‘who are those people?’ The personality in polo is really laid back; the camaraderie is awesome.”

Newcomer Helen Schwab had never played polo until last year. Moving to Oregon from Alaska, she missed riding horses, found the club online and gave Daniel a call.

“I’m still catching on,” she said of the sport after the team’s chalk talk. “The rules are so intricate, but you just have to get out and ride.”

Calling in professional players from all over the Northwest, the club participates in four tournaments a year, as well as multiple dual meets. Hosted on Harrison’s practice-sized (but pristinely green) polo field at the farm, home matches bring in hundreds of spectators from the community, with half of the ten-dollar entry fee benefitting a local nonprofit. Sponsored by Central Oregon businesses, games have been known to bring in crowds of up to 450 people and have supported more than twenty local nonprofits over the years, including animal shelters and a horse rescue.

With complicated rules (sides change after each score) and lingo such as “bumps” and “chukkers,” the game can be confusing to watch, but also thrilling. Harrison describes games as family events, picnic-style, with more people wearing Carharts and t-shirts than fancy hats.

“The mystique is attached to the upper class, but this isn’t the queen’s polo,” said Harrison.

“This is everyday polo. It’s more grassroots, more fun, more accessible and there’re a lot more appaloosa.”

For a photo gallery of the Cascade Polo Club, click here.

Susanne Kibak Redfield

From mainstream to main street, this Sisters artist rose to commercial success before returning her brand and designs to a small-town scale.

written by Lee Lewis Husk

Bend_Magazine_Susanne_Redfield_Artist_Profile_Sisters_Studio_Redfield_by_Talia_Galvin(14of19)
Photo by Talia Galvin

Decorative, hand-painted tiles have formed the backsplash of Susanne Redfield’s life for the past thirty-five years. Among her professional successes was the time she made tiles for White House holiday decorations. She ran a commercial and custom tile factory from Redmond. She hobnobbed with the country’s best interior designers and sold a line of hand-painted ceramic tiles through Ann Sacks Tile & Stone, a Portland-born company. When Ann Sacks sold her business to Kohler (of plumbing fame), Redfield’s tiles got fired into prime time, appearing in twenty-three showrooms from New York to Los Angeles and London.

All this success happened from Sisters, where Redfield has lived since the early 1980s. “It’s been fun to do what I’ve done from this little town,” she said. “I didn’t have to live in New York to access the markets.”

Redfield earned a degree in ceramic arts from the University of California Santa Cruz and began as many fledgling artists do—selling the product of her craft at Saturday markets. Her work caught the eye of a local contractor and interior designer who commissioned murals for kitchens and baths in Black Butte Ranch.

“I love the utility of tile,” she said. “It is a building material everyone needs, but it is a constant challenge to make an everyday item transcend the mundane and really become an inspirational surface that lifts the spirit.”

As commissions poured in, Redfield opened Kibak Tile to manufacture hand-painted tiles. In 1996, the factory moved into an industrial space in Redmond where Kibak made high-end tiles for everything from pools to restaurants.

By 2013, Redfield was ready to downsize. She sold the factory to a California company and repurposed her energies toward opening Studio Redfield on Hood Street in Sisters in 2014. The space is part gallery, part studio, part retail store. It’s a place where local artists and crafts-people can showcase and sell their work—from husband Randy Redfield’s contemporary paintings and Kathy Deggendorfer’s folk art to hand-carved wood pieces, tribal art, jewelry and even her mom’s hand-knit baby sweaters.

Redfield is looking forward to collaborating with companies such as California-based Fireclay Tile, which recently launched a hand-painted collection of Redfield’s designs. Instead of selling out of a showroom, the company sells factory direct to consumers, she said, allowing her to focus exclusively on design. For production with non-Fireclay products, Redfield is doing research and development on new patterns and glazes with an Arizona factory that has cutting-edge tile-making capabilities. From her small studio on Hood Street, she hopes to launch other national accounts.

“I never thought of myself as an artist in the classic sense,” she said. “I think of myself more as a designer in the same vein as furniture or fabric print designers. The challenge is to design something unique but livable, something lasting and not trendy.” 

Weekend Camping Warriors
Sisters Wilderness, photo by Mike Houska
Photo by Mike Houska

From walk-in wilderness to full hook-up RV camping, Central Oregon has a multitude of camping destinations. Here are six must-see sites that suit every style.

written by Eric Flowers

GRAB THE KIDS

Car Camping

Car Camping. It’s still a dirty word in some circles, usually predicated with some dubious claims of laziness. (Hint: there are no lazy people in Bend. And if there are, they aren’t out camping.) Kids are also a convenient excuse. As in, “We used to backpack the (insert amazing, secluded wilderness area), but with the kids…”

The dirty little secret is that car camping is as American as the fastball and cherry pie. So let’s stop making excuses as to why we loaded up the Subaru to overflow, brought two sets of everything and threw in the reclining chairs for good measure. Camping in style doesn’t go out of style.

That isn’t to say there isn’t a time and place for a multiday backpacking trip subsisting on dehydrated food and filtered water, but let’s give car camping its due. With that said, you could probably exhaust back issues of any camping-centric magazine looking for the perfect destination and not find a better basecamp than Bend. Local geography finds us perched on the edge of a mountain range and a desert that stretches to the Great Basin. It’s not an exaggeration to say that you could stand atop Pilot Butte, survey the horizon and find a worthy destination in every direction. With so many options, here are a few recommendations to either add to your bucket list or keep in your regular rotation.

TENTWild & Scenic Crooked River

Just a short forty-five-minute drive from most parts of Bend, it’s easy to forget just what an amazing resource Central Oregon has in the Crooked River. One of two major tributaries to the Deschutes, including the Metolius, the Crooked River springs to life high in the Ochoco Mountains before turning northwest toward its intersection with the Deschutes at Crooked River Ranch. Before it gets there, it passes through a roughly fifteen-mile stretch below Prineville Reservoir that was designated as a Wild and Scenic waterway by Congress in 1988. Here the river twists through a rugged basalt canyon with soaring rimrock walls. The river dances along in riffles and pools beside the Crooked River highway, offering amazing access to this resource. Beginning at Big Bend, just below Bowman Dam, campgrounds sprout along the highway—tucked in groves of mature Ponderosa and juniper. Thanks to good fishing and great access, spots can be hard to come by in peak season, but those who arrive early are rewarded with a stunningly scenic backdrop for a weekend camping excursion.

“It’s nice when you live in the city to get away from the stress and everything,” said Melissa Byrne, who staked out a perfect spot below the iconic Chimney Rock on an early May weekend.

Byrne, 53, who works as a service contract manager, said she and her partner weren’t headed anywhere in particular when they packed up their station wagon and loaded in their dog, George, an amiable Dachshund mix.

“We try not to go to the same place twice,” she said. “We kind of go where we end up.”

East and Paulina Lakes

While sometimes overlooked by locals, this popular destination draws visitors from around the Northwest and beyond—and for good reason. It’s not every campground that’s nested in the belly of a dormant shield volcano, though you wouldn’t really guess Newberry’s cataclysmic history based on the serenity found there today. Thanks to restrictions on motorized recreation, the entire inner rim of the volcano is designated as a National Monument. It’s easy to slip away from the sounds of the campground and escape for a quiet sunset. A year-round destination for some, thanks to extensive snowmobile and backcountry skiing opportunities, Newberry really comes alive in late spring when the road is finally cleared after a winter of accumulated snow. This opens up scores of small and large campsites that ring the two lakes located in the bowels of the volcano, a product of eons of snow and rain melt. In addition to world-class fishing (Paulina Lake yielded the state record brown trout), there are miles of shore hiking trails, as well as a popular trail around the entire crater rim that is a must for experienced mountain bikers. There are also DIY hot springs around the area that make for great soaking pools when dug out with a shovel. A pair of resorts (one on East Lake and one on Paulina) means you’re in luck for last-minute supplies.


(NOT) ROUGHING IT

Trailers & RV

trailerCombine the fickle weather of the Northwest with the predictable unpredictability of mountain climates and you have a recipe for snow in July and frost on the ground before October. This can make for, well, challenging conditions to enjoy the great outdoors. Add in a few kids and overworked parents, and you’ve got a recipe for a camping disaster. It’s probably no wonder that so many families have embraced a refined approach with the addition of travel trailers and, in some cases, motorhomes. But let’s get this out of the way: No one wants to saddle up next to a rig with a generator running outside their tent door or wake up with a forty-foot coach parked in what was previously a view of the evening sunset. That being so, there’s a time and place for trailers and motorhomes. Those who thumb their noses should try sleeping in a tent with a crying infant or spending a weekend huddled against an October winter storm with only a vinyl wall for insulation. Trust us. There’s a better way.

Dave Naftalin was so smitten with camping and the outdoors as a kid growing up on the East Coast that he worked for a time as a park ranger as an adult. Like many children of the ’90s his interests tended toward backcountry camping and the exploration of remote places. But like others of his generation he got married, had kids and discovered that unlike his favorite mug, the kids didn’t fit neatly in a backpack. There were other reasons, too, that led Naftalin and a friend to decide five years ago to split the cost of a second-hand motorhome. It was the convenience that finally led them to make the leap.

“The two factors were kids number one and wanting to go to Bachelor and camp every weekend of the winter if we wanted to with the kids,” said Naftalin.

They also found that it came in handy at music festivals where a personal bathroom is a great alternative to porta potties and the attendant conditions.

While he readily admits that he and his wife don’t fit the motorhome stereotype, it’s a contradiction that they relish. These days he loves pulling up to a cavalcade of silver-haired motorhomers and watching the reaction as his kids burst forth like soda from a shaken bottle.

Depending on the weekend, the motorhome can be headed to mountain, coast or desert. Sometimes all three. There’s always one common denominator, said Naftalin: “The family is in its most harmonious state in the camper.”

Cove Palisades State Park

If you’d rather have the convenience of full-electric hook-ups, access to shower facilities and other amenities but don’t want to sacrifice the sunsets, look north to the Cove Palisades State Park where more than 150 full RV slots are split between two campgrounds. You won’t be lacking for creature comforts but there are also opportunities for hiking and bird watching, including the annual Eagle Watch event in February that draws hundreds of birders and raptors alike. There is also ample access to Lake Billy Chinook, the expansive reservoir that lies behind the Pelton Round-Butte Dam complex at the confluence of the Deschutes, Metolius and Crooked rivers. Whether it’s fishing, pleasure boating or wakeboarding and tubing, there are plenty of ways to whittle the day away on the water. Boat rentals are offered at the marina on an hourly and daily basis.

Walton Lake

While most National Forest campgrounds are suited to accommodate RV’s and travel trailers, some are better equipped to accommodate larger vehicles. Walton Lake is one of those destinations. Several years ago the campground received a makeover to make it more accommodating for these visitors. Today the cozy campground in the Ochocos has twenty-one sites set up for RV’s and trailers. The campground offers easy access to its namesake waterbody, a small lake that is stocked with trout and includes a beach for summertime frolicking. There are also nearby hiking trails, including a loop at Walton Lake and the multi-use Round Mountain Trail.


PACK IT IN

Backcountry

backpackWe may not have the peaks of Yosemite or the grizzlies of Glacier, but Central Oregon is a perfect launching point for countless backcountry camping adventures. From subalpine lakes ringing the Three Sisters to the novelty of paddle-in camping at Sparks Lake, there is a backcountry itinerary for anyone who has a passion for exploration. Here is a short list of overnight backcountry trips that offer a taste of what the region offers.

Mt. Jefferson Wilderness

Just beyond the faux-Western storefronts of Sisters lie more than 100,000 acres of federally designated wilderness with the majestic Mt. Jefferson at its heart. More than 100 alpine lakes, many of them stocked with trout, dot the landscape. Almost 200 miles of trails offer untold opportunities for exploration. Depending on the time of year, don’t be surprised if you encounter hikers passing through on an epic quest to complete the 1,000-mile Pacific Crest Trail. Some forty miles of it wind through the Mt. Jefferson Wilderness. In terms of breathtaking terrain and diversity, it’s hard to beat the area. However, it’s also heavily trafficked. So much so that the Forest Service has moved to a limited entry permit system at many of the most popular areas, including Jefferson Park and the Pamelia Lake areas.

“Because Mt. Jefferson is located between major populations in the valley and Bend, Redmond and Sisters, it is very highly used. You will see a lot of people. If solitude is what you’re looking for, it’s probably not the place to go,” said Brad Peterson, wilderness manager for the Willamette National Forest. “That being said, it does have some amazingly unique characteristics that you won’t see a lot of in other places.”

Two such characteristics include the park’s eponymous peak, the second highest in the state of Oregon, and areas that are recovering from recent wildfires and offer a glimpse into how healthy ecosystems rejuvenate.

Three Sisters Wilderness & Cascade Lakes

Myriad options greet explorers of this expansive wilderness area just minutes from Bend. This is also the place where many families choose to embark on their first tentative steps into the backcountry with younger children. (It’s easier to be ambitious when your safety is a home or hotel less than an hour away.) Chad Lowe and wife Sarah Durfee made their first foray about four years ago, on an overnight trip to Todd Lake with son Ethan, then 5 and daughter Zoe, then 3.

“They carried in their stuffed animals,” recalled Lowe, an assistant principal at Redmond High School. 

Since then it’s become an annual outing, usually involving other families.

“We try to pick a new spot every year and we go with two other families. They have kids around the same age. So our range expands a little every year (as the kids grow older),” said Lowe.

While the Cascade Lakes Highway opens beyond Mt. Bachelor around Memorial Day, it can be weeks before some of the area’s high country is accessible. Once the snow recedes, it opens hundreds of miles of trails and backcountry exploration options. Hikes through dense stands of hemlock and Doug fir lead to hidden waterfalls and shimmering alpine lakes tucked in the shoulders of the surrounding hillsides. Similar to Jefferson, this is a highly-trafficked area and is particularly vulnerable to human impacts. Respect the leave no trace ethos and familiarize yourself with all local regulations, including fire regulations and camping restrictions.

Central Oregon Cascades
Photo by Pete Alport
Sisters Cascade Polo Club Gallery

Daniel Harrison played polo professionally beginning in 1975 and has played for U.S. internationally in 10 different countries. Recruiting local riders to learn the sport of kings, he founded the Cascade Polo Club in 1986. While polo is often perceived as a sport for the elite class, Harrison’s philosophy involves respect in the saddle and checking your ego at the barn.

“Riding well is more important than hitting the ball, we cannot play the game without the generous contribution of the horse,” Harrison said. “I teach polo from the ground up, and as a veterinarian, I am particularly attentive to how the horses are being treated and ridden. They do not have a voice in this game, but yet represent 75 percent of the game. If you cant get to the ball in control, you can’t hit it.”

Photos by Talia Galvin. Players (and horses) pictured:

White team: Wendy Kelly (Australia), Katey Kelly (Spice Chic), Kelsey Kelly (Sweet Pea)

Blue team: Ben Peterson (Clark Kent), Dan Harrison (Skookum), Helen Schwab (Cracker)

A Flavorful Marriage
BendMag
Photo by Talia Galvin

With family ties rooted in Bend, Ariana continues to please

Chefs Ariana and Andres Fernandez have been bringing their energy into the kitchen every day since they opened Ariana together over a decade ago.

A California native from an Italian family, Ariana attended Cascade Culinary Institute where her husband Andres had also studied—a coincidence they discovered while working side by side at another restaurant.

Housed in a bungalow on Bend’s West Side, Ariana began as a family affair. In 2004, Ariana’s parents saw the culinary talent and creative possibilities in the Sicilian and Colombian marriage and offered to provide funds to help the couple start a restaurant. Ariana’s father, Glenn Asti still pairs wines as the beverage manager and is part of the reason the Sicilian calamari is a staple.

On any given day, you can find Chef Ariana delicately chopping sage, boiling small potatoes, and skimming a cream sauce. As she pounds, pushes and kneads the daily focaccia, she comments about the value of incorporating local ingredients.

“The joy of being small is we can infuse and celebrate any local product that is seasonal,” she said, “It can be a main dish or an accent and makes every day inspired.”

Indeed, Ariana’s menu changes frequently, sometimes daily, depending on ingredients and the time of year. For example, Ariana’s spring menus will feature ramps, a petite scallion cousin, alongside Hermiston asparagus.

In 2013, the James Beard Foundation described the restaurant’s cuisine as “rustic Pacific Northwest with an elegant Mediterranean sensibility,” but according to Chef Ariana, the restaurant’s fare has evolved with local flavors over time.

“I think we are just modern Americans who really enjoy Central Oregon and create eclectic seasonal moments,” she said.      -Andes Hruby  arianarestaurantbend.com

Find Ariana’s recipe for Hermiston Asparagus Bisque Here

Susan Luckey Higdon

Known for her honest, interpretive work informed by Central Oregon’s  interesting light and color, the self-taught artist who created a local cooperative is now gravitating toward the abstract.

Like many artists, Susan Luckey Higdon sees things that others don’t. She points to a ponderosa pine outside her living room window in southwest Bend and says most people see a tree; she sees a rainbow of color and shades of light and dark. The self-taught artist and member of Tumalo Art Co. in the Old Mill District has been pulling inspiration from the Central Oregon landscape for twenty-five years. She started painting while working full time as a graphic designer and raising a family. We ask the local artist about paints, pastels, and what it takes to “see” the Central Oregon landscape.

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Photo by Talia Galvin

What brought you to Central Oregon and when did you start painting landscapes?
I moved to Central Oregon from the Eugene area over 30 years ago to be an art director for a magazine. About 24 years ago, while still working as an art director in an advertising agency and with two young children, I began to paint landscapes-mostly to do something completely from my right brain and for myself. I started out using soft pastel because they were easy to get out and put away…I would paint in any short block of time that I could carve out. I didn’t have a studio to work in at that time.

Tell us a little bit about your studio. What do you like the most about your workspace?
My studio is not that large but I use every inch of it and can work on very big pieces, and a couple of paintings at once, if I want to. It is attached to my home in such a way that I can be involved in what is going on, but still be “away”. This was important while my kids were growing up…now not so much, but I still love the connection. It has great light with big windows and is a very peaceful space for me. I have also given myself permission to let it be messy.

What’s the one color you couldn’t paint without and why?
I mix all of the colors I use in my paintings from the three primary colors, rarely adding a color outside of those. So, I couldn’t do without any of them! As far as colors that are dominant in my work, there are a lot of blues and I love a very pale, warm yellow. The color of the grasses in winter in Central Oregon. And then that hit of aqua on a ridge line. Capturing the color of deep water and sky is an ongoing challenge.

For you, what’s one of the hardest things to paint?
One of the reasons I paint so much water—above and below the surface, is not only because it is mesmerizing to me, but because it’s so challenging.

Describe your creative process- where do your best ideas for paintings come from?
When I am out, I take photos of the things that catch my eye. Usually patterns, shapes with color, or light that is hitting the landscape in an unusual way. I work the compositions until I like what is happening, either in photoshop or by physically folding and refolding an enlargement. What interests me most is to abstract reality using composition, which creates a little bit of friction, causing the landscape to be viewed in a slightly different way. I have to be able to “see” the essence of what I want to capture using paint. Then I can do it. Sometimes that feeling of being able to “see” it is very fleeting.

 

High Desert Maker Mill’s Scot Brees on Where the Next Big Ideas are Being Incubated

Editor’s Note: This article was originally published in October 2015. The Maker Mill is now known as The High Desert Makers.

The “maker movement” has been gaining momentum for the past fifteen years, cultivating skills and community spaces to localize manufacturing again and challenging conventional business models. Central Oregon was late to the game, not really having much to speak of until 2013, but High Desert Maker Mill president Scot Brees sees that as an advantage—local makers can see what has worked and what hasn’t. The High Desert Maker Mill is a nonprofit that opens this fall. It will be a community resource for local makers—developers, fabricators, entrepreneurs, screen printers, designers, metalsmiths, 3D printers and engineers—or people who want to gain the skills to become makers. The nonprofit space wants to be the venue for “Aha moments” that might launch the next big thing.

Scot Brees sat down with BEND Magazine to talk shop.

Tell me more about the “maker movement.”

The maker movement really started with the fabrication labs from MIT and the concept of shared tooling, the traditional co-op space. It really picked up momentum about fifteen years ago or so because people started getting access to advanced technology, and some of the patents on the proprietary hardware were going away. People were actually able to modify and hack the technology, and make it more affordable and accessible … We refer to it as the modern industrial revolution.

What kind of people do you want to bring into the Maker Mill?

In its simplest form, we want people with ideas. We want people who want to develop products, think of an idea to improve something, or as they typically refer to it, ‘hack’ something that already exists. We want entrepreneurs and inventors to come in. That’s how we are differentiating our space because in addition to offering workshops to the community or to the people that just want to learn skills, we want people to take those skills and turn them into products. `Zero-to-maker’ is someone who doesn’t necessarily have a skill or experience but wants to learn something. Then you’re a maker. So maker-to-maker is about sharing experience with other people. And the last one is maker-to-market, taking an idea or a product or that skill and making it a marketable product or a service. I think that last part is really the big one that we’re finding a lot of demand for.

What makes Bend a good place for this type of resource?

We have the expertise, the subject-matter expertise, and here in Central Oregon, if one of those products starts to take off, then we’ve got the venture capital groups, we’ve got development groups, and we’re right around the corner from what is basically becoming the entrepreneurial district.

Do you think the maker movement will become the norm?

It absolutely is. Advanced manufacturing, using the technology to be able to make manufacturing more efficient or more accurate is already on the cutting edge, and you see a lot of that here in Central Oregon. There’s a lot of focus on that education—the career technical education. One of the other things we’re noticing around the country and around the world, is that economic development organizations are identifying the maker movement and these maker-spaces and saying, ‘Hey, that’s where our next big things are going to come from.’ These are actually altering the way that business is done in our community and not in a bad way.

You guys are also working with the schools and doing workshops with kids?

I came to Central Oregon and started working with Oregon State University doing youth programs. I oversee youth robotic programs as well as some other science and technology classes. The kids understand this stuff, they’ve grown up with it and they just get it. I took a local team of robotics kids down to Silicon Valley to compete at a robotics tournament. On the way back we stopped at the Jelly Belly factory, which is just arguably a tourist destination, but Jelly Belly’s a very high profile company across the world. They have a manufacturing line tour, and the kids who were in this robotics program were looking around, talking and describing the entire manufacturing process. The technology they were using with the robots was already more advanced than the technology process that’s used in manufacturing that product.

What is the ultimate goal for the Maker Mill?

We know what infrastructure is necessary to enable the opportunities, whether it’s for kids, adults, businesses or whatever. The partnership we did with Cascade Divide Data Centers was incredible because they had a building that was under-utilized. We’re in a building now that has shop space, lab space and offices. Somebody can literally come in and learn a skill, they can share with other people, and then they can actually catalyze and start a business. We’re building a community, and out of the community are going to come a couple of those entrepreneurial lightning strikes that just explode. But at its heart, what we’re building is a community center, a community maker-space.

To see what the High Desert Makers are all about, visit their website here.

Shaniko

Oregon’s High Desert, Old West Town

North of Madras on Highway 97, the town of Shaniko was once the largest inland wool shipping center in the world. It was formed in 1900 when the Columbia Southern Railway was built for Central Oregon, and the terminus was planned for the high plateau in Shaniko, surrounded by grassland. People began pouring into Shaniko, living in tents until lumber was delivered for buildings. With priorities in mind, residents built a saloon first. Freight wagons came from as far away as Northern California to ship their goods north on the railroad. The town set a record of $3 million in wool sales in 1903, and at its peak, the town reached a population of about 600 in 1910.

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Photo by Talia Galvin

The Columbia Southern Railway couldn’t continue past Shaniko because of Cow Canyon to the south, and once the Des Chutes Railroad was built along the Deschutes River to Bend in 1911, traders from the south stopped making the trek to Shaniko. Now an inhabited ghost town, population 32, it’s a roadside testament to its history. Walking along the wood-plank sidewalks makes you feel like you should have a six-shooter in your holster, but it’s a perfect place to wander, find souvenirs or storied antiques, and enjoy an ice cream cone at End of the Trail Ice Cream shop. The town’s setting and historic buildings make for a photographer’s playground worth more than just a glance from the car window while passing through.

Don’t leave without stopping by the Imperial Stock Ranch but call ahead and schedule a tour. Imperial produces hand-crafted meats, yarn, wool and apparel. For the 2014 Winter Olympics, Ralph Lauren selected its Imperial Yarn for Team USA’s opening ceremony sweaters.

541.395.2507 | imperialstockranch.com


Read more TRIP IDEAS here. 

Chris Cole

Chris Cole’s kinetic art transforms discarded metal and bike parts into wondrous moving creatures.


Ripley’s Believe It or Not! and the luxury department store, Barneys New York, wouldn’t seem to have much in common. Yet, they share an aesthetic that converges on a quiet back street of Bend, where sculptor Chris Cole transforms new and salvaged metal scraps and discarded objects into fantastic works of kinetic art.

Thousands of New Yorkers and holiday shoppers this past December got to see “Patterson,” a mechanized and metallic owl sculpture nestled in a holiday window display at Barneys’ f lagship store on Madison Avenue. The six-and-a-half- foot, 500-pound bird rotated its head, ruffled its feathers, told tales and peered back at the crowd through its motorcycle headlight eyes. Cole isn’t sure how the iconic department store found him, but he was honored to receive the commission. At the opening, Cole said he loved watching New York bike messengers screech to a stop and take pictures of the owl.

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Photo by Talia Galvin

When the gig was over, Barneys returned ownership of the sculpture to Cole, who found an eager buyer among an existing collector, Ripley’s. The owl will eventually entertain visitors at the San Francisco Ripley’s on Fisherman’s Wharf.

“Basically, Ripley’s buys funky art and interactive pieces,” he said, adding that the owl is the tenth motorized sculpture the international franchise has bought from him. His kinetic sculptures run by electric motor or hand crank; the owl, his largest piece yet, has five motors running its parts.

As a former bike mechanic and self-described tinkerer, Cole started drilling, tapping and welding leftover bike parts and other objects into sculptures in the late ’90s—“just for the fun of it,” he said. Today he works from an old school bus parked in his backyard. The bus is lined with bins of bicycle gears, chains, spokes, hubs, motorcycle parts, even artificial human limbs.

Cole draws inspiration from the convergence of the natural and industrial worlds. “I’m an outdoorsy person, which contrasts with my work—machines, motors, electronics and all these recycled objects,” he said. His portfolio of paintings, sketches, and kinetic sculptures features many different creatures, but fish are his favorite. “I love the body shape of fish,” he said. He evokes Leonardo da Vinci’s drawings of flying machines as an influence on his bird sculptures and drawings.

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Photo by Talia Galvin

Appreciation for his art is growing among collectors and museums. He currently exhibits at RiverSea Gallery in Astoria and R E Welch Gallery in Seattle. His kinetic sculptures sell for an average $10,000, with some going for as much as $22,000, giving the 45-year-old Bend resident the opportunity to spend most of his time pursuing his passions— tinkering in his studio and camping on the Oregon Coast.

 

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